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Musical course - Solfege
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Point
Flute and Piano
Sheetmusic to print
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The Point of No Return
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1139979 Composed by Nathan Grochol…
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Flute,Piano - Level 4 - Digital Download SKU: A0.1139979 Composed by Nathan Grocholski. Classical,Contemporary,Contest,Festival. Score and part. 13 pages. Nathan Grocholski #740241. Published by Nathan Grocholski (A0.1139979). The Point of No Return was written in the summer of 2017 for flute and was premiered at a staff recital at Interlochen Center for the Arts with Lilah Senibaldi and Clay Towery. This piece was inspired by classical and romantic era composers such as Franz Schubert and Ludwig von Beethoven, and was meant to mimic the traditional “exposition-transition-development-recapitulation†form seen in larger works of that era.
$5.00
4.55 €
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Flute and Piano
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Nathan Grocholski
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The Point of No Return
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Nathan Grocholski
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SheetMusicPlus
Suite pointillistique
Flute and Piano
Flute and piano - advanced - Digital Download SKU: S9.Q47943 Composed by Sigfrid Ka…
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Flute and piano - advanced - Digital Download SKU: S9.Q47943 Composed by Sigfrid Karg-Elert. This edition: Sheet music. Downloadable. Op. 135. Duration 18 minutes. Musikverlag Zimmermann - Digital #Q47943. Published by Musikverlag Zimmermann - Digital (S9.Q47943). Karg-Elert devoted the Suite pointillistique to the Gewandhaus conductor Arthur Nikisch in 1919. It is a wonderful example for the German musical expressionism.
$15.99
14.56 €
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Flute and Piano
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Sigfrid Karg-Elert
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Suite pointillistique
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
The Turning Point (Revised)
Flute and Piano
Flute,Piano - Digital Download SKU: A0.1189535 Composed by Andy Dello Ioio. Contemp…
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Flute,Piano - Digital Download SKU: A0.1189535 Composed by Andy Dello Ioio. Contemporary. Score and part. 2 pages. Andy Dello Ioio #789167. Published by Andy Dello Ioio (A0.1189535).
$1.99
1.81 €
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Flute and Piano
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Andy Dello Ioio
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The Turning Point
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Andy Dello Ioio
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SheetMusicPlus
The Turning Point (Revised)
Flute and Piano
Flute,Piano Accompaniment - Digital Download SKU: A0.1189537 Composed by Andy Dello…
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Flute,Piano Accompaniment - Digital Download SKU: A0.1189537 Composed by Andy Dello Ioio. Contemporary. Full Performance. Duration 64. Andy Dello Ioio #789169. Published by Andy Dello Ioio (A0.1189537).
$1.99
1.81 €
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Flute and Piano
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Andy Dello Ioio
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The Turning Point
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Andy Dello Ioio
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SheetMusicPlus
Saint-Saëns: The Swan for Flute & Piano
Flute and Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camill…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30 €
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Flute and Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Flute & Piano
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jmsgu3
#
SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549429 Composed by Antonin Dvorak.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549429 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494181. Published by jmsgu3 (A0.549429). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
30 €
#
Flute and Piano
#
Antonin Dvorak
#
dynamic control
#
DvoÅ™ák: Largo from the New World Symphony for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Flute & Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549422 Composed by Antonin Dvorak.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549422 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493997. Published by jmsgu3 (A0.549422). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30 €
#
Flute and Piano
#
Antonin Dvorak
#
dynamic control
#
DvoÅ™ák: Largo from the New World Symphony for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548707 Composed by Martin Luther. …
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Flute,Piano - Level 1 - Digital Download SKU: A0.548707 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411715. Published by jmsgu3 (A0.548707). Out of the Depths I Cry to You by Martin Luther arranged for alto flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms.Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.72 €
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Flute and Piano
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Martin Luther
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piano
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Luther: Out of the Depths for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Theme and Variations
Flute and Piano
Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.93…
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.938207 Composed by Michael Williamson. 20th Century,Contemporary. Score and parts. 19 pages. Island Point Music #43991. Published by Island Point Music (A0.938207). Theme and Variations for solo flute with piano accompaniment is at the medium difficult level. The form of the composition is theme with 8 variations. The piece has flowing melodic sections with variations that test players technical skill and would be a good addition to a flutists repertoire.
