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Flute and Piano
Sheetmusic to print
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"God Rest Ye Merry, Gentlemen"-Piano Background for Flute and Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.633616 Composed by 19 Century Engl…
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Flute,Piano - Level 3 - Digital Download SKU: A0.633616 Composed by 19 Century English Carol. Arranged by Fishel Pustilnik. Christmas,Film/TV,Jazz,Pop. Score and part. 5 pages. F & N Enterprise #3434857. Published by F & N Enterprise (A0.633616). Piano Background for famous Song God Rest Ye Merry, Gentlemen-Flute & Piano (Jazz/Pop Version)Plus Version at SMP: SO. 312809 The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
1.83 €
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Flute and Piano
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19 Century English Carol
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"God Rest Ye Merry, Gentlemen"-Piano Background for Flute and Piano
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F & N Enterprise
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SheetMusicPlus
"God Rest Ye Merry, Gentlemen" for Flute and Piano (Jazz/Pop Version)
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.633615 Composed by 19 Century Engl…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.633615 Composed by 19 Century English Carol. Arranged by Fishel Pustilnik. Christmas,Film/TV,Jazz,Pop. Score and part. 5 pages. F & N Enterprise #3434779. Published by F & N Enterprise (A0.633615). An excellent arrangement of famous Christmas Song God Rest Ye Merry, Gentlemen for Flute and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
1.83 €
#
Flute and Piano
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19 Century English Carol
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"God Rest Ye Merry, Gentlemen" for Flute and Piano
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F & N Enterprise
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SheetMusicPlus
Jacques Leguerney: Sonate for piano and flute
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.533323 Composed by Jacques Leguern…
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Flute,Piano - Level 4 - Digital Download SKU: A0.533323 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score and part. 25 pages. Musik Fabrik Music Publishing #2343129. Published by Musik Fabrik Music Publishing (A0.533323). Sonate pour piano et flûteI. Andantino spirituosoII. Pas trop lentIII. VifDates de composition : décembre, 1926 - octobre, 1927The Sonata for Piano and Flute (Sonate pour piano et flûte) was composed for Claude Desanges, a school mate of the composer. The only known performance was an informal one at the Parisian apartment of Leguerney’s parents. Leguerney’s mentor and dear friend, Thérèse Cahen, accompanied Desanges.The Sonata is dedicated to Michel Jomier, Leguerney’s close friend, who also wrote several poems that Leguerney set during his early period of exploratory compositions. Part of the handwritten dedication is illegible, it reads “To Michel Jomeir, in memory of ?†and there we can only guess at the rest. There are several autograph manuscripts on deposit at the Département Musique of the Bibliothèque National in Paris. These manuscripts are the property of the Leguerney Estate, and are identified by a code starting with OL. OL11 is a full-score rough draft with several corrections, indicated by hatch-marks. It is dated 1 October 1927. At the end of the 1st movement, the last quarter notes in the piano part are marked with a slur going over the final double bar, indicating that the sound should continue to resonate. There is a fermata over this ending double bar in both the flute and piano parts, which implies that the 2nd movement should continue immediately. This mark is eliminated in OL11A. The 2nd movement also has slurs over the final notes, indicating a segue to the 3rd and final movement. There are fermatas over the final chords of the 2nd movement as well. These are eliminated in OL11A. The 2nd movement isdated 29 October 1927 and the 3rd movement is dated 9 December 1926. OL11A is a cleanly copied full-score autograph manuscript where the title is Sonate pour Piano et Flûte en 3 Mouvements. Andantino spiritoso, Pas trop lent, Vif. (Sonata for Piano and Flute in 3 Movements. Andantino spiritoso, Pas trop lent, Vif.) OL11B is a clean copy of the flute part. Although unsigned, it appears to be an autograph manuscript. The breath marks placed into the Musik Fabrik edition are written in pencil in both OL11B and OL11C. OL11C is a flute part that appears to be used. It is worn, has some paste overs and penciled-in cues in the 2nd movment, as well as some breath marks and nuance indications. This seems to be a workingcopy for a performance or reading. The editor thinks that OL11B is the final draft, written out after OL11C was used for a performance. This edition is based upon all of these sources, using the full score of OL11A and the flute score OL11B as the final thoughts of the composer.
