Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
95
Digital
Sheet Music
671
Sheet Music
Books
254
Music
Equipment
5,709
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
6884
PIANO & KEYBOARDS
Piano solo
4162
Piano, Voice
1751
Easy Piano
923
Piano, Vocal and Guitar
769
C Instruments
339
Organ
258
Accordion
117
1 Piano, 4 hands
113
Piano Accompaniment
110
Big Note Piano
71
Piano Trio: piano, violin, cello
48
2 Pianos, 4 hands
41
Piano Quartet: piano, violin, viola, cello
26
Piano (band part)
18
Organ, Piano (duet)
14
Piano Quintet: piano, 2 violins, viola, cello
12
Harpsichord
10
Piano Quartet: piano, 2 violins, cello
6
Keyboard
4
2 Pianos, 8 hands
3
2 Accordions
1
Organ, Trumpet (duet)
1
Accordion ensemble
1
Solo instrument and Organ
1
1 Piano, 6 hands
1
Instrumentations suivantes
Retracter
GUITARS
Melody line, (Lyrics) and Chords
15796
Guitar notes and tablatures
748
Guitar
591
Ukulele
285
Lyrics and Chords
209
Piano, Guitar (duet)
131
Bass guitar
77
Mandolin
45
2 Guitars (duet)
38
Banjo
32
Guitar (band part)
30
Guitar Ensemble
29
4 Guitars (Quartet)
21
Dulcimer
13
Baritone Ukulele
10
3 Guitars (trio)
9
2 Ukuleles
4
Mandolin, Guitar (duet)
2
Ukulele Ensemble
2
Electric Bass (band part)
1
2 Dulcimers (duet)
1
Lute
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
1591
Choral 3-part
764
Voice solo
549
Choral TTBB
375
Choral 2-part
332
Choral SSAA
231
Choral Unison
129
Choral
74
Soprano voice, Piano
51
Vocal duet, Piano
40
Alto voice, Piano
36
Tenor voice
30
Soprano voice
27
Vocal duet
23
High voice
21
Mezzo-Soprano voice, Piano
15
Low voice, Piano
14
Tenor voice, Piano
12
Medium voice, Piano
10
Choral SSAATTBB
9
Baritone voice, Piano
7
Choral SSATTB
3
Choral SSATB
3
Children choir
1
Low voice
1
Choral SSAB, Piano
1
Instrumentations suivantes
Retracter
WOODWIND
Clarinet
834
Flute and Piano
671
Oboe, Piano (duet)
646
Saxophone Quartet: 4 saxophones
634
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
629
Flute
613
2 Saxophones (duet)
551
Clarinet and Piano
543
Saxophone Quintet: 5 Saxophones
460
Alto Saxophone and Piano
454
Clarinet Quartet: 4 clarinets
436
Flute, Oboe, Clarinet, Bassoon
421
Alto Saxophone
409
Tenor Saxophone and Piano
353
Saxophone (band part)
297
2 Flutes (duet)
262
2 Clarinets (duet)
245
Tenor Saxophone
237
Harmonica
215
Soprano Saxophone and Piano
202
Oboe
201
Oboe (band part)
188
Flute Quartet: 4 flutes
182
Saxophone ensemble
180
Baritone Saxophone, Piano
159
3 Saxophones (trio)
142
2 Oboes (duet)
138
Saxophone
122
Saxophone, Clarinet (duet)
122
Flute, Clarinet (duet)
120
Clarinet Ensemble
119
Clarinet Quintet: 5 clarinets
114
Clarinet, Violin (duet)
97
2 Recorders (duet)
93
Flute ensemble
89
3 Clarinets (trio)
89
Oboe, Bassoon (duet)
86
Clarinet (band part)
82
Flute Quintet : 5 flutes
82
Oboe, Clarinet (duet)
74
Clarinet, Trumpet (duet)
72
English horn, Piano
67
Baritone Saxophone
63
Clarinet, Bassoon (duet)
63
Soprano Saxophone
63
Recorder
61
Flute Trio: 3 flutes
57
Flute, Violin
57
Clarinet and Viola
52
Flute and Guitar
52
Recorder Ensemble
51
Oboe, Flute
50
Oboe, Clarinet, Bassoon (trio)
44
Oboe, Cello
42
Descant (Soprano) Recorder
42
Flute, Oboe, Clarinet (trio)
41
Flute, Violoncello
41
Flute, Viola (duet)
39
Clarinet, Cello (duet)
37
Bass Clarinet, Piano
36
Flute, Saxophone (duet)
34
Flute, Trumpet (duet)
33
2 Flutes, Piano
32
Recorder Quartet
32
Flute, Oboe, Bassoon
31
Flute, Clarinet and Bassoon.
