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PIANO & KEYBOARDS

Piano solo 31 Piano, Vocal and Guitar 10 Piano, Voice 7 2 Pianos, 4 hands 4 C Instruments 3

Organ 2 Piano Quartet: piano, violin, viola, cello 1 1 Piano, 4 hands 1 Piano Accompaniment 1 Piano Trio: piano, violin, cello 1

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Guitar 1 Ukulele 1 Bass guitar 1

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Choral SATB 12 Alto voice, Piano 9 Choral TTBB 3 Tenor voice 2 Soprano voice, Piano 1

High voice 1 Baritone voice, Piano 1 Choral SSAA 1

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WOODWIND

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 14 Saxophone ensemble 12 Saxophone Quintet: 5 Saxophones 5 Alto Saxophone and Piano 4 Flute and Piano 4

Clarinet and Piano 3 Clarinet Ensemble 3 Tenor Saxophone and Piano 2 3 Clarinets (trio) 2 Flute ensemble 2 Oboe, Piano (duet) 2 Flute, Viola and Piano 2 2 Recorders (duet) 2 Baritone Saxophone, Piano 2 Clarinet 1 English horn, Piano 1 Soprano Saxophone and Piano 1 Flute, Oboe, Clarinet, Bassoon 1 2 Flutes (duet) 1 Flute Quintet : 5 flutes 1 Tenor Saxophone 1

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WOODBRASS

Brass quartet : 2 trumpets, trombone, tuba 14 Brass Quintet: 2 trumpets, horn, trombone, tuba 10 Trombone and Piano 6 French Horn and Piano 4 Trumpet 3

Trombone 2 Trumpet, Piano 2 Trombone ensemble 2 English horn, Piano 1 Tuba ensemble 1 2 Trombones (duet) 1 Trumpet ensemble 1 Tuba and Piano 1 2 Tubas (duet) 1 Euphonium, Piano (duet) 1

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STRINGS

Violin and Piano 6 Cello, Piano 5 String Quartet: 2 violins, viola, cello 5 String Trio: violin, viola, cello 3 Violin 3

Viola, Piano 3 Harp 2 Cello Ensemble 1 Violin ensemble 1 Violin, Clarinet, Piano (trio) 1 Violin, Cello (duet) 1 Viola (band part) 1 Cello 1 String Trio: 2 violins, cello 1 Viola ensemble 1

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PERCUSSION & ORCHESTRA

Brass ensemble 5 Concert band 4 Orchestra 3 Chamber Orchestra 3 String Orchestra 3

2 Marimbas 1 Jazz Ensemble 1 Handbells 1 Vibraphone 1

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Though He Were A Son

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Flute and Piano

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4 sheet music found

He Ain't Heavy, He's My Brother Flute and Piano

Flute,Piano - Level 3 - Digital Download SKU: A0.791241 By Neil Diamond. By Bob Rus…(+)

Flute,Piano - Level 3 - Digital Download SKU: A0.791241 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Kevin P Holdgate. Pop. Score and part. 8 pages. Kevin P Holdgate #5771847. Published by Kevin P Holdgate (A0.791241). KPHMS 'Solo' CollectionHe Ain't Heavy, He's My Brother is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for The Hollies later that year and a minor hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years.Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song.This is an arrangement as a solo with piano accompaniment that I would judge to be around Grade 5/6 standard for most instruments.

$4.99 4.58 € #Flute and Piano #Neil Diamond #He Ain't Heavy, He's My Brother #Kevin P Holdgate #SheetMusicPlus

D'amore Si Muore (Milva Version) Flute and Piano

Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1437015 By Milva. By Carlo…(+)

Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Traditional. Score and part. 9 pages. The Flautist #1017083. Published by The Flautist (A0.1437015). D'Amore Si Muore is an excellent way to practice words, expression and phrasing. In this case variations on “love you ” all the way through.Relates brilliantly to Melodious Studies number 11, 13, 14 and also 8.I am a big fan of playing slowly and having absolute control of everything I do down to the last detail and a melody like this is a great tool to practice this. I don’t believe one can play fast before control over slow playing and expression is mastered.Our most natural instrument is our voice . Singing and playing this melody is a terrific way to bridge the gap between the metal flute and one’s voice. The outcome is an amazing resonance ,musical quality in the tone and natural phrasing.Moyse was asked what he thought the French School of flute playing was and he answered” being able to sound like other instruments”. We have to start with the first port of call – our voice.The words you can use for phrasing are ” love you , love you , love you , love you, love you so.” “I really love you so much” ” I really love you so” etc all the way through . You can make up your own.It is worth singing and playing this through. By that I mean play 2 notes, sing 2 and play 2 all the way through without interrupting the musical flow, resonance and tone quality. Great for practising going between singing and playing quickly.Love was a favourite word of Moyse and Wibb. I see why!. It innately has so much expression, warmth, opens up the mouth and in Moyse’s words “scoops the last spoonful of mayonnaise from the jar. ” You definitely can’t say it with “an ugly nasal voice”- Moyse quote.The tone has to have life and expression. I hear so often soft playing as the player blowing softly but that gives such a dull lifeless outcome.

$6.95 6.37 € #Flute and Piano #Milva #D'amore Si Muore #The Flautist #SheetMusicPlus

Luther: Out of the Depths for Alto Flute & Piano Flute and Piano

Flute,Piano - Level 1 - Digital Download SKU: A0.548707 Composed by Martin Luther. …(+)

Flute,Piano - Level 1 - Digital Download SKU: A0.548707 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411715. Published by jmsgu3 (A0.548707). Out of the Depths I Cry to You by Martin Luther arranged for alto flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms.Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

$24.95 22.88 € #Flute and Piano #Martin Luther #piano #Luther: Out of the Depths for Alto Flute & Piano #jmsgu3 #SheetMusicPlus

Poème Flute and Piano

From the Idyll "At Twilight". Composed by Zdenek Fibich (1850-1900). Arrange…(+)

From the Idyll "At Twilight". Composed by Zdenek Fibich (1850-1900). Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15265. Published by Schott Music - Digital
The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Antonín Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan Kubelík played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.

$4.99 4.58 € #Flute and Piano #Zdenek Fibich (1850-1900) #Poème #Schott Music - Digital #SheetMusicPlus