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Flute and Piano
Sheetmusic to print
3 sheet music found
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1
Should You Feel Inclined to Censure
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.908168 Composed by Philip Paul Bli…
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Flute,Piano - Level 3 - Digital Download SKU: A0.908168 Composed by Philip Paul Bliss. Arranged by Rebecca Maughan Cook. Christian,Sacred,Spiritual. Score and part. 5 pages. Rebecca Maughan Cook #3454297. Published by Rebecca Maughan Cook (A0.908168). This happy arrangement in the key of D for flute and piano is based upon an old hymn. It is known as 'Should You Feel Inclined to Censure' and also 'Brightly Beams Our Father's Mercy'. Piano score and a separate flute part are included. While the original hymn is in 3/4 time, my arrangement is a cheerful 4/4 and has classical time period accompaniment. A good upper intermediate piano part and a flute part that only reaches up to high D. This is a happy, cheerful and fun arrangement. Be cautious in doing it for sacrament meeting and do not overplay it.
$4.49
4.13 €
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Flute and Piano
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Philip Paul Bliss
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Should You Feel Inclined to Censure
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Rebecca Maughan Cook
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SheetMusicPlus
Saint-Saëns: The Swan for Flute & Piano
Flute and Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camill…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.32 €
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Flute and Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Flute & Piano
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jmsgu3
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SheetMusicPlus
The Ballad of John
Flute and Piano
Fl.pft. - Intermediate-Advanced - Digital Download SKU: F2.FM452 Composed by Allan …
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Fl.pft. - Intermediate-Advanced - Digital Download SKU: F2.FM452 Composed by Allan Herbie Jones. Flute and Piano. Score and part. 9 pages. Forton Music - Digital #FM452. Published by Forton Music - Digital (F2.FM452). ISBN 9790570483518.The Ballad Of John is basically an exercise in tuning and tone control. Make the most of the 'ad lib' instruction throughout the piece; the player should be able to feel where more rubato must be used. It's not always marked, but rubato plays a big part in the performance of this piece. Particular attention should be paid to dynamic markings, phrasing and articulation. The flourish at the end can use as much ad lib and improvisation as the player and accompanist require. Inspired by a late uncle, who took his time at doing almost everything, but could show a burst of energy when it was needed.
$7.95
7.32 €
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Flute and Piano
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Allan Herbie Jones
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The Ballad of John
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Forton Music - Digital
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SheetMusicPlus
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