31
Flute, Oboe (duet)
29
Treble (Alto) Recorder
26
Flute (band part)
23
English Horn
21
Clarinet, Guitar (duet)
18
3 Recorders (trio)
17
5 Recorders
14
Oboe, Violin (duet)
14
Oboe and viola (duet)
14
Flute, Bassoon, and Piano
14
Descent (Soprano) Recorder, Piano
12
Treble (Alto) Recorder, Piano
10
Flute, Violin, Piano
10
Clarinet, Harp (duet)
9
Ocarina
8
Flute, Cello, Piano (trio)
8
Tenor Recorder
8
Piccolo, Piano
8
Flute, harp and violin
7
Clarinet, Cello, Piano (trio)
7
Flute, Trombone (duet)
7
Oboe, Violin, Piano
6
Wind ensemble
6
2 Saxophones, Piano
6
Clarinet, Double bass (duet)
6
Flute, Clarinet, Piano (trio)
6
Bass Clarinet
6
Flute, Viola and Piano
5
English Horn, Guitar (duet)
5
Pennywhistle
5
Clarinet, Tuba
5
4 Oboes
5
Flute, Violin and Violoncello
5
2 Clarinets, Piano
5
Clarinet, Bassoon, Piano (trio)
5
Saxophone and Harp
4
Flute, Violin, Violoncello and Piano
4
Oboe, Bassoon and Piano
4
Oboe, Trombone (duet)
4
Flute, Tuba (duet)
4
Clarinette, Viola and Piano (trio)
4
2 Oboes, Piano
3
Oboe, Clarinet and Piano (Trio)
3
Saxophone and Organ
3
2 Clarinets, Bassoon
3
Flute, Clarinet, Horn and Bassoon (Quartet)
3
Oboe, Harp
3
Piccolo
2
Oboe, Cello and Piano
2
Flute, Viola and harp
2
Flute, Harp and Cello
2
Clarinet, Trombone (duet)
2
Oboe, Guitar (duet)
2
Saxophone and Guitar
2
3 Oboes
2
Flute and Strings Trio
2
Flute, Oboe, Piano (trio)
2
Treble (Alto) Recorder, Basso continuo
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Flute, Clarinet, Violin (trio)
1
Clarinet, Organ
1
Bagpipe
1
English horn, Harp (duet)
1
Flute, Cello, Guitar
1
Clarinet Quintet: Clarinet, String Quartet
1
Oboe and Orchestra
1
Flute and String Quartet
1
Oboe ensemble
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
672
Trumpet
624
Trombone and Piano
525
Trumpet, Piano
447
Trombone
445
French horn
424
Brass quartet : 2 trumpets, trombone, tuba
412
French Horn and Piano
346
Tuba
219
Tuba and Piano
212
Brass Quartet: 2 trumpets, horn, trombone
195
2 Trombones (duet)
182
Trumpet (band part)
159
2 Trumpets (duet)
152
Trombone (band part)
151
Trumpet, Trombone (duet)
104
Brass Quartet
104
2 French horns (duet)
98
Trumpet ensemble
98
Euphonium, Piano (duet)
95
Trumpet, Saxophone (duet)
86
English horn, Piano
67
Trombone ensemble
64
Brass Quartet: 4 trombones
63
French horn (band part)
54
2 Tubas (duet)
49
Trumpet, Horn (duert)
36
Tuba (band part)
32
Brass Quartet: 4 horns
23
English Horn
21
Horn Ensemble
21
Euphonium
19
Trumpet, Cello (duet)
17
Trumpet, Bassoon (duet)
15
2 Euphoniums (duet)
14
Trombone, Tuba (duet)
13
2 Euphoniums and 2 Tubas
13
Trumpet, Tuba (duet)
12
Tuba and Organ
12
3 Trombones (trio)
12
Trombone, Horn (duet)
10
Brass Quartet: 4 trumpets
10
Horn, Cello (duet)
10
Bass Trombone
9
Euphonium, Tuba (duet)
9
Brass Trio
8
3 French horns (trio)
7
4 Tubas
7
French horn and Basson (duet)
6
Bass Trombone and Piano
5
Horn, Tuba (duet)
5
