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You've selected:
A Different Story
Flute and Piano
Sheetmusic to print
4 sheet music found
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1
Fastnet Rock
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Flute and Piano
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ADVANCED
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Contemporary
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99
Salome Tanz (Dance of the Seven Veils)
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Flute and Piano
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ADVANCED
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James Strauss
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James Strauss
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Salome Tanz
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James Strauss
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contempora...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer Loïe Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.
$29.99
Pachelbel: Canon for Alto Flute & Piano
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Flute and Piano
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INTERMEDIATE
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Classical
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pag...
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Flute,Piano - Level 3 - Digital Download SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386271. Published by jmsgu3 (A0.548462). Pachelbel's Canon arranged for alto flute & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$26.95
Journeying (for Flute Solo)
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Flute and Piano
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INTERMEDIATE
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Contemporary
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Adam Lenhart
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Journeying
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Adam Lenhart
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.949367 Composed by Adam Lenhart. Contemporary. Score and part. 7 pages. Adam Lenhart #5196759. Published...
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Flute,Piano - Level 3 - Digital Download SKU: A0.949367 Composed by Adam Lenhart. Contemporary. Score and part. 7 pages. Adam Lenhart #5196759. Published by Adam Lenhart (A0.949367). Journeying is a new and original composition designed around a long and exciting travel. This piece modulates constantly to show the changing environments of the journey, yet maintains the walking and bouncy pace of the adventurer. This solo is designed to show off the player's ability to perform accurate and clean arpeggios in 10 different major keys, as well as their ability keep the constant walking pace throughout the entire song.Journeying was selected as the winner for the University of Toledo Young Composers Competition in 2020.Includes full score and individual solo part.This piece is also available for the following solo instruments: Oboe, Violin.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$3.99
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