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Flute and Piano
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1
Valse - Scherzo op.34 for flute and piano
Flute and Piano
Flute,Piano - Digital Download SKU: A0.1035219 Composed by Piotr Tchaikovski. Arran…
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Flute,Piano - Digital Download SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pages. James Strauss #5297983. Published by James Strauss (A0.1035219). Writing to his brother Modest on 18/30 January 1877, Tchaikovsky mentioned that the violinist Iosif Kotek had ordered a piece from him for a forthcoming concert. Four days later Kotek wrote to Tchaikovsky: Thank you in advance for the waltz; it will surely be wonderful, as is everything that you compose... this shall be a piece to impress everybody. In another letter from mid/late February, we read: Incidentally, about the waltz. Why force yourself if you are tired? Of course, I would be delighted and infinitely glad if you were to write the waltz, especially since it is for me. I am still very glad that you have even started to think about this.In the period from March to August, we find no further references to work on the Valse. But, given that in March and April, Tchaikovsky wrote his Fourth Symphony, and that in May he was completely absorbed in composing the opera Yevgeny Onegin, it is likely that by this time the Valse had already been completed.It seems that the waltz was partly or wholly orchestrated by Kotek after Tchaikovsky completed the version for violin with piano. This is suggested by two letters from Kotek to Tchaikovsky: in October 1878, the violinist reported to Tchaikovsky on an unsuccessful performance of the piece: Could my instrumentation be the reason that the waltz did not please?, and early in 1879 he wrote: I think that I badly orchestrated the Waltz ... what extraordinarily empty sounds!. None of Tchaikovsky's letters refer to the orchestration of the piece.Here for the very first time in aversion for flute and piano - I tried to not transcribe the violin part, but re-write the solo part as it was made for flute.
$11.99
10.96 €
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Flute and Piano
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Piotr Tchaikovski
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Valse - Scherzo op.34 for flute and piano
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James Strauss
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SheetMusicPlus
Scarborough Fair
Flute and Piano
Piano,Soprano Flute - Digital Download SKU: A0.1433845 By Traditional. By Tradition…
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Piano,Soprano Flute - Digital Download SKU: A0.1433845 By Traditional. By Traditional. Arranged by Joan Bujacich. Celtic,Folk,Irish,Pop,Traditional. Score and part. 10 pages. Joan Bujacich #1014054. Published by Joan Bujacich (A0.1433845). The piano and flute score is 7 pages in length, but Ms. Bujacich extracted the flute alone as well which is only 2 pages. This entire PDF then is 10 pages total with the cover. Clean, professionally notated.This arrangement by Joan Bujacich is in D Dorian mode. The flute plays the melody for the first two verses and then in the third verse it goes up an octave and the piano imitates some of the melodic lines, making for a nice dialogue between the two instruments. This medieval folk song uses the melody later used by Simon & Garfunkel. It was first sung by Mark Anderson (1874–1953), a retired lead miner from Middleton-in-Teesdale, County Durham, England to Ewan MacColl in 1947.Scarborough Fair, was popularized in the United States by the 1960s singer-songwriting duo Simon & Garfunkel.The folk song is about a market fair that took place in the town of Scarborough in Yorkshire during medieval times. Like any fair, it attracted traders, entertainers and food vendors, along with other hangers-on. The fair peaked in the late 14th century but continued to operate until the end of the 1700s. Now, several fairs are held in remembrance of the original.Be sure to check out Ms. Bujacich's arrangement page. She has many other great arrangements for Flute and Piano and solo piano.
$3.99
3.65 €
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Flute and Piano
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Traditional
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Garfunkel
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Scarborough Fair
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Joan Bujacich
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SheetMusicPlus
Flute Sonata
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1031342 Composed by William Milner…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1031342 Composed by William Milner. 20th Century,Concert,Contemporary. Score and part. 24 pages. Carolyn A Williams #3116293. Published by Carolyn A Williams (A0.1031342). With his Flute Sonata, Dr. Milner has written something unique, a contemporary piece that is beautifully lyrical and accessible - ideal for flute. Written for his Daughter-in-Law in 2003, this Sonata is perfect for intermediate to advanced flute players. The second movement, Siciliana, also works well as a stand-alone recital piece and can be played either on Alto Flute as written or on C-flute. This sonata is a great addition to the collection of flute performance pieces. William Milner holds the degree of D.M.A. in Composition from the Peabody Conservatory of Music. Composition teachers include Nadia Boulanger. He taught music in Baltimore City Schools and later served as Assistant Supervisor of Music. In 1983, Dr. Milner retired as professor and chairman of the music department of the Community College of Baltimore. His compositional output includes the New Century March for symphonic band, Sonata for Two Cellos and Piano, Sonata for Flute, Fantasy on Jewish themes for viola and piano, and the opera Sweet River, composed for the Nation’s bicentennial celebration in 1976. .
