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The Last Stand
Flute and Piano
Sheetmusic to print
34 sheet music found
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Stand Up, Stand Up for Jesus, Gospel Hymn for Flute and Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.593217 Composed by George Duffield…
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Flute,Piano - Level 2 - Digital Download SKU: A0.593217 Composed by George Duffield Jr. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6417823. Published by David McKeown (A0.593217). Stand Up, Stand Up for Jesus is a beautiful gospel song arranged here for Solo Flute and Piano.Stand Up, Stand Up for Jesus was written by George Duffield Jr in 1858, reportedly based on the last words on his friend and anti-slavery campaigner, Dudley Atkins Tyng. The hymn was popular with soldiers on both sides of the American Civil War.
$2.49
2.24 €
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Flute and Piano
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George Duffield Jr
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Stand Up, Stand Up for Jesus, Gospel Hymn for Flute and Piano
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David McKeown
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SheetMusicPlus
Saint-Saëns: The Swan for Flute & Piano
Flute and Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camill…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
29.68 €
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Flute and Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Flute & Piano
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jmsgu3
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SheetMusicPlus
Nearer, My God, to Thee (Flute & Piano) Piano Accompaniment Track
Flute and Piano
Flute,Piano - Digital Download SKU: A0.1065587 Composed by Sarah Flowers Adams. Arr…
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Flute,Piano - Digital Download SKU: A0.1065587 Composed by Sarah Flowers Adams. Arranged by Carol Troutman Wiggins. Contemporary,Sacred,Standards. Accompaniment. Duration 180. Carol Troutman Wiggins #3507819. Published by Carol Troutman Wiggins (A0.1065587). NEARER, MY GOD, TO THEEFlute & Piano DuetNearer, My God, to Thee is a Christian hymn from the 19th century, written by Sarah Flower Adams. The hymn tells the story of Jacob's dream in Genesis 28:11-12. This hymn is also known as the last song the band on RMS Titanic played before the ship sank.Excellent for intermediate level musicians.Great for use as a prelude, offertory, postlude, or funeral.
$5.99
5.39 €
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Flute and Piano
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Sarah Flowers Adams
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Nearer, My God, to Thee
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Carol Troutman Wiggins
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SheetMusicPlus
Thérèse Brenet: Sonata for flute and piano
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet.…
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Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2894443. Published by Musik Fabrik Music Publishing (A0.533397). A sonata in three movements for flute and piano: I. EphémèreII. La lune s'éteignitIII. Miroirs The sonata lasts aproximately 13 minutes. Thérèse BRENET, born 22 October 1935 in Paris, France began her musical studies at a very early age, receiving her first prize in Piano from the Conservatoire de Reims.At the Paris Conservatory, her prinicipal teachers were Jean Rivier, Darius Milhaud, Maurice Duruflé, Noël Gallon and Henri Dutilleux and she obtained First Prizes in Harmony, Counterpoint, and Fugue. She finished her studies in 1965, receiving a First Prize in Orchestration, A First Prize with highest honors in Composition and the First Grand Prix de Rome in musical composition.She also won the Halphen Prize for Composition and the Fugue, a grant from the Coplay Foundation of Chigaco and was named honorable member of the National Academy of History of Reims. In 1971, she received the Stéphane Chapelier-Clergue-Gabriel Marie Prize from the SACEM and in 1973, the Silver Medal from the City of Paris.After her stay at the French Academy at the Villa Médicis in Rome, Thérèse Brenet undertook several post-graduate voyages for study, notably to Poland. Upon her return in Paris in 1970, she was immediately named to the Faculty of the Paris Conservatory (CNSMD de Paris) where she also was frequently part of the juries for music theory and composition, as well as electroacoustical music.Thérèse Brenet receiving her definitive SACEM membership from Georges Auric She retired from the Paris Conservatory in 2000 and has since devoted her time to musical composition. She uses both tonal and atonal musical language, which she uses to suit her personal style. Her works are strongly influenced by literature, by painting and by science (especially astronomy). She believes that a composer should use all technical means at his or her disposal and use them rather than be used by them.Her first commission from the French National Radio, Clamavit, for Narrator, Chorus and Orchestra which was premièred by the Orchestre Lyrique de l'O.R.T.F., under the direction of André Girard, with Michel Bouquet as the Narrator, was selected to represent France in the Composer's Forum of 'U.N.E.S.C.O., and was performed in many countries. Many other works have also been performed outside of France in countries such as Switzerland, England, Germany, Belgium, Ireland, the former Yugoslavia, Italy, Portugal, the Netherlands, Libya, Canada, Uruguay, Japan and the United States etc...