$15.00
13.66 €
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Flute and Piano
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Michael Williamson
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Theme and Variations
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Island Point Music
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelsso…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30 €
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Flute and Piano
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Felix Mendelssohn
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Mendelssohn: Song Without Words Op. 109 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30 €
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Flute and Piano
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Felix Bartholdy Mendelssohn
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Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Standin’ in the Need of Prayer with Take Time to Be Holy
Flute and Piano
Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.818340 By Stephen R…
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Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.818340 By Stephen R Dalrymple. By African American Spiritual, George C Stebbins, William D Longstaff. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score and part. 64 pages. Stephen R Dalrymple #6232369. Published by Stephen R Dalrymple (A0.818340). Standin’ in the Need of Prayer with Take Time to Be Holy arranged for flute and piano by Stephen R Dalrymple transcribed for clarinet, trumpet, euphonium (or trombone), violin, and cello sequenced by the composer Standin’ in the Need of Prayer African American Spiritual  Take Time to Be Holy lyrics - William D. Longstaff 1882 melody - George C. Stebbins 1890   It has often been said that when a person points a finger at someone else, that person is actually pointing 3 fingers back at himself or herself. All the way back to the Garden of Eden, blaming others can be useful to take the attention away from our own actions and problems. Living a clean life begins with acknowledging our guilt, finding God’s grace, then trying to follow the Creator’s plan.   This .pdf file includes 14 score choices ♫ Full Score for flute and piano letter size ♫ Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, ♫ Full Score for flute and small page format for performing from a 10 inch tablet and ♫ the same solo parts for 10 inch tablet. tablet   (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.50
4.1 €
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Flute and Piano
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Stephen R Dalrymple
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Standin’ in the Need of Prayer with Take Time to Be Holy
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Stephen R Dalrymple
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SheetMusicPlus
Rain After That
Flute and Piano
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1437014 By Joe Hisaishi. B…
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1437014 By Joe Hisaishi. By Jou Hisaishi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Pop. Score and part. 18 pages. The Flautist #1017082. Published by The Flautist (A0.1437014). The Rain , can be played down the octave ,is an extension exercise to the pitch bend low note chromatic exercise in the Foundation Tools section of The Flautist. The low register of the flute can deliver some beautiful warm deep tone if worked on correctly and controlled. It requires relaxation, flexibility and control. It is an excellent opportunity to find the speaking point of the flute, hold it and carry it through a melody.The melody covers the low to middle register perfectly, demanding an expressive, warm and projective tone.Exercises in order to get the most out of this melody: All of them are in the Foundation Tools section of the website.Whistle tones over the full three registers of the flute, concentrate on the lower fingerings as they are the hardest, if having trouble relax the lips and make sure the airstream is centred.Pitch bend over the full three registers of the flute. Can use arpeggio pattern to do this or chromatic pattern.Pitch bend low note chromatic exercise coming up to the most centred warm tone from the bend and carrying it through down to low C or BHarmonics over the full range and vocalised harmonics. Make sure to test them against the actual note, they must be exactly the same pitch. Aim to get a beautiful tone and singing style when playing harmonics, they can be really beautiful quality wise.If feeling super inspired sing the low register chromatically into the flute whilst fingering it.Do a lot of legato slurred work to warm up before commencing articulation.Air is king and controlling it is the key to everything. If the air speed is not controlled between notes life becomes hard.Keep your tongue low and out of the way of the air stream, never block the air. That is why I use da for tonguing.
$6.95
6.33 €
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Flute and Piano
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Joe Hisaishi
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Rain After That
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The Flautist
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SheetMusicPlus
Adagio, from Symphony no. 24
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1131421 Composed by Franz Joseph H…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1131421 Composed by Franz Joseph Haydn. Arranged by Brett Thompson. Classical. Score and part. 5 pages. Brett Thompson #731635. Published by Brett Thompson (A0.1131421). The Adagio from Haydn’s Symphony no. 24 is speculated to have been the middle movement of a flute concerto, now lost. Although many of Haydn’s earlier symphonies included elaborate instrumental solos, this movement includes a cadence point at the end requiring a cadenza (included in this arrangement).