English Horn, Guitar (duet)
5
French Horn and Harp
5
3 Tubas (trio)
4
Bass Clef Instruments
3
Bb Instruments
3
Trumpet, Trombone, Piano
3
2 Trumpets, Keyboard (piano or organ)
2
Trumpet, violin (duet)
2
3 Trumpets (trio)
2
Trumpet, Euphonium (duet)
2
Horn and Organ
2
Trumpet, Harp
2
2 French horns, Piano
2
Tuba ensemble
2
Trombone, Violin (duet)
2
Brass Quartet: 2 trumpets, 2 trombones
1
Horn, Trumpet, Trombone (trio)
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
English horn, Harp (duet)
1
Trumpet and Guitar
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
1268
Violin
990
Violin and Piano
893
Cello, Piano
625
Viola, Piano
611
Viola
565
Cello
359
Violin, Cello (duet)
304
2 Violins (duet)
266
Cello (band part)
248
Double bass, Piano (duet)
206
String Trio: violin, viola, cello
203
Double Bass
200
String Quintet: 2 violins, viola, cello, bass
199
2 Cellos (duet)
196
Harp
187
Violin, Viola (duet)
157
2 Violas (duet)
154
Violin (band part)
131
String Trio: 2 violins, cello
102
Viola (band part)
97
Doublebass (band part)
70
Viola, Cello (duet)
58
4 Cellos
40
2 Double basses (duet)
35
Violin, Bassoon (duet)
32
Violin ensemble
27
Viola ensemble
26
Cello, String Bass (duet)
25
Piano Trio: Violin, Viola, Piano
23
Viola and Bassoon
18
String Trio: 3 violins
18
String Trio: 3 cellos
17
Violin, Guitar (duet)
16
String quartet: 4 violins
15
Cello, Guitar (duet)
15
Harp, Flute (duet)
15
2 Harps (duet)
15
Harp, Violin (duet)
12
String Quintet: 2 violins, 2 violas, cello
11
String Quartet : 4 violas
10
String Quintet: 2 violins, viola, 2 cellos
10
String Trio: 3 violas
9
Harp, Voice
8
Violin, Clarinet, Piano (trio)
8
String trio
6
Flute, Doublebass (duet)
6
String Trio: 2 violins, viola
6
Viola and Harp
5
4 Double Basses
4
2 Cellos, Piano
4
Harp, Cello (duet)
4
Harp, Violin, Violoncello
3
Viola, Guitar (duet)
3
Violin, Tuba (duet)
3
Violin, Organ
2
Cello, Organ
2
2 Violins, Piano
2
Violin, Basso continuo
2
Cello, Orchestra
1
3 double basses
1
2 Violas, Piano
1
Violin, Cello, Clarinet
1
Harp and Piano
1
4 Harps
1
3 Harps
1
Cello Ensemble
1
Autoharp
1
Violoncello, Basso continuo
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
3225
String Orchestra
820
Orchestra
723
Jazz Ensemble
363
Brass ensemble
278
Handbells
173
Marching band
161
Chamber Orchestra
159
Drums
111
Jazz combo
84
Percussion (band part)
65
Percussion Ensemble
62
Marimba
53
Percussion
25
Drum (band part)
19
Xylophone
17
Xylophone, Piano
15
Vibraphone
11
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
10
Snare drums
8
2 Xylophones
5
Flexible Instrumentation
5
Vibraphone and Marimba
2
Orchestra, Violin
2
Brass Quintet: other combinaisons
1
Timpani (band part)
1
Woodwind Quintet
1
Piano and Orchestra
1
2 Marimbas
1
Instrumentations suivantes
Retracter
OTHERS
Music Theory
1
You've selected:
To Die For
Flute and Piano
Sheetmusic to print
671 sheet music found
<
1
26
51
....