$16.95
15.27 €
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Flute and Piano
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Therese Brenet
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Thérèse Brenet: Sonata for flute and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Gabriel's Anthem [Flute & Piano]
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1139703 By Paul Barker. By Paul Ba…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1139703 By Paul Barker. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival,Standards. Score and part. 11 pages. Paul Barker Music #739975. Published by Paul Barker Music (A0.1139703). Gabriel's Anthem is wonderfully stoic and ideal for recitals, concerts and formal occasions of all kinds. Performers and Audiences alike will love the rich harmonic pallet and inspiring thematic contrast to the very last poignant ritardando.Piano Accompaniment MP3 available from both this site and the publishers at www.paulbarkermusic.comLevel: Intermediate (Grade 5 UK/Grade 2+ USA) Duration: 2:20 Occasion: Concert - Formal/Informal - Recitals - CompetitionsInstrumentation: Flute - Piano.
$5.95
5.36 €
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Flute and Piano
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Paul Barker
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Gabriel's Anthem [Flute & Piano]
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Paul Barker Music
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SheetMusicPlus
Sullivan - The Lost Chord in F Major - Easy
Flute and Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.1108441 Composed by Sir Arthur Sey…
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Flute,Piano - Level 1 - Digital Download SKU: A0.1108441 Composed by Sir Arthur Seymour Sullivan. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score and part. 13 pages. Piacere Music Sheets #711082. Published by Piacere Music Sheets (A0.1108441). Opus/Catalog Number: IAS 42 Key/Tone: F Major Movements/Sections: Andante moderato Year/Date of Composition: 1858/1877 Difficulty: Grade 3/12 (Easy) Obs.: Sir Arthur Sullivan composed this song at the bedside of his brother Fred during Fred's last illness. Fred Sullivan died five days after, on January 18. This song has been recorded by many singers, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The Lost Chord is one of Sullivan's best-known songs, and it is still performed nowadays. This is an arrangement for Flute with piano accompaniment. Included: Full score and separated parts for each instrument.
$8.95
8.06 €
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Flute and Piano
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Sir Arthur Seymour Sullivan
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Sullivan - The Lost Chord in F Major - Easy
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Piacere Music Sheets
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SheetMusicPlus
Nearer My God To Thee (Flute or Violin solo and Piano)
Flute and Piano
Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1083450 By Stephen DeC…
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Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1083450 By Stephen DeCesare. By Lowell Mason. Arranged by Stephen DeCesare. Film/TV,Praise & Worship,Sacred,Standards,Traditional. Score and individual part. 7 pages. Exultet Music #687654. Published by Exultet Music (A0.1083450). The 19th century Christian hymn which is well known as the alleged last song the band on RMS Titanic played before the ship sank has been freshly arranged for a Flute or Violin solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
4.49 €
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Flute and Piano
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Stephen DeCesare
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Nearer My God To Thee
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Exultet Music
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SheetMusicPlus
L'Oiseau Mouche (The Hummingbird)
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1000071 Composed by Calixa Lavalle…
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Flute,Piano - Level 4 - Digital Download SKU: A0.1000071 Composed by Calixa Lavallee. Arranged by Dr. David W. Roe (SOCAN). Romantic Period,Standards. Score and part. 13 pages. DWR MUSIC PUB. #6410015. Published by DWR MUSIC PUB. (A0.1000071). Composer Calixa Lavallee was a Canadian composer who lived from 1842-1891. Lavallee is probably best known as the composer of the Canadian National Anthem O Canada probably written about 1865. Lavallee spent most of his life in Canada but his last 10 years were spent in the United States at his home in Boston, Massachusetts.
$3.99
3.59 €
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Flute and Piano
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Calixa Lavallee
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L'Oiseau Mouche
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DWR MUSIC PUB.
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SheetMusicPlus
Last Tango in Leicester Square
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.764009 Composed by Barbara Arens. …
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Flute,Piano - Level 3 - Digital Download SKU: A0.764009 Composed by Barbara Arens. Concert,Contemporary,Jazz,Latin,Standards. Score and part. 5 pages. Barbara Arens #6417289. Published by Barbara Arens (A0.764009). Last Tango in Leicester Square I think you’ll have fun with this one! You might want to watch some tangos on YouTube, so you get a feel for the very strict time, the importance of the accents, the tiny ritardandos...
