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Contentment

Four Cat-like Moods Flute and Piano

Flute,Piano - Level 3 - Digital Download SKU: A0.754833 Composed by Sy Brandon. Con…(+)

Flute,Piano - Level 3 - Digital Download SKU: A0.754833 Composed by Sy Brandon. Contemporary. Score and part. 17 pages. Sy Brandon #3006601. Published by Sy Brandon (A0.754833). This four-movement work is programmatic. The first movement, Contemplation reflects a cat intently staring out the window and uses recurring motives and even phrasing and dynamics. Contentment uses a half note motive to represent purring and lyricism to reflect serenity. Frivolity uses a step-wise sixteenth note motive and staccato passages to give the movement a playful quality. Wariness uses the minor mode and chromaticism to reflect cats upset at each other.
$9.99 9.16 € #Flute and Piano #Sy Brandon #Four Cat-like Moods #Sy Brandon #SheetMusicPlus

Breeze for Flute and Piano (2023) Flute and Piano

Flute,Piano - Level 5 - Digital Download SKU: A0.1316351 By Iva Ugrcic, flute and S…(+)

Flute,Piano - Level 5 - Digital Download SKU: A0.1316351 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert (b. 1960). 21st Century,Chamber,Classical. Score and part. 8 pages. Mary Ellen Haupert #905092. Published by Mary Ellen Haupert (A0.1316351). â€œBreezeâ€ for Flute and Piano (2023) by Mary Ellen Haupert (b.1960)â€œBreezeâ€ was written for flutist Iva UgrÄiÄ‡ and pianist Satoko Hayami for the Out of Our Minds Chamber Music performance of music by women composers on November 4, 2023.Â The work was inspired by the sounds of lapping water, loon calls, and wind carried off the shores of Minnesotaâ€™s Lake Pokegama, where our family has a summer cabin. Loons are social migratory birds that communicate with each other via wails (calls to one another), tremolos (warnings to others about impending danger), yodels (territorial demonstrations), and coo-ing (quiet contentment). The opening of â€œBreezeâ€ is a yodel in D Major that dissolves into a lapping piano accompaniment â€“ the backdrop for a measured loon soliloquy. The piano restates the loon tune with the flute echoing in canon.The loon echoes dissipate in an undulating transition to a B section featuring the traditional Irish tune, St. Columba, first published by George Petrie in 1855. The tune is presented in D Mixolydian over a repeated bass line that is meant to evoke the rhythmic paddling of a canoe. As the tune ends, the â€œloonsâ€ pick up their own improvisation over the bass line, again in canon. There are only slight alterations in the closing section, casting â€œBreezeâ€ in a balanced ABAâ€™ form.
$10.00 9.17 € #Flute and Piano #Iva Ugrcic, flute and Satoko Hayami, piano #Breeze for Flute and Piano #Mary Ellen Haupert #SheetMusicPlus

Breeze for Flute and Piano - FLUTE (2023) Flute and Piano

Flute,Piano - Digital Download SKU: A0.1316354 By Iva Ugrcic, flute and Satoko Haya…(+)

Flute,Piano - Digital Download SKU: A0.1316354 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert. 21st Century,Chamber,Classical. Score and part. 3 pages. Mary Ellen Haupert #905095. Published by Mary Ellen Haupert (A0.1316354). â€œBreezeâ€ for Flute and Piano (2023) by Mary Ellen Haupert (b.1960)â€œBreezeâ€ was written for flutist Iva UgrÄiÄ‡ and pianist Satoko Hayami for the Out of Our Minds Chamber Music performance of music by women composers on November 4, 2023.Â The work was inspired by the sounds of lapping water, loon calls, and wind carried off the shores of Minnesotaâ€™s Lake Pokegama, where our family has a summer cabin. Loons are social migratory birds that communicate with each other via wails (calls to one another), tremolos (warnings to others about impending danger), yodels (territorial demonstrations), and coo-ing (quiet contentment). The opening of â€œBreezeâ€ is a yodel in D Major that dissolves into a lapping piano accompaniment â€“ the backdrop for a measured loon soliloquy. The piano restates the loon tune with the flute echoing in canon.The loon echoes dissipate in an undulating transition to a B section featuring the traditional Irish tune, St. Columba, first published by George Petrie in 1855. The tune is presented in D Mixolydian over a repeated bass line that is meant to evoke the rhythmic paddling of a canoe. As the tune ends, the â€œloonsâ€ pick up their own improvisation over the bass line, again in canon. There are only slight alterations in the closing section, casting â€œBreezeâ€ in a balanced ABAâ€™ form.
$5.00 4.59 € #Flute and Piano #Iva Ugrcic, flute and Satoko Hayami, piano #Breeze for Flute and Piano - FLUTE #Mary Ellen Haupert #SheetMusicPlus