$4.50
4.1 €
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Flute and Piano
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Franz Joseph Haydn
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Adagio, from Symphony no. 24
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Brett Thompson
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SheetMusicPlus
Pachelbel: Canon for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.548462 Composed by Johann Pachelbe…
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Flute,Piano - Level 3 - Digital Download SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386271. Published by jmsgu3 (A0.548462). Pachelbel's Canon arranged for alto flute & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$26.95
24.54 €
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Flute and Piano
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Johann Pachelbel
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Pachelbel: Canon for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Come, Thou Fount of Every Blessing (Jupiter) - Solo Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.723275 Composed by Gustav Holst / …
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Flute,Piano - Level 3 - Digital Download SKU: A0.723275 Composed by Gustav Holst / John Wyeth. Arranged by Garrett Breeze. Christian,Concert,Contemporary,Graduation,Sacred. Score and part. 11 pages. Lagom Music #6083015. Published by Lagom Music (A0.723275). This beautiful solo arrangement is one of composer Garrett Breeze’s most memorable works as it seamlessly weaves together two of England’s most beloved hymn tunes: Nettleton and Thaxted. Nettleton is most commonly heard today as the tune for the popular hymn Come, Thou Fount of Every Blessing. Thaxted has a prominent place in classical repertoire as the focal point of Gustav Holst’s Jupiter from The Planets. Suitable for church services, weddings, graduations, and recitals.Visit https://garrettbreeze.com to read my blog and discover new music!
$5.99
5.45 €
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Flute and Piano
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Gustav Holst / John Wyeth
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Come, Thou Fount of Every Blessing
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Lagom Music
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SheetMusicPlus
I Am The Doctor
Flute and Piano
Flute,Piano - Digital Download SKU: A0.836195 Composed by Murray Gold. Arranged by …
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Flute,Piano - Digital Download SKU: A0.836195 Composed by Murray Gold. Arranged by Edna J. Bloom. Contemporary. Score and part. 9 pages. Bloom Musicnotes #4581089. Published by Bloom Musicnotes (A0.836195). Clocking in at about 1:30, this energetic arrangement makes an excellent focal point or encore piece for the upper intermediate to early advanced flutist. Dr. Who enthusiasts will immediately be drawn to the quirky meter in 7 which can also play a leading role to introduce advanced time signatures. The high energy motifs develop crisp technique while making memorization simple. Two options are given for an exciting conclusion.
$6.50
5.92 €
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Flute and Piano
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Murray Gold
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I Am The Doctor
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Bloom Musicnotes
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SheetMusicPlus
Fastnet Rock
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. …
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Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99
2.72 €
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Flute and Piano
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
O Mio Babbino Caro - G.Puccini - Flute and Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1050526 Composed by G.Puccini. Arr…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1050526 Composed by G.Puccini. Arranged by Raymond Fenech. Christmas,Easter,Opera,Romantic Period,Wedding. Score and part. 10 pages. Raymond Fenech #654894. Published by Raymond Fenech (A0.1050526). O mio babbino caro (Oh my dear Papaâ€) is an aria from the opera Gianni Schicchi (1918) by Giacomo Puccini to a libretto by Giovacchino Forzano. It is sung by Lauretta after tensions between her father Schicchi and the family of Rinuccio, the boy she loves, have reached a breaking point that threatens to separate her from Rinuccio. It provides an interlude expressing lyrical simplicity and love in contrast with the atmosphere of hypocrisy, jealousy, double-dealing, and feuding in medieval Florence. It provides the only set-piece in the through-composed opera. This Aria is arranged by Raymond Fenech The duration is 3.21 minutes and it is an Intermediate level piece.