651
Sullivan: The Lost Chord for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seym…
(+)
Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.58 €
#
Flute and Piano
#
Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Handel: Largo from Xerxes for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549375 Composed by George Frideric…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549375 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492231. Published by jmsgu3 (A0.549375). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.05 €
#
Flute and Piano
#
George Frideric Handel
#
Handel: Largo from Xerxes for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Schubert: Ave Maria for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548688 Composed by Franz Schubert.…
(+)
Flute,Piano - Level 1 - Digital Download SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411123. Published by jmsgu3 (A0.548688). An Alto Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
27.31 €
#
Flute and Piano
#
Franz Schubert
#
Schubert: Ave Maria for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Schubert: Ave Maria for Flute & Piano
Flute and Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548696 Composed by Franz Schubert.…
(+)
Flute,Piano - Level 1 - Digital Download SKU: A0.548696 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411141. Published by jmsgu3 (A0.548696). A Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
27.31 €
#
Flute and Piano
#
Franz Schubert
#
Schubert: Ave Maria for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549573 Composed by Edvard Grieg. A…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549573 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3508701. Published by jmsgu3 (A0.549573). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.75 €
#
Flute and Piano
#
Edvard Grieg
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Flute & Piano
Flute and Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camill…
(+)
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.05 €
#
Flute and Piano
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastia…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
22.75 €
#
Flute and Piano
#
Johann Sebastian Bach
#
#
Bach: Wachet auf for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Wachet auf BWV 140 for Flute & Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastia…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
24.58 €
#
Flute and Piano
#
Johann Sebastian Bach
#
Bach: Wachet auf BWV 140 for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
Flute and Piano
Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.532807 Composed …
(+)
Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score and individual part. 21 pages. Musik Fabrik Music Publishing #36919. Published by Musik Fabrik Music Publishing (A0.532807). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55
10.53 €
#
Flute and Piano
#
Jules Demersseman
#
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
"Die Forelle" (Bdur) flute & piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1236612 By F.Schubert . By F.Sc…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.1236612 By F.Schubert . By F.Schubert . Arranged by pfkaori. Classical. Score and part. 5 pages. Pfkaorimusic #832132. Published by pfkaorimusic (A0.1236612). Composer：F.Schubert Music：Die Forelle Tone：Bdur Arrangement：Flute & Piano Level：intermadiate There is also a part score.The accompaniment is an arrangement that is easier to play than the original. *There are individual differences in levels.
$6.00
5.47 €
#
Flute and Piano
#
F
#
"Die Forelle"
#
pfkaorimusic
#
SheetMusicPlus
Cantique de Noël for Flute & Piano
Flute and Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548672 Composed by Adam. Arranged …
(+)
Flute,Piano - Level 1 - Digital Download SKU: A0.548672 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410429. Published by jmsgu3 (A0.548672). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.  Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  Â
$24.95
22.75 €
#
Flute and Piano
#
Adam
#
Cantique de Noël for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Caravan featured in SOPHISTICATED LADIES
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.633944 By Ralph Marterie. By Duke …
(+)
Flute,Piano - Level 4 - Digital Download SKU: A0.633944 By Ralph Marterie. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by Fishel Pustilnik. Jazz. Score and part. 9 pages. F & N Enterprise #3483895. Published by F & N Enterprise (A0.633944). An excellent arrangement of famous Song Caravan (featured in SOPHISTICATED LADIES) for Flute and Piano (Jazz/Pop Version with Improvisation), The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$4.99
4.55 €
#
Flute and Piano
#
Ralph Marterie
#
Caravan featured in SOPHISTICATED LADIES
#
F & N Enterprise
#
SheetMusicPlus
Playaround Book 1 for Flute - Revised Edition 2017
Flute and Piano
Fl.pft. - Easy - Digital Download SKU: F2.FM436 Composed by Roma Cafolla. Flute and…
(+)
Fl.pft. - Easy - Digital Download SKU: F2.FM436 Composed by Roma Cafolla. Flute and Piano. Score and part. 20 pages. Forton Music - Digital #FM436. Published by Forton Music - Digital (F2.FM436). ISBN 9790570483358.Playaround are graded pieces, divided into five books, written to encourage younger or less advanced players to perform. The accompaniments as well as the solo parts have musical interest and balance the melodies perfectly. Book one is accessible to most beginners and graded in difficulty through to book five. The pieces are diverse in style and will appeal to beginner and intermediate players of all ages. Approx grade 1-2 standard.
