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10 sheet music found
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1
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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Flute and Piano
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INTERMEDIATE
#
Classical
#
Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roma...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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Flute and Piano
#
INTERMEDIATE
#
Classical
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roma...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Sonata in E-flat Major
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Joseph Bologne, Chevalier de S
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Josh Trentadue
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Sonata in E-flat Major
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T.U.X. People's Music
#
SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.1404903 Composed by Joseph Bologne, Chevalier de Saint-Georges. Arranged by Josh Trentadue. 19th Century...
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Flute,Piano - Level 4 - Digital Download SKU: A0.1404903 Composed by Joseph Bologne, Chevalier de Saint-Georges. Arranged by Josh Trentadue. 19th Century,Contest,Festival,Romantic Period,Standards. Score and part. 16 pages. T.U.X. People's Music #987936. Published by T.U.X. People's Music (A0.1404903). Light and airy in nature, this carefully engraved version presents a critical new edition of a beloved Joseph Bologne chamber work, featuring accessible, accompanimental options suitable for any recital program.
$17.00
Fantasia quasi una Sonata: Homage to Karl Philipp Emanuel Bach
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Flute and Piano
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Moshe S
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Fantasia quasi una Sonata: Hom
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ArtsAhimsa
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SheetMusicPlus
Flute,Piano - Digital Download SKU: A0.950828 Composed by Moshe S. Knoll. 20th Century,Concert,Contemporary. Score and part. 40 pages. ArtsAhimsa #348072...
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Flute,Piano - Digital Download SKU: A0.950828 Composed by Moshe S. Knoll. 20th Century,Concert,Contemporary. Score and part. 40 pages. ArtsAhimsa #3480725. Published by ArtsAhimsa (A0.950828). This should be a real treat for flutists and their audiences. It is a Neo-Baroque/Post-Modern American Fantasia that synthesizes the best loved idiomatic figures of the Baroque with elements of our musical vernacular pop. The piano part is quite difficult, and it requires a high level of finger dexterity and rhythmic control, on the level of a Mozart Concerto.The piano is an equal partner in this Fantasia quasi una Sonata.
$21.00
Sonata for Flute and Piano, Op. 12
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Flute and Piano
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ADVANCED
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Tyler J
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Sonata for Flute and Piano, Op
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TJHoltMusic
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. S...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
Thérèse Brenet: Sonata for flute and piano
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Flute and Piano
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ADVANCED
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Therese Brenet
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Thérèse Brenet: Sonata for f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabri...
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Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2894443. Published by Musik Fabrik Music Publishing (A0.533397). A sonata in three movements for flute and piano: I. EphémèreII. La lune s'éteignitIII. Miroirs The sonata lasts aproximately 13 minutes. Thérèse BRENET, born 22 October 1935 in Paris, France began her musical studies at a very early age, receiving her first prize in Piano from the Conservatoire de Reims.At the Paris Conservatory, her prinicipal teachers were Jean Rivier, Darius Milhaud, Maurice Duruflé, Noël Gallon and Henri Dutilleux and she obtained First Prizes in Harmony, Counterpoint, and Fugue. She finished her studies in 1965, receiving a First Prize in Orchestration, A First Prize with highest honors in Composition and the First Grand Prix de Rome in musical composition.She also won the Halphen Prize for Composition and the Fugue, a grant from the Coplay Foundation of Chigaco and was named honorable member of the National Academy of History of Reims. In 1971, she received the Stéphane Chapelier-Clergue-Gabriel Marie Prize from the SACEM and in 1973, the Silver Medal from the City of Paris.After her stay at the French Academy at the Villa Médicis in Rome, Thérèse Brenet undertook several post-graduate voyages for study, notably to Poland. Upon her return in Paris in 1970, she was immediately named to the Faculty of the Paris Conservatory (CNSMD de Paris) where she also was frequently part of the juries for music theory and composition, as well as electroacoustical music.Thérèse Brenet receiving her definitive SACEM membership from Georges Auric She retired from the Paris Conservatory in 2000 and has since devoted her time to musical composition. She uses both tonal and atonal musical language, which she uses to suit her personal style. Her works are strongly influenced by literature, by painting and by science (especially astronomy). She believes that a composer should use all technical means at his or her disposal and use them rather than be used by them.Her first commission from the French National Radio, Clamavit, for Narrator, Chorus and Orchestra which was premièred by the Orchestre Lyrique de l'O.R.T.F., under the direction of André Girard, with Michel Bouquet as the Narrator, was selected to represent France in the Composer's Forum of 'U.N.E.S.C.O., and was performed in many countries. Many other works have also been performed outside of France in countries such as Switzerland, England, Germany, Belgium, Ireland, the former Yugoslavia, Italy, Portugal, the Netherlands, Libya, Canada, Uruguay, Japan and the United States etc...
