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Suite for String Orchestra
Flute and Piano
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'Cradle song' (for flute and piano)
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1015016 Composed by Vasil Belezhko…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1015016 Composed by Vasil Belezhkov. Contemporary,Folk,World. Score and part. 6 pages. Vasil Belezhkov #5041133. Published by Vasil Belezhkov (A0.1015016). 'Cradle song' is the 4th movement of 'The Gold-fingered' Suite for kaval & orchestra written in 2011. The composition won 2nd award at the 11th 'International composition competition for symphonic work in 7/8' where it was premiered by soloist Kiril Belezhkov (the composer's brother) and New Symphony Orchestra in Sofia (see the YouTube link). It was also one of the works by Belezhkov for which he had won the 'Creative activity' cathegory of the 'Musician of the year 2011' vote of the Bulgarian National Radio. At the ceremony held at the National Palace of Culture it was performed again but in chamber version - kaval (Kiril Belezhkov again), 2 guitars (one of them performed by Vasil Belezhkov) and string quartet (consisted of NSO members who already had played the original orchestral score). Later the composer did this one version for flute and piano and Kiril (who is flutist as well) edited the ornaments in the solo part. This version is yet to be performed.
$6.99
6.42 €
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Flute and Piano
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Vasil Belezhkov
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orchestra written in 2011
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'Cradle song'
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Vasil Belezhkov
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SheetMusicPlus
Flûte en suite
Flute and Piano
Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and …
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Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99
51.41 €
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Flute and Piano
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Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
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