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You've selected:
Into the Fire
Flute and Piano
Sheetmusic to print
5 sheet music found
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1
'til The Season Comes 'round Again
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Flute and Piano
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INTERMEDIATE
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Kenny Rogers
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Joan Bujacich
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'til The Season Comes 'round A
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Joan Bujacich
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1340156 By Kenny Rogers. By John Barlow Jarvis and Randy Goodrum. Arranged by Joan Bujacich. Chr...
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1340156 By Kenny Rogers. By John Barlow Jarvis and Randy Goodrum. Arranged by Joan Bujacich. Christmas,Country,Holiday,Pop. Score and part. 8 pages. Joan Bujacich #925808. Published by Joan Bujacich (A0.1340156). This flowing arrangement for SOLO FLUTE and Piano by Joan Bujacich  is arranged in the friendly key of F major. The score is professionally notated, easy to read and clean. Lyrics included at the end. Together, the two instruments make for a lovely mature, and satisfying sound. This wonderful holiday song can be performed for any fall or winter holiday including Thanksgiving, Christmas, Hanukah and more. The lyrics refer to families gathering around the fire making wonderful memories together. Ms. Bujacich's musical life as a piano and theory teacher, performer, accompanist, vocal coach and composer brings many years of experience to her arrangements.   Note: Kenny Rogers made this song into a big hit in 1996. It has been recorded by additional country artists including Vince Gill and Amy Grant.   Be sure to check out Ms. Bujacich's publishing page, she has  many great arrangements available for all level pianists as well as for Flute and Piano.https://www.sheetmusicplus.com/en/category/arrangeme/769/joan-bujacich/.
$4.99
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flute and Piano
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INTERMEDIATE
#
Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romant...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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Flute and Piano
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INTERMEDIATE
#
Alexander Scriabin
#
James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romant...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Feast of Love - Flute/Piano
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Flute and Piano
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EASY
#
Robert Franz
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Phil Beaman
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Feast of Love - Flute/Piano
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Phil Beaman
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SheetMusicPlus
Flute,Piano - Level 2 - Digital Download SKU: A0.844541 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Weddin...
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Flute,Piano - Level 2 - Digital Download SKU: A0.844541 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3516891. Published by Phil Beaman (A0.844541). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
O Come, O Come Emmanuel for Solo Flute
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Flute and Piano
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INTERMEDIATE
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Sacred music
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Traditional
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Lawrence H
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O Come, O Come Emmanuel for So
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Lawrence H Underwood
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.967522 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Jazz,Praise & Wor...
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Flute,Piano - Level 3 - Digital Download SKU: A0.967522 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Jazz,Praise & Worship,Sacred. Score and part. 10 pages. Lawrence H Underwood #6139621. Published by Lawrence H Underwood (A0.967522). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the seventh installment in his A Christmas Portfolio series, this brand new setting of O Come, O Come Emmanuel brings a breath of fresh air into this ancient melody. Set against a driving mid-tempo montuno in the opening, the piece shifts into a double-time tumbao before once again bringing back the opening groove. This arrangement it a surefire way to spice up the holiday season! Suitable for performance in church or any holiday setting.
$5.99
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