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Día tras Día
Flute and Piano
Sheetmusic to print
8 sheet music found
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1
Ires y venires
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.924602 Composed by Bruno Tapia. 20…
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Flute,Piano - Level 4 - Digital Download SKU: A0.924602 Composed by Bruno Tapia. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and part. 91 pages. Bruno Tapia #3860097. Published by Bruno Tapia (A0.924602). Versión completa de la colección Ires y venires, que tiene una historia propia. Una colección de seis piezas para piano y flauta.Historia de Ires y venires.1) Flores y pájaros: La princesa, como es costumbre, salió a pasear por los jardines cercanos al castillo. Un dÃa soleado, se le apareció un pequeño pájaro. Mayúscula sorpresa se llevó al enterarse de que ese pájaro era en realidad un dragón cambiaformas. Ella quedó cautivada por él.2) Mariposa del invierno: El dragón se hace humano y se le declara a la princesa. Le dice que la ama. Ella le contesta que lo ama, pero que su mano está prometida, y que su matrimonio traerÃa estabilidad polÃtica al reino. No podÃa corresponder al amor del dragón, pero aún asà estuvieron juntos un rato.3) Vals Bizarre: Tras haber sufrido el frÃo beso de la mariposa del invierno, el dragón habÃa agonizado y visto su muerte. Se logró salvar y recuperarse gracias a su amor por ella. No obstante, ella ya no estaba. El vals Bizarre suena en sus encuentros y desencuentros.4) Tango del diablo: Las tensiones entre ambos son cada vez mayores. Ella ya no puede estar con él, el tiempo la sofoca. Entonces, el dragón y la princesa bailan el apasionado tango del diablo, persiguiéndose con miedo a encontrarse.5) Himno de despedida angelical: El dragón se queda en la montaña, y de repente los ángeles lo encuentran. Los ángeles, como tributo a Dios, pretenden matarlo para que no amenace a la humanidad. Empieza entonces una batalla frenética con los ángeles volando por todos lados, tratando de atacar a un dragón que recibÃa y repartÃa mucho daño. Todos los ángeles murieron tras cantar su himno. El dragón quedó herido de gravedad.6) Marcha fúnebre: La princesa se iba en tren a otra ciudad a casarse. HabÃan pasado meses desde que dejó de ver al dragón. La última vez que vio algo fue meses atrás. Tuvo miedo por él. Por su parte, el dragón no tenÃa fuerzas y estaba muy herido. Se acurrucó y se preparó para dormir. Entrando al sueño, comienza a viajar, a proyectarse y encontrar a su amada princesa. Ella, cabeceando, sintió en su cabeza la voz de su amado dragón. Le contó que estaba herido, y que encontraba que la vida no tenÃa sentido. Que los dragones revivÃan cada cierto tiempo, y que sin ella nada serÃa lo mismo. Ella le cantó a su vez que lo amaba, y que tenÃa que salvarse. Pero el dragón fue claro. DormirÃa cientos de años, y nadie iba a detenerlo.A la distancia, la princesa alcanzó a ver la última llamarada en señal de despedida.
$25.00
22.67 €
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Flute and Piano
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Bruno Tapia
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Ires y venires
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Bruno Tapia
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SheetMusicPlus
Flute and Piano - Baroque pieces and a Symphony
Flute and Piano
Flute,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.516526 Composed …
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Flute,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.516526 Composed by Albinoni Tomaso, Marcello Benedetto, Sammartini Giuseppe. Arranged by Santino Cara. Baroque. Score and individual part. 36 pages. Santino Cara #16133. Published by Santino Cara (A0.516526). Transcriptions of baroque music for flute and piano trascribed by Santino Cara in Rome in 2014 List: Benedetto Marcello - Concerto no.1 in D major Op.1 Allegro, 2nd mov. - Presto, 4th mov. Giuseppe Sammartini - Concerto in E flat major Allegro, 2nd mov. - Allegro, 4th mov. Tomaso Albinoni - Symphony in G major Si8 Allegro, 1st mov. - Adagio, 2nd mov. - Allegro, 3rd mov. Full score and part for flute.