$19.95
18.36 €
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Flute and Piano
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Jacques Leguerney
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Jacques Leguerney: Sonate for piano and flute
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Musik Fabrik Music Publishing
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SheetMusicPlus
Mosaic for Piccolo or Flute and Piano
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.754993 Composed by Sy Brandon. 20t…
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Flute,Piano - Level 4 - Digital Download SKU: A0.754993 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 28 pages. Sy Brandon #3235521. Published by Sy Brandon (A0.754993). The American Heritage Dictionary defines mosaic as a picture or decorative design made by setting small colored pieces, such as tile, in mortar. The musical ideas in this composition are treated in a similar fashion. The small colored pieces can be compared to the musical motifs of the composition. Sometimes these fragments form a larger unit and become a recognizable melody. At other times, the fragments are combined differently therefore creating a variation to the original idea. Throughout the three-movement composition, this technique has been employed to create loose formal structures that still have unity and variety through the use of contrasting sections. The three movements themselves create contrast by being organized in a fast-slow-fast arrangement. The musical language is tonal with frequent shifts in the tonal center and with harmony in thirds and fourths. It was been recorded by Cristina Ledford and Michael McGhee on the CD Mosaic on Emeritus Recordings label.
$9.99
9.19 €
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Flute and Piano
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Sy Brandon
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Mosaic for Piccolo or Flute and Piano
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Sy Brandon
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SheetMusicPlus
Sonatina of Time for early intermediate flute
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.908188 Composed by Rebecca Maughan…
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Flute,Piano - Level 3 - Digital Download SKU: A0.908188 Composed by Rebecca Maughan Cook. Contemporary,Standards. Score and part. 12 pages. Rebecca Maughan Cook #6873209. Published by Rebecca Maughan Cook (A0.908188). This wonderful Sonatina is in 3 movements for the intermediate flutist. It is a finalist for the 2022 New Voices for Young Flutists competition. Set in the band friendly Key of B-flat major, Movement 1 is a Classical Sonata Allegro Form with an accessible flute part and a piano part that makes it BIG!  It's called 'Clockworks' because of the type of clock sounds used, especially in the piano part. The range for the flutist is Low A to High D.   Movement 2 is called 'Time for Caring.' I wrote the melody I wanted to play. It's lovely and makes you want to develop an even more beautiful sound. It's range is Low F to High D with a fast scale going from Low F up to mid B-flat.  This is also in the Key of B-flat.  The 3rd Movement is also in the Key of B-flat. I called it 'Time to Grow.' It's rhythm is in 8/8, usually divided into 3+3+2, although there are a few measures where it is easier for the flutist to think of it in 2+2+2+2.  It has a lot of drive in the rhythm and I think has a Broadway kind of sound, as if people were moving and walking across a busy stage while singing. I'm uploading a recording of this which I hope you enjoy! The piano part is much more challenging. Each of these movements is accessible, musical, interesting and when paired with the accompaniment a full ensemble kind of sound.  Enjoy!
$5.99
5.51 €
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Flute and Piano
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Rebecca Maughan Cook
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Sonatina of Time for early intermediate flute
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Rebecca Maughan Cook
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SheetMusicPlus
Bach: Wachet auf for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
22.96 €
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Flute and Piano
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Johann Sebastian Bach
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Bach: Wachet auf for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf BWV 140 for Flute & Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
24.8 €
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Flute and Piano
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Johann Sebastian Bach
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Bach: Wachet auf BWV 140 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Deck the Halls
Flute and Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.1302836 Composed by Traditional. A…
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Flute,Piano - Level 1 - Digital Download SKU: A0.1302836 Composed by Traditional. Arranged by André Nusa. Christmas,Traditional. Score and part. 3 pages. Andre_Nusa #892442. Published by Andre_Nusa (A0.1302836). Get into the festive spirit with 'Deck the Halls' arranged for beginner flute and piano players. This delightful holiday classic has been simplified for those who are new to these instruments, making it the perfect choice for beginners eager to join in the seasonal festivities. With accessible sheet music and a cheerful melody, this arrangement allows aspiring flute and piano players to create a harmonious holiday atmosphere. Whether you're practicing for your own enjoyment or planning a holiday performance, this beginner-friendly arrangement of 'Deck the Halls' will add a joyful touch to your celebrations.