$9.95
9.07 €
#
Flute and Piano
#
Roma Cafolla
#
Playaround Book 1 for Flute - Revised Edition 2017
#
Forton Music - Digital
#
SheetMusicPlus
Playaround Book 3 for Flute - Revised Edition 2017
Flute and Piano
Fl.pft. - Easy - Digital Download SKU: F2.FM438 Composed by Roma Cafolla. Flute and…
(+)
Fl.pft. - Easy - Digital Download SKU: F2.FM438 Composed by Roma Cafolla. Flute and Piano. Score and part. 24 pages. Forton Music - Digital #FM438. Published by Forton Music - Digital (F2.FM438). ISBN 9790570483372.Playaround are graded pieces, divided into five books, written to encourage younger or less advanced players to perform. The accompaniments as well as the solo parts have musical interest and balance the melodies perfectly. Book one is accessible to most beginners and graded in difficulty through to book five. The pieces are diverse in style and will appeal to beginner and intermediate players of all ages. Approx grade 2-3 standard.
$9.95
9.07 €
#
Flute and Piano
#
Roma Cafolla
#
Playaround Book 3 for Flute - Revised Edition 2017
#
Forton Music - Digital
#
SheetMusicPlus
Playaround Book 2 for Flute - Revised Edition 2017
Flute and Piano
Fl.pft. - Easy - Digital Download SKU: F2.FM437 Composed by Roma Cafolla. Flute and…
(+)
Fl.pft. - Easy - Digital Download SKU: F2.FM437 Composed by Roma Cafolla. Flute and Piano. Score and part. 16 pages. Forton Music - Digital #FM437. Published by Forton Music - Digital (F2.FM437). ISBN 9790570483365.Playaround are graded pieces, divided into five books, written to encourage younger or less advanced players to perform. The accompaniments as well as the solo parts have musical interest and balance the melodies perfectly. Book one is accessible to most beginners and graded in difficulty through to book five. The pieces are diverse in style and will appeal to beginner and intermediate players of all ages. Approx grade 2 standard.
$9.95
9.07 €
#
Flute and Piano
#
Roma Cafolla
#
Playaround Book 2 for Flute - Revised Edition 2017
#
Forton Music - Digital
#
SheetMusicPlus
Tango Pour Claude for Flute and Piano
Flute and Piano
Piano Accompaniment, Flute - Intermediate - Digital Download By Richard Galliano. Arr…
(+)
Piano Accompaniment, Flute - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.<br> Astor strongly encouraged Richard to create the French “New Musette”, as he himself had previously invented the Argentinean “New Tango”.<br> Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,<br> Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.<br> <br> This arrangement for flute with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$12.99
11.85 €
#
Flute and Piano
#
Richard Galliano
#
Tango Pour Claude for Flute and Piano
#
Diego Marani
#
SheetMusicPlus
Four Simple Pieces for Flute
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1434991 Composed by Dorothy Pillin…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.1434991 Composed by Dorothy Pilling. 20th Century,Classical,Contest,Festival. Score and part. 22 pages. Forsyth Brothers Ltd #1015095. Published by Forsyth Brothers Ltd (A0.1434991). These short but perfectly formed pieces are intended for flautists of about a year's standing. It is hoped that this small album will also help to foster in young players a taste for ensemble playing: the two simple trios also include oboe and clarinet, but if these instruments are not available the parts may be played on a violin. Buffoon The Cuckoo Ländler Jig Bercuse (Trio for Flute, Oboe and Piano) Sarabande (Trio for Flute, Clarinet and Piano) Pilling was a much loved figure in the Mancunian musical world, known to generations of young pianists for her imaginative piano teaching pieces. Most famous for classic 'Harmonization of Melodies at the Keyboard' series, Dorothy Pilling also composed many piano duets and solos, as well as songs and other works. According to the Voxturturis blog:'Her music remains fresh and light; characterised by strong melodies and late romantic harmony which she improvised well and the pieces are, in the main, short. Instantly appealing to players and audiences alike, most of her work shows a high degree of compositional craft'.