$18.24
16.54 €
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Flute and Piano
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Albinoni Tomaso, Marcello Benedetto, Sammartini Giuseppe
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Flute and Piano - Baroque pieces and a Symphony
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Santino Cara
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SheetMusicPlus
Nocturne Op. 9, No. 1 for Flute and Piano
Flute and Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1281917 Composed by Freder…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1281917 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 10 pages. Diego Marani #873271. Published by Diego Marani (A0.1281917). One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.This arrangement for flute with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.
$8.99
8.15 €
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Flute and Piano
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Frederic Chopin
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Nocturne Op. 9, No. 1 for Flute and Piano
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Diego Marani
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SheetMusicPlus
Coconut Calypso
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.992186 Composed by Kassidy-Rose Mc…
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Flute,Piano - Level 3 - Digital Download SKU: A0.992186 Composed by Kassidy-Rose McMahon. Children,Contemporary,Standards. Score and part. 8 pages. Kassidy-Rose McMahon #3411621. Published by Kassidy-Rose McMahon (A0.992186). Coconut Calypso was composed in December, 2017. It has a fun, joyful and playful character, with expressive, majestic and tender moments. In the bright key of D major, imagery of a relaxing holiday in the Caribbean is not difficult to envision. This flute solo with piano accompaniment is sure to be a favourite for the developing flautist though is exploration of dynamics, articulations, instrumental range, rhythms, ornamentation, and contrasting characters.
$1.99
1.8 €
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Flute and Piano
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Kassidy-Rose McMahon
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Coconut Calypso
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Kassidy-Rose McMahon
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.09 €
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Flute and Piano
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.09 €
#
Flute and Piano
#
Alexander Scriabin
#
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
La Lisonjera - flute-piano
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1049312 Composed by Cecile Chamina…
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Flute,Piano - Level 4 - Digital Download SKU: A0.1049312 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pages. Phil Beaman #653682. Published by Phil Beaman (A0.1049312). Cecile Louise Chaminade (1857-1944) was a French Romantic composer and pianist. She is often overlooked as a musician yet she was the first female composer to win the Ordre National de la Legion d'Honneur, France's highest award. In 1890 she wrote a piano piece whimsically titled La Lisonjera (The Flatterer). It is a great example of late Romantic writing for the masses with an eye to publishing. She is lyrical, expressive, and emotional; using dynamics, wider note ranges, and chromaticism. It exhibits her trademark of being 'passionate yet virtuosic'. I have arranged La Lisonjera for Flute and Piano, keeping all of the traditional Romantic characteristics intact. I have added greater contrast between the themes, making the A theme appassionata, and reserving her molto capriccioso for the B theme which I also slow down a bit to allow for more playfulness. It is my own interpretation of articulation and simplified virtuosic passages. The accompaniment is my own reduction to allow the solo to shine freely. The arrangement is still marked as Advanced Intermediate because the solo part has a range of 2 1/2 octaves and many articulation markings. This arrangement is perfect for Recital and Repertoire as a performance of the 'overheated emotions' of the late Romantic era. Enough virtuosity to show the violinist's technique. Accessible and enjoyable for all audiences. (3:30 minutes; 2 without repeat) 6 page score, 3 page part.
$6.99
6.34 €
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Flute and Piano
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Cecile Chaminade
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La Lisonjera - flute-piano
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Phil Beaman
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SheetMusicPlus
The Fishy Trumpeter
Flute and Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.992190 Composed by Kassidy-Rose Mc…
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Flute,Piano - Level 1 - Digital Download SKU: A0.992190 Composed by Kassidy-Rose McMahon. Contemporary,Instructional,Standards. Score and part. 8 pages. Kassidy-Rose McMahon #4265917. Published by Kassidy-Rose McMahon (A0.992190). The Fishy Trumpeter was composed in December 2018. This piece, in simple quadruple time and in the brooding key of D minor, has a ferocious, pompous and heavy character. The pedagogical target of The Fishy Trumpeter is embouchure. The performer is required to switch between trumpet embouchure and flute embouchure to produce contrasting sounds. The composer strongly encourages experimentation with different buzzing and playing techniques.
$1.99
1.8 €
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Flute and Piano
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Kassidy-Rose McMahon
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The Fishy Trumpeter
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Kassidy-Rose McMahon
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SheetMusicPlus
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