$16.95
(I Sing The Mighty Power Of God & A Mighty Fortress Is Our God) The Mighty Sonata - Flute
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Sacred music
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Isaac Watts and Martin Luthe
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Elisha G
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(I Sing The Mighty Power Of Go
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Rose Music Studio
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SheetMusicPlus
Composed by Isaac Watts and Martin Luther. Arranged by Elisha G. Rose. Christian, Sacred. Score and part. 14 pages. Rose Music Studio #3359605. Publis...
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Composed by Isaac Watts and Martin Luther. Arranged by Elisha G. Rose. Christian, Sacred. Score and part. 14 pages. Rose Music Studio #3359605. Published by Rose Music Studio
$6.00
Beethoven - Rondo Op.49 - Flute, Clarinet, Bassoon & Piano Piano Quartet
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Flute and Piano
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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Tim TK Murray
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Beethoven - Rondo Op.49 - Flut
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TK
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - Digital Download SKU: A0.824093 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Clas...
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Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - Digital Download SKU: A0.824093 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert. Score and parts. 20 pages. TK (Tim) Murray #5722569. Published by TK (Tim) Murray (A0.824093). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Flute, Clarinet, Bassoon & Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
Beethoven - Rondo Op.49 - Flute, Clarinet, Bassoon Piano, Piano Quartet
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Flute and Piano
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INTERMEDIATE
#
Classical
#
Ludwig van Beethoven
#
TK Murray
#
tkmurraycomp@aol.com
#
Beethoven - Rondo Op.49 - Flut
#
TK
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - Digital Download SKU: A0.824161 Composed by Ludwig van Beethoven. Arranged by TK Murray. Classica...
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Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - Digital Download SKU: A0.824161 Composed by Ludwig van Beethoven. Arranged by TK Murray. Classical,Concert,Standards. Score and parts. 26 pages. TK (Tim) Murray #6717051. Published by TK (Tim) Murray (A0.824161). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Flute, Clarinet, Bassoon, Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy!Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$6.95
Warrior
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Pop music
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Demi Lovato
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Gary D
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Warrior
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DR GARY D BELSHAW
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SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.796606 By Demi Lovato. By Andrew Goldstein, Demi Lovato, Emanuel Kiriakou, and Lindy Robbins. Arranged b...
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Flute,Piano - Level 4 - Digital Download SKU: A0.796606 By Demi Lovato. By Andrew Goldstein, Demi Lovato, Emanuel Kiriakou, and Lindy Robbins. Arranged by Gary D. Belshaw (ASCAP). Pop. Score and part. 12 pages. DR GARY D BELSHAW #3023329. Published by DR GARY D BELSHAW (A0.796606). 4 minutes. 11 pages, not including sample part page. Demi Lovato writes slow movement to a Flute Sonata?! Well, not quite. But Demi Lovato's 2015 hit song, arranged here for flute and piano, would deliver an incredible sonority to a multi-movement work for flute. This would be a great addition to a recital, or for performing for community events. (Next time someone asks if you'll play a song or two for the Chamber of Commerce banquet, smile big and say, Absolutely! But, not for a wedding, right?) Ms. Lovato spins out some complicated rhythms, so you may have to spend time practicing slowly with a metronome; but don't worry - that will pay off big time. Your teacher or director will be glad for the energy and conviction you'll have to bring to this musical treasure.
$5.99
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