$3.50
3.15 €
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Flute and Piano
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Barbara Arens
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Last Tango in Leicester Square
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Barbara Arens
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SheetMusicPlus
Schubert: Ave Maria for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548688 Composed by Franz Schubert.…
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Flute,Piano - Level 1 - Digital Download SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411123. Published by jmsgu3 (A0.548688). An Alto Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
26.97 €
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Flute and Piano
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Franz Schubert
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Schubert: Ave Maria for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Flute & Piano
Flute and Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548696 Composed by Franz Schubert.…
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Flute,Piano - Level 1 - Digital Download SKU: A0.548696 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411141. Published by jmsgu3 (A0.548696). A Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
26.97 €
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Flute and Piano
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Franz Schubert
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Schubert: Ave Maria for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
17.97 €
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Flute and Piano
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
17.97 €
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Flute and Piano
#
Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.47 €
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Flute and Piano
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Ludwig van Beethoven
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.47 €
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Flute and Piano
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Ludwig van Beethoven
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Pomp and Circumstance March No. 1 for Flute and Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1038234 Composed by Edward Elgar. …
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Flute,Piano - Level 3 - Digital Download SKU: A0.1038234 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #643165. Published by Diego Marani (A0.1038234). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for flute with piano is suitable for classroom, repertoire and recital.
$9.99
9 €
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Flute and Piano
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Edward Elgar
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Pomp and Circumstance March No. 1 for Flute and Piano
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Diego Marani
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SheetMusicPlus
Jacques Leguerney: Sonate for piano and flute
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.533323 Composed by Jacques Leguern…
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Flute,Piano - Level 4 - Digital Download SKU: A0.533323 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score and part. 25 pages. Musik Fabrik Music Publishing #2343129. Published by Musik Fabrik Music Publishing (A0.533323). Sonate pour piano et flûteI. Andantino spirituosoII. Pas trop lentIII. VifDates de composition : décembre, 1926 - octobre, 1927The Sonata for Piano and Flute (Sonate pour piano et flûte) was composed for Claude Desanges, a school mate of the composer. The only known performance was an informal one at the Parisian apartment of Leguerney’s parents. Leguerney’s mentor and dear friend, Thérèse Cahen, accompanied Desanges.The Sonata is dedicated to Michel Jomier, Leguerney’s close friend, who also wrote several poems that Leguerney set during his early period of exploratory compositions. Part of the handwritten dedication is illegible, it reads “To Michel Jomeir, in memory of ?†and there we can only guess at the rest. There are several autograph manuscripts on deposit at the Département Musique of the Bibliothèque National in Paris. These manuscripts are the property of the Leguerney Estate, and are identified by a code starting with OL. OL11 is a full-score rough draft with several corrections, indicated by hatch-marks. It is dated 1 October 1927. At the end of the 1st movement, the last quarter notes in the piano part are marked with a slur going over the final double bar, indicating that the sound should continue to resonate. There is a fermata over this ending double bar in both the flute and piano parts, which implies that the 2nd movement should continue immediately. This mark is eliminated in OL11A. The 2nd movement also has slurs over the final notes, indicating a segue to the 3rd and final movement. There are fermatas over the final chords of the 2nd movement as well. These are eliminated in OL11A. The 2nd movement isdated 29 October 1927 and the 3rd movement is dated 9 December 1926. OL11A is a cleanly copied full-score autograph manuscript where the title is Sonate pour Piano et Flûte en 3 Mouvements. Andantino spiritoso, Pas trop lent, Vif. (Sonata for Piano and Flute in 3 Movements. Andantino spiritoso, Pas trop lent, Vif.) OL11B is a clean copy of the flute part. Although unsigned, it appears to be an autograph manuscript. The breath marks placed into the Musik Fabrik edition are written in pencil in both OL11B and OL11C. OL11C is a flute part that appears to be used. It is worn, has some paste overs and penciled-in cues in the 2nd movment, as well as some breath marks and nuance indications. This seems to be a workingcopy for a performance or reading. The editor thinks that OL11B is the final draft, written out after OL11C was used for a performance. This edition is based upon all of these sources, using the full score of OL11A and the flute score OL11B as the final thoughts of the composer.
$19.95
17.97 €
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Flute and Piano
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Jacques Leguerney
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Jacques Leguerney: Sonate for piano and flute
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Musik Fabrik Music Publishing
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SheetMusicPlus
Don Juan Boogie for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.764005 Composed by Barbara Arens. …
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Flute,Piano - Level 3 - Digital Download SKU: A0.764005 Composed by Barbara Arens. Concert,Contemporary,Jazz,Standards. Score and part. 7 pages. Barbara Arens #6417259. Published by Barbara Arens (A0.764005). Don Juan Boogie Teehee. I have been REALLY cheeky here, taking the theme from the Minuet in Mozart’s opera ‘Don Giovanni’ and making it into a Boogie! After the very free introduction in which the flute and piano imitate each other, the boogie begins. Bring out the syncopations as much as you can, for example the last note in bar 4, or the first C# in bar 9.
