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CONTEMPORARY - 20-21TH CENTURY
Flute and Piano
Sheetmusic to print
6 sheet music found
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1
As The Deer
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Flute and Piano
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INTERMEDIATE
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Contemporary
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Martin Nystrom
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David Kocijan
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As The Deer
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David Kocijan
#
SheetMusicPlus
Composed by Martin Nystrom. Arranged by David Kocijan. Contemporary. Score and part. 4 pages. David Kocijan #6012395. Published by David Kocijan ...
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Composed by Martin Nystrom. Arranged by David Kocijan. Contemporary. Score and part. 4 pages. David Kocijan #6012395. Published by David Kocijan
Piano and flute transcription.
Solo transcription (EARLY INTERMEDIATE and INTERMEDIATE) including Piano accompaniment available for Violin, Viola, Flute, Clarinet, Soprano, Alto and Tenor Saxophone
Backing track available.
Complete arrangement (solo, piano, strings and bass guitar) available.
https://www.facebook.com/gospelflute/
$9.99
Ain't Nothing Like The Real Thing
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Flute and Piano
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EASY
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Contemporary
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Donny and Marie Osmond
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Jeff Tincher
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Ain't Nothing Like The Real Th
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Jeff Tincher
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SheetMusicPlus
Flute,Piano - Level 2 - Digital Download SKU: A0.582662 By Donny and Marie Osmond. By Nickolas Ashford and Valerie Simpson. Arranged by Jeff Tincher. Con...
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Flute,Piano - Level 2 - Digital Download SKU: A0.582662 By Donny and Marie Osmond. By Nickolas Ashford and Valerie Simpson. Arranged by Jeff Tincher. Contemporary. Score and part. 17 pages. Jeff Tincher #3462725. Published by Jeff Tincher (A0.582662). This is a C instrument and Piano arrangement of the Marvin Gaye and Tammi Terrell Motown hit. When listening to this I really liked the bass part so I tried to keep the bass feel throughout the arrangement. Great song for students and professionals. Would work well with school talent shows. Duration=2:19. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99
Tempest-Concerto for Flute and Orchestra (Piano Reduction)
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Flute and Piano
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ADVANCED
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Contemporary
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Douglas Knehans
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Tempest-Concerto for Flute and
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Armadillo Edition
#
SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081....
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Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Armadillo Edition (A0.1025532). **** ...wonderfully orchestrated... dynamic and endlessly evolving...-BBC Music MagazineTempest is a flute concerto and takes its idea from the movement of the wind around the world, and the 'deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion'. The turbulent opening is immediately arresting. and one can imagine the swirling wind flowing around powerfully. Pulsing rhythms and captivating brass lines reinforce this sense of power, before the mood breaks into a more gentle duo moment for flute and harp. Knehans' orchestration is imaginative and full of colour, making effective use of different timbral combinations and creating a transparency of texture through the use of solo lines from around the orchestra. The flute part is dazzling and takes centre stage with a sense of charismatic virtuosity. Challenging and exhilarating throughout, the first movement has the sort of energy one might associate with the opening movement of the lbert concerto, but intensified and developed to reflect the 21st century flute and the modem world. The second movement has a greater sense of stillness, and the flute line weaves around relatively static strings, low woodwind. Despite the stillness, an underlying intensity gives the music a brooding feel; this is music that deals with profound ideas, and as such, it is vital that the music, too, has depth. Knehans has achieved this convincingly; this is a piece which demands attention and holds you in its spell. The final movement is full of rhythmic punchiness and fantastic orchestral energy. The scoring is once again highly imaginative, making use of bassoons and low brass in pounding rhythms punctuated by the strings. Over all of this, (flutist) Gareth Davies astonishes and dazzles; displaying not only a phenomenal technique but also a magnetic energy and charisma which is spellbinding . I would not be exaggerating to say that this is one of the best flute recordings I have heard for a long time.An impressively vibrant compositional voice. Unmissable.Carla Rees-Pan The Official Journal of the British Flute Society
$35.00
Perfect Day
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Flute and Piano
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INTERMEDIATE
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Contemporary
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Lou Reed
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Ewing Lauder
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Perfect Day
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Ewing Lauder
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.849323 Composed by Lou Reed. Arranged by Ewing Lauder. Contemporary. Score and part. 1 pages. Ewing Laud...
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Flute,Piano - Level 3 - Digital Download SKU: A0.849323 Composed by Lou Reed. Arranged by Ewing Lauder. Contemporary. Score and part. 1 pages. Ewing Lauder #3582675. Published by Ewing Lauder (A0.849323). The original recorded piano and bass parts have been faithfully transcribed in this intermediate arrangement, kept in its original key, of the classic Lou Reed track.A full recording of the this arrangement can be heard here - https://soundcloud.com/ewing-lauder/perfect-day-alto-sax
$4.99
Fastnet Rock
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Flute and Piano
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ADVANCED
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Contemporary
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
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Friction
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Flute and Piano
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ADVANCED
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Contemporary
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Panayiotis Kokoras
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Friction
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Panayiotis Kokoras
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. Wit...
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Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. With Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments couple. 37 pages. Panayiotis Kokoras #431113. Published by Panayiotis Kokoras (A0.1002844). Friction was composed at the beginning for the 8th International Academy for New Composition and Audio Art Avantgarde Schwaz 2000 (Tirol/ Austria), during the Summer 2000. The initial line up adjusted to the Academie’s ensemble in residence Het trio (Flute, Bass Clarinet, Piano) plus Alto Saxophone. Almost One year later I revised the piece and slightly changed the instrumentation, using Violoncello instead of Alto Sax. That gave to the piece more timbral variety with better balance as well as expressed better the work’s musical idea. The starting point of the work is the characteristics of Friction a real world sounding event, which then is abstracted and applied to form the idea for the compositional process. The work has three main sections. The first section is quite homophonic and harmonic; the middle one is inharmonic and energetic and works as crossfade to the last section, which is characterized as a more linear with repeated patterns. The transformation from one section to another is the most important and long part of the composition. It is a kind of transformation of the sound itself, a timbral exploration of the characteristics of the initial idea. Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments coupled with the use of unconventional objects treated as musical instruments or extensions of them (boxes, plastic or metal cards etc). That allows a better development, control and transformation of the sound. Friction was awarded the Second Prize at The Second Seoul International Competition for Composers in Seoul/ Korea and was Finalist at The Ensemble Eleven Young Composers Competition 2002 in Manchester/ United Kingdom. - Panayiotis Kokoras, York 2001-.
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