$5.99
5.51 €
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Flute and Piano
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Traditional
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Deck the Halls
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Andre_Nusa
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SheetMusicPlus
Joy of Music – Discoveries from the Schott Archives
Flute and Piano
Virtuoso and Entertaining Pieces for Flute and Piano. Composed by Various. Edited by …
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Virtuoso and Entertaining Pieces for Flute and Piano. Composed by Various. Edited by Edmund Wachter and Elisabeth Weinzierl. This edition: Sheet music. Virtuoso instrumental music - Flute - Anthology. Joy of Music. Virtuoso and entertaining pieces for flute and piano. Classical. Downloadable. 178 pages. Schott Music - Digital #Q53373. Published by Schott Music - Digital
English • German.<br> <br> To mark the 250th anniversary of Schott Music, these treasures have been uncovered from the archives, reedited and presented in these beautiful editions. This anthology is aimed at intermediate to advanced flautists looking for some interesting new discoveries away from the standard repertoire. Containing works largely from the Romantic era, these are virtuoso pièces de résistance and encores, expressive character pieces, gems of salon music and elaborate arrangements of well-known melodies and themes. Many of the original compositions and arrangements were written by major instrumentalists of the 19th century.
$23.99
22.08 €
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Flute and Piano
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Various
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Joy of Music – Discoveries from the Schott Archives
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Schott Music - Digital
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SheetMusicPlus
Bah Dum Thwee Dum
Flute and Piano
Cello,Flute,Piano - Level 4 - Digital Download SKU: A0.1012601 Composed by Michelle…
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Cello,Flute,Piano - Level 4 - Digital Download SKU: A0.1012601 Composed by Michelle Kraak. Jazz,Standards. 24 pages. Michelle Kraak #6102869. Published by Michelle Kraak (A0.1012601). This piece is a jazzy trio for flute, cello and piano. I wanted to take the opportunity, with an unusual combination of instruments, to write in a style these instruments might not often get to play. The incorporation of jazz in combination with more traditional harmonies I think creates an interesting experience for this small chamber ensemble. It could work nicely for a group of friends looking for a piece to play together, and could be used on a recital. There are a few moments of vocalization, which could be enjoyable for students.3 minutes 7 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/
$22.95
21.12 €
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Flute and Piano
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Michelle Kraak
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Bah Dum Thwee Dum
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Michelle Kraak
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SheetMusicPlus
"Spring" (La Primavera) by Vivaldi - Easy version for FLUTE & PIANO
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1375795 Composed by Antonio Vivald…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1375795 Composed by Antonio Vivaldi. Arranged by Iury Cardoso. Baroque,Chamber,Classical,Multicultural,Traditional,World. Score and part. 5 pages. Iury Cardoso #960343. Published by Iury Cardoso (A0.1375795). Easy FLUTE/PIANO arrangement of the piece: Spring (La Primavera) by Antonio Vivaldi(Score and FLUTE part: 5 pages)This arrangement of the first movement of Vivaldi's Spring presents new colors, musical textures and adaptation solutions to transform the original music into an easy version for FLUTE and PIANO, considering the characteristics of these instruments and allowing students to have a fun experience in chamber music.Get the sheet music for Vivaldi’s “Spring†now and invite a friend to play this masterpiece with you!This arrangement is also a version for teacher/student duet (the students can be accompanied by their teacher playing the piano. The piano parts can be played on piano or electronic keyboard). On this website there is a version of this same arrangement WITHOUT the chords and WITHOUT the PIANO.There are also easy versions for TRIOS and WOODWIND QUARTET/QUINTET (with and without piano)See more arrangements by Iury Cardoso, thank you so much!spring vivaldi easy flute pianospring vivaldi sheet musiceasy beginner flute piano springspring vivaldi easy flute sheet musicspring vivaldi flute piano dueteasy beginner chamber music flute flute and piano for beginnerseasy flute classical sheet musiceasy pianoteacher student duetvivaldi sheet music for flute and pianospring vivaldi easy arrangement for flute with pianospring easy flute sheet musiceasy flute vivaldimusic scorebaroque sheet music for flute and piano.
$5.99
5.51 €
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Flute and Piano
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Antonio Vivaldi
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"Spring"
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Iury Cardoso
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SheetMusicPlus
"Spring" (La Primavera) by Vivaldi - Easy version for FLUTE & PIANO
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1375797 Composed by Antonio Vivald…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1375797 Composed by Antonio Vivaldi. Arranged by Iury Cardoso. Baroque,Chamber,Classical,Multicultural,Traditional,World. Score and part. 5 pages. Iury Cardoso #960345. Published by Iury Cardoso (A0.1375797). Easy FLUTE/PIANO arrangement of the piece: Spring (La Primavera) by Antonio Vivaldi(Score and FLUTE part: 5 pages)This arrangement of the first movement of Vivaldi's Spring presents new colors, musical textures and adaptation solutions to transform the original music into an easy version for FLUTE and PIANO, considering the characteristics of these instruments and allowing students to have a fun experience in chamber music.Get the sheet music for Vivaldi’s “Spring†now and invite a friend to play this masterpiece with you!This arrangement is also a version for teacher/student duet (the students can be accompanied by their teacher playing the piano. The piano parts can be played on piano or electronic keyboard). On this website there is a version of this same arrangement WITH the chords and WITHOUT the PIANO.There are also easy versions for TRIOS and WOODWIND QUARTET/QUINTET (with and without piano)See more arrangements by Iury Cardoso, thank you so much!spring vivaldi easy flute pianospring vivaldi sheet musiceasy beginner flute piano springspring vivaldi easy flute sheet musicspring vivaldi flute piano dueteasy beginner chamber music flute flute and piano for beginnerseasy flute classical sheet musiceasy pianoteacher student duetvivaldi sheet music for flute and pianospring vivaldi easy arrangement for flute with pianospring easy flute sheet musiceasy flute vivaldimusic scorebaroque sheet music for flute and piano.
$5.99
5.51 €
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Flute and Piano
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Antonio Vivaldi
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"Spring"
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Iury Cardoso
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SheetMusicPlus
Saint-Saëns: The Swan for Flute & Piano
Flute and Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camill…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.32 €
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Flute and Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Flute & Piano
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jmsgu3
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SheetMusicPlus
Four Simple Pieces for Flute
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1434991 Composed by Dorothy Pillin…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1434991 Composed by Dorothy Pilling. 20th Century,Classical,Contest,Festival. Score and part. 22 pages. Forsyth Brothers Ltd #1015095. Published by Forsyth Brothers Ltd (A0.1434991). These short but perfectly formed pieces are intended for flautists of about a year's standing. It is hoped that this small album will also help to foster in young players a taste for ensemble playing: the two simple trios also include oboe and clarinet, but if these instruments are not available the parts may be played on a violin. Buffoon The Cuckoo Ländler Jig Bercuse (Trio for Flute, Oboe and Piano) Sarabande (Trio for Flute, Clarinet and Piano) Pilling was a much loved figure in the Mancunian musical world, known to generations of young pianists for her imaginative piano teaching pieces. Most famous for classic 'Harmonization of Melodies at the Keyboard' series, Dorothy Pilling also composed many piano duets and solos, as well as songs and other works. According to the Voxturturis blog:'Her music remains fresh and light; characterised by strong melodies and late romantic harmony which she improvised well and the pieces are, in the main, short. Instantly appealing to players and audiences alike, most of her work shows a high degree of compositional craft'.
$9.99
9.19 €
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Flute and Piano
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Dorothy Pilling
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Four Simple Pieces for Flute
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Forsyth Brothers Ltd
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SheetMusicPlus
Flûte en suite
Flute and Piano
Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and …
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Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99
51.53 €
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Flute and Piano
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Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
Greek Wassail for flute and guitar
Flute and Piano
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.576236 Composed by David Warin Solomons. 20th Century,Christmas,World. Score and parts. 11 pages. David Warin Solomons #11583. Published by David Warin Solomons (A0.576236). Instrumental setting of a jolly and satirical song about tourists in Greece. (The original song is also available on this site under the title Greek Wassail) These instrumental versions are available for: Flute and guitar - Clarinet and guitar - Alto saxophone and guitar - Flute and piano - Clarinet and piano - Alto saxophone and piano - ... The pdf includes score and parts The sound sample is an electronic preview.
$7.00
6.44 €
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Flute and Piano
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David Warin Solomons
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Greek Wassail for flute and guitar
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David Warin Solomons
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SheetMusicPlus
Greek Wassail for alto saxophone and guitar
Flute and Piano
Instrumental Duet Alto Saxophone,Guitar,Instrumental Duet - Level 4 - Digital Download …
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Instrumental Duet Alto Saxophone,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.576240 Composed by David Warin Solomons. 20th Century,Christmas,World. Score and parts. 9 pages. David Warin Solomons #11593. Published by David Warin Solomons (A0.576240). Instrumental setting of a jolly and satirical song about tourists in Greece. (The original song is also available on this site under the title Greek Wassail) These instrumental versions are available for: Flute and guitar - Clarinet and guitar - Alto saxophone and guitar - Flute and piano - Clarinet and piano - Alto saxophone and piano - ... The pdf includes score and parts The sound sample is a live performance by Michel Bert and Moris El-AlamVideo https://www.youtube.com/watch?v=6rK29UwB7ng
$7.00
6.44 €
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Flute and Piano
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David Warin Solomons
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Greek Wassail for alto saxophone and guitar
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David Warin Solomons
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SheetMusicPlus
Greek Wassail for flute and piano
Flute and Piano
Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.576237 Composed …
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Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.576237 Composed by David Warin Solomons. 20th Century,Christmas,World. Score and individual part. 5 pages. David Warin Solomons #11585. Published by David Warin Solomons (A0.576237). Instrumental setting of a jolly and satirical song about tourists in Greece. (The original song is also available on this site under the title Greek Wassail) These instrumental versions are available for: Flute and guitar - Clarinet and guitar - Alto saxophone and guitar - Flute and piano - Clarinet and piano - Alto saxophone and piano - ... The pdf includes score and parts The sound sample is an electronic preview.
$7.00
6.44 €
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Flute and Piano
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David Warin Solomons
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Greek Wassail for flute and piano
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David Warin Solomons
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SheetMusicPlus
Invitation to the journey flute and piano
Flute and Piano
Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.576605 Composed …
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Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.576605 Composed by David Warin Solomons. 20th Century,Contemporary. Score and individual part. 10 pages. David Warin Solomons #41971. Published by David Warin Solomons (A0.576605). This langorous and harmonically rich instrumental duo is based on my song Invitation to the journey (based on Baudelaire's poem L'invitation au voyage) (for alto and guitar or alto and piano), which is also available on this site. The original song can be heard on youtube at https://www.youtube.com/watch?v=RE1RnHn9rwU (alto and guitar version) and https://www.youtube.com/watch?v=gClsee0gikc (alto and piano version) These instrumental versions include: alto flute and guitar or piano, flute and guitar or piano and clarinet and guitar or piano. The pdf file contains score and parts The sound sample is an electronic preview.
$10.00
9.2 €
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Flute and Piano
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David Warin Solomons
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Invitation to the journey flute and piano
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David Warin Solomons
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SheetMusicPlus
Larghetto (Una furtiva lagrima) from "L'Elisir d'amore", Donizetti
Flute and Piano
Small Ensemble Cello,Clarinet,Flute,Piano - Level 4 - Digital Download SKU: A0.878471
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Small Ensemble Cello,Clarinet,Flute,Piano - Level 4 - Digital Download SKU: A0.878471 Composed by Gaetano Donizetti. Arranged by Rimskyfarby. Romantic Period. Score and parts. 15 pages. Rimskyfarb #4288027. Published by Rimskyfarb (A0.878471). Donizetti's opera L'Elisir d'amore (1832) was a brilliant success with both critics and the public. The first run alone lasted for 33 performances. L'Elisir remains an important work in the repertory of major opera houses in the twenty-first century. The Larghetto aria 'Una furtiva lagrima' (A furtive tear) is the romanza from act 2, scene 8. It is arranged here for advanced-intermediate Piano Quartet consisting of Concert Flute, Clarinet in Bb, Piano and Cello. The original key is a minor, but this new setting in Bb minor has a darker sound that is much better suited to these instruments.
$6.95
6.4 €
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Flute and Piano
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Gaetano Donizetti
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Larghetto
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Rimskyfarb
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SheetMusicPlus
Salome Tanz (Dance of the Seven Veils)
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richa…
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Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer Loïe Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.
$29.99
27.6 €
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Flute and Piano
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James Strauss
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Salome Tanz
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James Strauss
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SheetMusicPlus
Vivaldi - Cantabile from Il Gardellino in D Major - Easy
Flute and Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.1193513 Composed by Antonio Vivald…
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Flute,Piano - Level 1 - Digital Download SKU: A0.1193513 Composed by Antonio Vivaldi. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards,Wedding. Score and part. 8 pages. Piacere Music Sheets #792979. Published by Piacere Music Sheets (A0.1193513). Opus/Catalog Number: Flute Concerto in D major, 'Il Gardellino' RV 428, Op. 10, No. 3, second movementKey/Tone: D majorMovements/Sections: Larghetto cantabileYear/Date of Composition: 1728 or beforeDifficulty: Grade 2/12 (Easy)Obs.: This beautiful piece is the second of three movements in Vivaldi's Concerto in D Major. This concerto is named Il Gardellino (The Goldfinch).This sheet music contains suggestions for ornamenting each section of flute part upon repeating it, as it was customarily done by musicians during the Baroque period.These suggestions are optional and can be adjusted to each player's taste and ability, and were written above the original melody as an ossia staff.This score is an arrangement for Flute and Piano. Included: Full score and individual parts.
$6.95
6.4 €
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Flute and Piano
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Antonio Vivaldi
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Vivaldi - Cantabile from Il Gardellino in D Major - Easy
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Piacere Music Sheets
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.96 €
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Flute and Piano
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Ludwig van Beethoven
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.96 €
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Flute and Piano
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Ludwig van Beethoven
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Ma'iingan (Wolf) for flute and piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1141714 Composed by Adrienne Ingli…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1141714 Composed by Adrienne Inglis (ASCAP). 21st Century,Chamber,Classical,Halloween,Multicultural,World. Score and part. 13 pages. Adrienne Inglis (ASCAP) #742099. Published by Adrienne Inglis (ASCAP) (A0.1141714). Charming, environmentally-minded piece that introduces accessible extended techniques to intermediate flutists! Ma’iingan (pronounced mah IN-gun) is the Ojibwe word for wolf (Canis lupus). The poem “Aangodinong†(Sometimes) from Wewemi by Margaret Noodin inspired the piece. Ma’iingan issues a call to action to address the extinction crisis by saving the wolves from hunters and habitat loss. Transcribed wolf calls provide some of the melodic material for the piece and luckily fall in a good range for the flute. Designed for intermediate level flutists, the piece employs pitch bends and timbral trills using straightforward alternate fingerings as well as optional slight lip bends. These accessible extended techniques give the intermediate player an introduction to features usually found only in more difficult music. Please consider supporting the Center for Biological Diversity (https://www.biologicaldiversity.org). at 35:51 https://youtu.be/A6-z20DnXG8?t=2151.
$6.99
6.43 €
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Flute and Piano
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Adrienne Inglis
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Ma'iingan
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Adrienne Inglis
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SheetMusicPlus
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