$9.99
9.11 €
#
Flute and Piano
#
Dorothy Pilling
#
Four Simple Pieces for Flute
#
Forsyth Brothers Ltd
#
SheetMusicPlus
Pomp and Circumstance March No. 1 for Flute and Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1038234 Composed by Edward Elgar. …
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.1038234 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #643165. Published by Diego Marani (A0.1038234). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for flute with piano is suitable for classroom, repertoire and recital.
$9.99
9.11 €
#
Flute and Piano
#
Edward Elgar
#
Pomp and Circumstance March No. 1 for Flute and Piano
#
Diego Marani
#
SheetMusicPlus
Fauré: Élégie Op. 24 for Flute & Piano
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.549725 Composed by Gabriel Faure. …
(+)
Flute,Piano - Level 4 - Digital Download SKU: A0.549725 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531379. Published by jmsgu3 (A0.549725). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
30.05 €
#
Flute and Piano
#
Gabriel Faure
#
Fauré: Élégie Op. 24 for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
No Time To Die
Flute and Piano
Instrumental Duet,Piano Flute,Piano - Level 3 - Digital Download SKU: A0.739547 By …
(+)
Instrumental Duet,Piano Flute,Piano - Level 3 - Digital Download SKU: A0.739547 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by David Catherwood. Pop. Score and part. 7 pages. Opus 3 Music #6569521. Published by Opus 3 Music (A0.739547). No Time to Die - The latest Bond theme in an easy arrangement for Flute or Oboe solo and PianoThis is the whole song in the original key so perfect to play as a solo, accompany a singer or just play along with the original recording for fun!
$6.99
6.37 €
#
Flute and Piano
#
Billie Eilish
#
No Time To Die
#
Opus 3 Music
#
SheetMusicPlus
What Was I Made For?
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1270457 By Billie Eilish. By Billi…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.1270457 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Wedding. Score and part. 8 pages. Glauco Fernandes #862841. Published by Glauco Fernandes (A0.1270457). **Title:** Piano and Flute Arrangement of What Was I Made For - Barbie Soundtrack | Billie Eilish**Description:**Experience the musical magic of the 2023 film Barbie with our incredible piano and flute arrangement of the heartwarming song What Was I Made For performed by the talented Billie Eilish. This intermediate-level arrangement is perfect for pianists and flutists who wish to bring the beauty and melody of the soundtrack to their performances.**Arrangement Highlights:**- Intermediate-level arrangement for piano and flute, suitable for musicians at various skill levels.- Sheet music with chords for easy reading and interpretation.- Captures the essence and emotion of the original song, allowing you to recreate the magical atmosphere of the Barbie film in your own performances.- Carefully crafted details ensure a enriching and authentic musical experience.**Why Choose Our Arrangement:**- **Professionalism:** Our arrangement has been thoughtfully crafted by experienced musicians, ensuring quality and accuracy.- **Flexibility:** Perfect for intermediate-level pianists and flutists, providing the opportunity to perform the music as a solo or duet.- **Popularity:** As part of the Barbie film soundtrack, the song What Was I Made For has been a hit and has attracted a large fan base.- **Musical Magic:** The arrangement captures the essence of the song, allowing you to emotionally connect with the melody and the song's message.Get our What Was I Made For arrangement today and enchant your audience with this heartwarming Billie Eilish song, part of the beloved Barbie film soundtrack. Take the opportunity to breathe life into this magical melody in your piano and flute performances. