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Lyrics by H
Flute and Piano
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7 sheet music found
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1
I Am Thine, O Lord - Flute & Piano Accompaniment
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Flute and Piano
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INTERMEDIATE
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Sacred music
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Fritz Stanley
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Fritz Stanley
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I Am Thine, O Lord - Flute & P
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MicStanley
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1456370 By Fritz Stanley. By I AM THINE, William H. Doane, Fanny J. Crosby. Arranged by Fritz St...
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1456370 By Fritz Stanley. By I AM THINE, William H. Doane, Fanny J. Crosby. Arranged by Fritz Stanley. Christian,Praise & Worship,Religious,Traditional. Score and part. 11 pages. MicStanley #1035450. Published by MicStanley (A0.1456370). I Am Thine, O Lord is a classical hymn song, composed by William H. Doane using I AM THINE tune and the lyrics by Fanny J. Crosby. Hebrews 10:22 is reported as being a source of inspiration for the hymn. The song is about how to live as Jesus disciples. Arranged by Fritz Stanley for flute and piano as accompaniment.
$7.00
An Zimmern
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Flute and Piano
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ADVANCED
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Benjamin Schweitzer
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An Zimmern
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Schott Music - Digital
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SheetMusicPlus
Baritone, flute and piano - difficult - Digital Download SKU: S9.Q6943 Composed by Benjamin Schweitzer. This edition: score and parts. Downloadable, scor...
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Baritone, flute and piano - difficult - Digital Download SKU: S9.Q6943 Composed by Benjamin Schweitzer. This edition: score and parts. Downloadable, score and parts. Duration 3 minutes and 30 seconds. Schott Music - Digital #Q6943. Published by Schott Music - Digital (S9.Q6943). German.An Zimmern was initially planned to be part of a cycle of Hölderlin settings. Hölderlin’s late lyrics offer a certain riveness between equation, lunatic bursts and a dissociated smoothness. This ‘riveness’ can be found in the work’s concentrated character, which combines fragile colours of piano and flute, an eruptive climax and exactly organized lines and motives. During the thorough revision of the score, 17 years after the composition of the primary version, I tried to preserve the character of the piece with its strong influences from Alban Berg’s expressionistic style, but to accentuate the musical ideas of the work more exactly and subtly at the same time. Benjamin Schweitzer.
$11.99
Away In A Manger: for Flute & Piano
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Flute and Piano
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BEGINNER
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Christmas
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the 1880’s the cradle s
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Mueller
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James M
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Piano
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Away In A Manger: for Flute &
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 1 - Digital Download SKU: A0.548476 Composed by Mueller. Arranged by James M. Guthrie. Christmas. Score and part. 3 pages. Jmsgu3 #33...
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Flute,Piano - Level 1 - Digital Download SKU: A0.548476 Composed by Mueller. Arranged by James M. Guthrie. Christmas. Score and part. 3 pages. Jmsgu3 #3386529. Published by jmsgu3 (A0.548476). Traditional Christmas song arranged for Flute & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
O Little Town of Bethlehem
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Flute and Piano
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INTERMEDIATE
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Christmas
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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SheetMusicDirect.com.
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O Little Town of Bethlehem
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Stephen R Dalrymple
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.818239 By Stephen R Dalrymple. By Lewis Redner & Phillips Brooks. Arranged by Stephen R Dalrymple (Dalry...
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Flute,Piano - Level 3 - Digital Download SKU: A0.818239 By Stephen R Dalrymple. By Lewis Redner & Phillips Brooks. Arranged by Stephen R Dalrymple (Dalrymple Designs). Christmas. Score and part. 42 pages. Stephen R Dalrymple #3396903. Published by Stephen R Dalrymple (A0.818239). O Little Town of Bethlehem♫ by Lewis H Redner 1868 (melody ST LOUIS) and Phillips Brooks♫ arranged for flute and piano by Stephen R Dalrymple♫ transcribed for clarinet, trumpet, euphonium, violin, and cello♫ Brooks became an Episcopal priest in 1860, and became rector of the Church of the Advent, Philadelphia, Pennsylvania. On a journey in the Holy Land in 1865, Brooks travelled from Jerusalem to Bethlehem on horseback, assisting there in a church service on Christmas Eve. These lyrics, written in 1867, were a result of that evening. The church’s organist, Lewis Redner, composed the melody on December 23, 1868. The carol premiered at the Christmas Eve service the next day.♫ music © 2010 (copyright registered in 'Rejoice Ye Pure in Heart: Sacred Instrumental Arrangements’)♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2023 Stephen R Dalrymple♫ sequenced by the arranger♫ This .pdf file includes 14 score choices • Full Score for Flute and piano letter size • Letter size parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello, • Full Score small page format for performing from a 10 inch tablet for flute and piano and • the same solo parts for 10 inch tablet. tablet ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ A duplicate video in French is available on YouTube [Petite ville, Bethléem] https://youtu.be/Qum6JjHwA1Y♫ Available for purchase at SheetMusicPlus.com & SheetMusicDirect.com.
$4.50
Bach: Wachet auf for Alto Flute & Piano
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Flute and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sa...
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Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
Bach: Wachet auf BWV 140 for Flute & Piano
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Flute and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf BWV 140 for F
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Sta...
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Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
I Got It Bad And That Ain't Good
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Jazz
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Duke Ellington
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Debra E
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I Got It Bad And That Ain't Go
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Standard Time
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SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.761673 Composed by Duke Ellington. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Standards. Sco...
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Flute,Piano - Level 4 - Digital Download SKU: A0.761673 Composed by Duke Ellington. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Standards. Score and part. 5 pages. Standard Time #4288835. Published by Standard Time (A0.761673). This classic standard by Duke Ellington and Paul Francis Webster is arranged as a solo ballad for flute with piano accompaniment. Extended harmonies and melodic embellishments color a hauntingly beautiful song, such that the sentiment of the lyrics is expressed in their absence. Key of E-flat. Please note that the provided audio is the alto sax version in the key of G. To hear the arrangement in its entirety, please visit https://standardtime.bandcamp.com/track/i-got-it-bad-and-that-aint-good.
$9.99
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