$12.99
11.88 €
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Flute and Piano
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William Milner
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Flute Sonata
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Carolyn A Williams
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SheetMusicPlus
Thérèse Brenet: Sonata for flute and piano
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet.…
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Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2894443. Published by Musik Fabrik Music Publishing (A0.533397). A sonata in three movements for flute and piano: I. EphémèreII. La lune s'éteignitIII. Miroirs The sonata lasts aproximately 13 minutes. Thérèse BRENET, born 22 October 1935 in Paris, France began her musical studies at a very early age, receiving her first prize in Piano from the Conservatoire de Reims.At the Paris Conservatory, her prinicipal teachers were Jean Rivier, Darius Milhaud, Maurice Duruflé, Noël Gallon and Henri Dutilleux and she obtained First Prizes in Harmony, Counterpoint, and Fugue. She finished her studies in 1965, receiving a First Prize in Orchestration, A First Prize with highest honors in Composition and the First Grand Prix de Rome in musical composition.She also won the Halphen Prize for Composition and the Fugue, a grant from the Coplay Foundation of Chigaco and was named honorable member of the National Academy of History of Reims. In 1971, she received the Stéphane Chapelier-Clergue-Gabriel Marie Prize from the SACEM and in 1973, the Silver Medal from the City of Paris.After her stay at the French Academy at the Villa Médicis in Rome, Thérèse Brenet undertook several post-graduate voyages for study, notably to Poland. Upon her return in Paris in 1970, she was immediately named to the Faculty of the Paris Conservatory (CNSMD de Paris) where she also was frequently part of the juries for music theory and composition, as well as electroacoustical music.Thérèse Brenet receiving her definitive SACEM membership from Georges Auric She retired from the Paris Conservatory in 2000 and has since devoted her time to musical composition. She uses both tonal and atonal musical language, which she uses to suit her personal style. Her works are strongly influenced by literature, by painting and by science (especially astronomy). She believes that a composer should use all technical means at his or her disposal and use them rather than be used by them.Her first commission from the French National Radio, Clamavit, for Narrator, Chorus and Orchestra which was premièred by the Orchestre Lyrique de l'O.R.T.F., under the direction of André Girard, with Michel Bouquet as the Narrator, was selected to represent France in the Composer's Forum of 'U.N.E.S.C.O., and was performed in many countries. Many other works have also been performed outside of France in countries such as Switzerland, England, Germany, Belgium, Ireland, the former Yugoslavia, Italy, Portugal, the Netherlands, Libya, Canada, Uruguay, Japan and the United States etc...
$16.95
15.5 €
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Flute and Piano
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Therese Brenet
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Thérèse Brenet: Sonata for flute and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
New Heart Hymns: 10 Familiar Hymns for Solo Flute and Intermediate Piano
Flute and Piano
By Jennie Rhodes. By Jennie Rhodes. Arranged by Jennie Rhodes. Classical, Contempora…
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By Jennie Rhodes. By Jennie Rhodes. Arranged by Jennie Rhodes. Classical, Contemporary, Instructional, Praise & Worship, Sacred. Score and part. 52 pages. Jennie Rhodes Music #164838. Published by Jennie Rhodes Music
"My students were tired of playing out of the hymn book. This collection makes them to feel like artists when they perform in their worship services!" This volume of 10 beloved, multi-denominational hymns are arranged with the aim of being easy enough for young players to master, yet beautiful enough for advanced musicians to enjoy. Perfect as short featured solos, or use the optional attaccas and links connecting the entire set for prelude/postlude settings. Also available for solo violin, viola, cello, oboe, clarinet, and piano. Listen to a playlist of the entire collection (as arranged for violin) on YouTube. DETAILS: Total length = 24 minutes. Solo instrument part = 15 pages. Piano score =29 pages . All texts included. SONG LIST: Abide With Me; Come, Come Ye Saints (All is Well); Come, Follow Me; Come, Thou Fount of Every Blessing; Count Your Blessings; How Firm a Foundation; I Know that My Redeemer Lives; I Stand All Amazed; Lead, Kindly Light; Nearer, My God, to Thee. www.jennierhodesmusic.com.
$19.95
18.24 €
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Flute and Piano
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Jennie Rhodes
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Worship, Sacred
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New Heart Hymns: 10 Familiar Hymns for Solo Flute and Intermediate Piano
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Jennie Rhodes Music
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SheetMusicPlus
All Grown Up
Flute and Piano
By Molly Parker. By 2 and Daniel Hart. Arranged by Sarah Harris. 21st Century, Contest…
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By Molly Parker. By 2 and Daniel Hart. Arranged by Sarah Harris. 21st Century, Contest, Festival, Film/TV, Instructional. Score and part. 7 pages. Bandroom.com Publications #827942. Published by Bandroom.com Publications
The enchanting, simple lullaby All Grown Up from the Disney movie PETER PAN AND WENDY.<br> <br> Arranged for Flute and Easy Piano.<br> <br> Playable by middle school or older flute students, this setting is in the key of B-flat and uses a range of C (third space on staff, treble clef) to high E-flat (3 ledger lines above the staff, treble clef). The challenge for the soloist will be phrasing (breath marks are indicated), tempo variations (ritardando, a tempo, meno mosso), and learning to play with an accompanist.<br> <br> The simple piano part is playable by young students.<br> <br> Includes chord symbols and lyrics.<br> <br> Arranged by a retired band director who teaches and plays flute. (This is not simply a computer-generated transposition for flute).
$6.99
6.39 €
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Flute and Piano
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Molly Parker
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All Grown Up
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Bandroom.com Publications
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SheetMusicPlus
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