$3.99
3.63 €
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Flute and Piano
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G
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O Mio Babbino Caro - G.Puccini - Flute and Piano
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Raymond Fenech
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SheetMusicPlus
David Warin Solomons: Petticoat Lane for flute and piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.533946 Composed by David Warin Sol…
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Flute,Piano - Level 3 - Digital Download SKU: A0.533946 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Latin,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #3088407. Published by Musik Fabrik Music Publishing (A0.533946). A calypso-stile work inspired by the time the composer lived in Denning Point in Manchester, England, which overlooks the busy Petticoat Lane Market
$9.10
8.29 €
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Flute and Piano
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David Warin Solomons
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David Warin Solomons: Petticoat Lane for flute and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Friction
Flute and Piano
Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844
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Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. With Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments couple. 37 pages. Panayiotis Kokoras #431113. Published by Panayiotis Kokoras (A0.1002844). Friction was composed at the beginning for the 8th International Academy for New Composition and Audio Art Avantgarde Schwaz 2000 (Tirol/ Austria), during the Summer 2000. The initial line up adjusted to the Academie’s ensemble in residence Het trio (Flute, Bass Clarinet, Piano) plus Alto Saxophone. Almost One year later I revised the piece and slightly changed the instrumentation, using Violoncello instead of Alto Sax. That gave to the piece more timbral variety with better balance as well as expressed better the work’s musical idea. The starting point of the work is the characteristics of Friction a real world sounding event, which then is abstracted and applied to form the idea for the compositional process. The work has three main sections. The first section is quite homophonic and harmonic; the middle one is inharmonic and energetic and works as crossfade to the last section, which is characterized as a more linear with repeated patterns. The transformation from one section to another is the most important and long part of the composition. It is a kind of transformation of the sound itself, a timbral exploration of the characteristics of the initial idea. Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments coupled with the use of unconventional objects treated as musical instruments or extensions of them (boxes, plastic or metal cards etc). That allows a better development, control and transformation of the sound. Friction was awarded the Second Prize at The Second Seoul International Competition for Composers in Seoul/ Korea and was Finalist at The Ensemble Eleven Young Composers Competition 2002 in Manchester/ United Kingdom. - Panayiotis Kokoras, York 2001-.
$20.00
18.21 €
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Flute and Piano
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Panayiotis Kokoras
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Friction
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Panayiotis Kokoras
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SheetMusicPlus
Allegro alla Spagnuola
Flute and Piano
Flute and piano - intermediate to advanced - Digital Download SKU: S9.Q53381 Op.…
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Flute and piano - intermediate to advanced - Digital Download SKU: S9.Q53381 Op. 69. Composed by Giulio Briccialdi. Edited by Edmund Wachter and Elisabeth Weinzierl. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 69. 17 pages. Schott Music - Digital #Q53381. Published by Schott Music - Digital (S9.Q53381). English • German.The Italian Giulio Briccialdi was taught to play the flute chiefly by his father. His virtuoso career began at an early age and he was appointed as flute teacher to the Count of Syracuse in Sicily. On numerous tours his playing drew enthusiastic responses from audiences and critics alike: ‘The only really good flute-player that I have ever seen’, wrote Rockstro in A Treatise on the Flute. In 1871 Briccialdi was appointed as a professor at the Conservatoire in Florence. Having been introduced to the newly constructed cylindrical flute by Theobald Böhm in 1847, he added some minor further modifications of his own. His Bb thumb key was a useful addition to the original Böhm system subsequently known in the history of flute making as the ‘Biccialdi thumb key’. As a composer, apart from a single opera he mainly wrote pieces for the flute in the fashion of the time: arrangements, sets of variations and virtuoso showpieces a large number of which were published by Schott. In the original publication of Allegro alla Spagnuola op. 69 bars 23 to 41 were omitted from the score and only printed in the accompanying flute part. For this new edition the missing piano accompaniment has been reconstructed using the material available. Plate no. 12098 / published in 1853.
