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Free Man In Paris
Flute and Piano
Sheetmusic to print
3 sheet music found
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1
Romance, Op. 36
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1510799 Composed by Camille Saint-…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1510799 Composed by Camille Saint-Saens. Arranged by Steven Nunes. 19th Century,Romantic Period. Score and part. 8 pages. Nagamon Publications #1086004. Published by Nagamon Publications (A0.1510799). Charles-Camille Saint-Saëns (9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas.This delightful short work works well as a lyrical exercise, as well as being able to fit into any recital situation.
$8.00
7.31 €
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Flute and Piano
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Camille Saint-Saens
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Romance, Op. 36
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Nagamon Publications
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SheetMusicPlus
Saint-Saëns: The Swan for Flute & Piano
Flute and Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camill…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.12 €
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Flute and Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Flute & Piano
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jmsgu3
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SheetMusicPlus
Adagio de la Symphonie en Ré
Flute and Piano
Flute and piano - intermediate to advanced - Digital Download SKU: S9.Q53374 (Nr…
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Flute and piano - intermediate to advanced - Digital Download SKU: S9.Q53374 (Nr. 24). Composed by Franz Joseph Haydn. Edited by Edmund Wachter and Elisabeth Weinzierl. Arranged by Louis Fleury. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 5 pages. Schott Music - Digital #Q53374. Published by Schott Music - Digital (S9.Q53374). English • German.Joseph Haydn wrote his Symphony Hob. I:24 in D major in 1764, when he was deputy music director in the service of Prince Nikolaus I. Esterházy, before his appointment as Director of music in 1766. In the second movement, Adagio, the flute plays a cantabile solo melody, sparingly accompanied by orchestral strings. This movement sounds as though it were from a flute concerto, readily suggesting an arrangement for flute and piano. This arrangement is by flautist Louis Fleury, who was born in Lyon; at the age of fifteen he moved to Paris, where he spent the rest of his life. After studying with Paul Taffanel he decided upon a career as a freelance flautist – a very unusual choice at the time. Fleury rediscovered early music and commissioned new music, too: Debussy’s , for example, was dedicated to him. Through the publication of several essays Fleury made a significant contribution to the acceptance of the flute as a fully fledged concert instrument in the 20th Century. Plate no. 29512 / published in 1912.
$3.99
3.65 €
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Flute and Piano
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Franz Joseph Haydn
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Adagio de la Symphonie en Ré
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Schott Music - Digital
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SheetMusicPlus
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