Download Digital Sheet Music of All Of The Lights for Flute and Piano

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PIANO & KEYBOARDS

Piano solo 64 Piano, Vocal and Guitar 22 Piano, Voice 14 Easy Piano 10 Organ 7

C Instruments 4 1 Piano, 4 hands 1 Keyboard 1 Big Note Piano 1

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GUITARS

Guitar 3 Bass guitar 3 Lyrics and Chords 1 Electric Bass (band part) 1 Guitar notes and tablatures 1

Melody line, (Lyrics) and Chords 1

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VOICE

Choral SATB 41 Choral 3-part 14 Choral 2-part 11 Alto voice, Piano 10 Choral TTBB 7

Choral Unison 5 Vocal duet, Piano 5 Choral 3 Choral SSAA 3 Medium voice, Piano 1

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WOODWIND

Clarinet Quartet: 4 clarinets 6 Flute and Piano 5 Saxophone (band part) 4 Flute, Oboe, Clarinet, Bassoon 2 Saxophone Quartet: 4 saxophones 2

Flute Quartet: 4 flutes 2 Oboe, Piano (duet) 2 Flute (band part) 2 Clarinet (band part) 2 Tenor Saxophone and Piano 1 Bass Clarinet, Piano 1 Flute, Clarinet and Bassoon. 1 Alto Saxophone and Piano 1 Clarinet 1 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1 Alto Saxophone 1 Oboe (band part) 1 Clarinet and Piano 1 Oboe, Guitar (duet) 1 Soprano Saxophone and Piano 1 Clarinet Quintet: 5 clarinets 1 Clarinet Ensemble 1 English horn, Piano 1 Tenor Saxophone 1 Baritone Saxophone, Piano 1 Saxophone ensemble 1 Flute Trio: 3 flutes 1 Descant (Soprano) Recorder 1

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WOODBRASS

Trumpet (band part) 5 Brass Quartet 3 Trombone (band part) 2 Euphonium, Piano (duet) 2 Bb Instruments 2

Trumpet, Piano 2 Brass quartet : 2 trumpets, trombone, tuba 2 Trombone ensemble 2 2 Trumpets, Keyboard (piano or organ) 1 Brass Quartet: 4 horns 1 French horn (band part) 1 Tuba and Piano 1 4 Tubas 1 Brass Quintet: 2 trumpets, horn, trombone, tuba 1 English horn, Piano 1 Trombone 1 French horn 1 Trumpet 1

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STRINGS

String Quartet: 2 violins, viola, cello 31 String Trio: violin, viola, cello 8 Violin, Cello (duet) 6 Violin and Piano 6 Violin 4

2 Violins (duet) 3 Violin, Guitar (duet) 3 String Trio: 2 violins, cello 3 Cello, Piano 3 Viola, Piano 2 Cello 2 String trio 1 Violin, Viola (duet) 1 Double bass, Piano (duet) 1 Cello, Guitar (duet) 1 String Quintet: 2 violins, viola, cello, bass 1 Harp, Flute (duet) 1 Harp 1 2 Cellos (duet) 1 Violin (band part) 1

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PERCUSSION & ORCHESTRA

Marching band 25 Orchestra 12 Concert band 10 String Orchestra 8 Drum (band part) 3

Brass ensemble 3 Jazz Ensemble 3 Jazz combo 1 Percussion (band part) 1 Percussion Ensemble 1

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All Of The Lights

Flute and Piano

Sheetmusic to print

5 sheet music found

Elven Lights Flute and Piano

Flute,Piano - Level 5 - Digital Download SKU: A0.943032 Composed by Lewis A. Kocher…(+)

Flute,Piano - Level 5 - Digital Download SKU: A0.943032 Composed by Lewis A. Kocher. Contemporary,New Age,Standards,World. Score and part. 14 pages. Lewis A. Kocher #4627565. Published by Lewis A. Kocher (A0.943032). ELVEN LIGHTS for FLUTE and PIANOPlaying time: Appx. 3:45 Seasons/Concert venues: Any It is early evening. As the sun sets and the sky darkens, playful and magical lights begin to appear and dance. It is the time of night for the elves, the fairies, and all of their companions to gather and celebrate.Elven Lights is an exciting fantasy for advanced flute and piano performers. Containing both rhythmic and lyrical sections, it also includes a solo passage for the flute as well as for the piano. A perfect concert piece for any time of year, the music conjures up delightful and mystical realms!A special note to dance studios: Elven Lights is an ideal piece to choreograph, and its solo passages can even be used to highlight specific dancers for their own solos. The music can be performed live or prerecorded: local colleges/universities with music departments should be able to supply performers for either option.

$8.95 8.25 € #Flute and Piano #Lewis A #Elven Lights #Lewis A. Kocher #SheetMusicPlus

Flûte en suite Flute and Piano

Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and …(+)

Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This â€šSuiteâ€™ is not one of my â€˜epicâ€™ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights â€“ acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my FlÃ»te en suite. JÃ¶rg WidmannThis â€šSuiteâ€™ is not one of my â€˜epicâ€™ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my FlÃ»te en suite. JÃ¶rg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) Â· 3 (2. auch Ob. dâ€™am., 3. auch Engl. Hr.) Â· 0 Â· 3 (3. auch Kfg.) - 4 Â· 4 Â· 3 Â· 1 - S. (Glsp. Â· Vibr. Â· 3 hg. Beck. [h./m./t.] Â· chin. Beck. Â· 4 Gongs Â· 4 Buckelgongs Â· 2 Tamt. [m./t.] Â· Wassertamt. Â· gr. Tr. Â· Metal Chimes Â· Peitsche) (2 Spieler) - Hfe. Â· Cel. (auch Cemb.) - Str. (10 Â· 8 Â· 6 Â· 4 Â· 3).

$55.99 51.62 € #Flute and Piano #Joerg Widmann #Flûte en suite #Schott Music - Digital #SheetMusicPlus

Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano Flute and Piano

Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scria…(+)

Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 18.39 € #Flute and Piano #Alexander Scriabin #Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano #jmsgu3 #SheetMusicPlus

Scriabin: Prelude Op. 11 No. 2 for Flute & Piano Flute and Piano

Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scria…(+)

Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 18.39 € #Flute and Piano #Alexander Scriabin #Scriabin: Prelude Op. 11 No. 2 for Flute & Piano #jmsgu3 #SheetMusicPlus

Flights with my Flute Flute and Piano

Fl. Pft. - Advanced - Digital Download SKU: F2.FM670 Composed by Paul Saunders. Thi…(+)

Fl. Pft. - Advanced - Digital Download SKU: F2.FM670 Composed by Paul Saunders. This Trilogy of Flute pieces was composed in 2017. All three pieces take their inspiration from flying. Score and Parts. 30 pages. Forton Music - Digital #FM670. Published by Forton Music - Digital (F2.FM670). ISBN 9790570485697.

$12.95 11.94 € #Flute and Piano #Paul Saunders #Flights with my Flute #Forton Music - Digital #SheetMusicPlus