$3.99
3.63 €
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Flute and Piano
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Giulio Briccialdi
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Allegro alla Spagnuola
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Schott Music - Digital
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SheetMusicPlus
"Canon" by Pachelbel - EASY version for FLUTE SOLO with PIANO
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1388307 Composed by Johann Pachelb…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1388307 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,Wedding,World. Score and part. 6 pages. Iury Cardoso #971904. Published by Iury Cardoso (A0.1388307). Easy FLUTE SOLO (with PIANO) arrangement of the piece: Canon by Johann Pachelbel(Score and FLUTE part: 6 pages)This arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a easier version for FLUTE SOLO with PIANO. In this arrangement it is possible to play the main themes created by Pachelbel, written in an easy-to-follow score, and also the adaptation for a single voice of some counterpoints from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard).- Advanced version available: there is also an advanced version of this arrangement on this website.See more arrangements by Iury Cardoso, thank you so much!easy canon pachelbel for flute and pianoeasy canon pachelbel sheet musiccanon in D pachelbel for flute solocanon pachelbel flute and piano sheet musiccanon easy flute and piano dueteasy flute chamber musiccanon but on the flute easy flute with piano baroque sheet musiceasy fluteeasy pianoteacher student duetpachelbel sheet musiccanon pachelbel best easy arrangement for flute solocanon arrangement for easy flute solo with pianocanon pachelbel for solo fluteclassic sheet music for flute and piano.
$3.99
3.63 €
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Flute and Piano
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Johann Pachelbel
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"Canon" by Pachelbel - EASY version for FLUTE SOLO with PIANO
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Iury Cardoso
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SheetMusicPlus
"Canon" by Pachelbel - EASY version for FLUTE SOLO with PIANO
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1388310 Composed by Johann Pachelb…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1388310 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,Wedding,World. Score and part. 6 pages. Iury Cardoso #971907. Published by Iury Cardoso (A0.1388310). Easy FLUTE SOLO (with PIANO) arrangement of the piece: Canon by Johann Pachelbel(Score and FLUTE part: 6 pages)This arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a easier version for FLUTE SOLO with PIANO. In this arrangement it is possible to play the main themes created by Pachelbel, written in an easy-to-follow score, and also the adaptation for a single voice of some counterpoints from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard).- Advanced version available: there is also an advanced version of this arrangement on this website.See more arrangements by Iury Cardoso, thank you so much!easy canon pachelbel for flute and pianoeasy canon pachelbel sheet musiccanon in D pachelbel for flute solocanon pachelbel flute and piano sheet musiccanon easy flute and piano dueteasy flute chamber musiccanon but on the flute easy flute with piano baroque sheet musiceasy fluteeasy pianoteacher student duetpachelbel sheet musiccanon pachelbel best easy arrangement for flute solocanon arrangement for easy flute solo with pianocanon pachelbel for solo fluteclassic sheet music for flute and piano.
$3.99
3.63 €
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Flute and Piano
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Johann Pachelbel
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"Canon" by Pachelbel - EASY version for FLUTE SOLO with PIANO
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Iury Cardoso
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SheetMusicPlus
Jesu, Joy of Man's Desiring - Flute and Organ or Piano
Flute and Piano
Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1288368 Composed by Johann…
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Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1288368 Composed by Johann Sebastian Bach. Arranged by L. Müller. Advent,Baroque,Christian,Classical,Wedding. Score and part. 12 pages. Müller Publishing company #879371. Published by Müller Publishing company (A0.1288368). Acquire the sheet music now for the renowned arrangement of the song Jesu, Joy of Man's Desiring by Johann Sebastian Bach, specially adapted for flute with piano or organ accompaniment.Johann Sebastian Bach, one of the most celebrated composers of the Baroque period, dedicated his life to creating works that are synonymous with sophistication and mastery in the world of classical music even today. His unparalleled skill in weaving intricate counterpoints and emotive harmonies made him a legend, and his compositions continue to be revered and studied by musicians and enthusiasts worldwide.Jesu, Joy of Man's Desiring is one of Bach's most beloved and recognized pieces. With this arrangement, you can experience the beauty of this composition in a fresh and unique way, melding the flute's delicate melody with the rich accompaniment of the piano or organ.Ideal for performances at recitals, religious ceremonies, or for the pleasure of playing at home, this sheet music is a valuable addition to any repertoire. Don't miss out on the chance to dive into Bach's genius and bring this timeless masterpiece to life! Purchase your sheet music now and feel the joy of playing one of the most beautiful compositions in music history.
$1.99
1.81 €
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Flute and Piano
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Johann Sebastian Bach
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Jesu, Joy of Man's Desiring - Flute and Organ or Piano
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Müller Publishing company
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SheetMusicPlus
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