$3.50
3.15 €
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Flute and Piano
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Barbara Arens
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Don Juan Boogie for Flute & Piano
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Barbara Arens
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SheetMusicPlus
Grieg: Notturno Op. 54 No. 4 for Flute & Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.550023 Composed by Edvard Grieg. A…
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Flute,Piano - Level 2 - Digital Download SKU: A0.550023 Composed by Edvard Grieg. Arranged by James M. Guthrie. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 14 pages. Jmsgu3 #4580279. Published by jmsgu3 (A0.550023). Edvard Grieg's Notturno Op. 54, No. 4 is a piano piece from his Lyric Pieces, a collection of short piano pieces. The significance of this piece lies in its tranquil and evocative nature. It is described as a calming and almost surreal composition, blending elements of both sadness and happiness. Grieg's Notturno is part of the Lyric Suite, orchestrating four of the six piano pieces from Book V of his Lyric Pieces, Op. 54. Grieg conducted the Lyric Suite several times in the last years of his life, and it has been recorded and performed by other conductors. The piece is known for its serene and reflective character, making it a notable contribution to Grieg's work.
$32.95
29.68 €
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Flute and Piano
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Edvard Grieg
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Grieg: Notturno Op. 54 No. 4 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Italian Polka for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.669250 Composed by Sergei Rachmani…
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Flute,Piano - Level 3 - Digital Download SKU: A0.669250 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #278246. Published by Diego Marani (A0.669250). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for flute with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore.
$7.99
7.2 €
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Flute and Piano
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Sergei Rachmaninoff
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Italian Polka for Flute & Piano
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Diego Marani
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SheetMusicPlus
ARIOSO, by J. S. Bach (sinfonia) - for Flue and accompaniment
Flute and Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.964367 Composed by Johann Sebastia…
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Flute,Piano - Level 1 - Digital Download SKU: A0.964367 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6320687. Published by Leyandder Trustworthy (A0.964367). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Flute along with a piano accompaniment that comes with the product.
$1.99
1.79 €
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Flute and Piano
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Johann Sebastian Bach
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
J.S. Bach - Badinerie (from orchestral suite) in B Minor - Intermediate
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.847763 Composed by Johann Sebastia…
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Flute,Piano - Level 3 - Digital Download SKU: A0.847763 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score and part. 9 pages. Piacere Music Sheets #6492875. Published by Piacere Music Sheets (A0.847763). Opus/Catalog Number: BWV 1067, No. 7 Key/Tone: B Minor Movements/Sections: Badinerie - Allegro Year/Date of Composition: 1738 Difficulty:Â Grade 6/12 (Intermediate) Obs.: This is the last of seven movements in Johann Sebastian Bach's Orchestral Suite No. 2 in B minor, BWV 1067. It was originally composed for transverse flute, two violins, viola and continuo. This score is an arrangement for flute and piano. This arrangement contains suggestions for performing the appoggiaturas and trills in accordance with the performance practice of the Baroque period. Namely, appoggiaturas are played ON the beat, taking up one half of the main note's value. Also, in the Baroque period, trills are played ON the beat, beginning on the upper auxiliary note. More repercussions may be added depending on the player's taste and ability. Included: Full score and parts for each instrument.
$5.95
5.36 €
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Flute and Piano
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Johann Sebastian Bach
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J.S. Bach - Badinerie
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Piacere Music Sheets
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SheetMusicPlus
Beautiful Dreamer (Flute Solo, Piano Accompaniment)
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1045125 Composed by Stephen Foster…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1045125 Composed by Stephen Foster. Arranged by Cathy Stamegna. Film/TV,Instructional,Romantic Period,Standards,Wedding. Score and part. 8 pages. Cathy Stamegna #649691. Published by Cathy Stamegna (A0.1045125). This solo arrangement begins in the traditional manner, albeit changing the original 9/8 meter to 3/4 with melodic and rhythmic embellishment in the solo part. Appropriate for instruction, recitals, concerts, and public events. Concert Key: Eb (original key). Set of Parts. Performance Time: 1:55. One of Stephen Foster’s most-beloved songs, some claim “Beautiful Dreamer†to be the last of his compositions, written just a few days before his death. Featured in films and television throughout the years.
$4.99
4.49 €
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Flute and Piano
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Stephen Foster
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Beautiful Dreamer
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Cathy Stamegna
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SheetMusicPlus
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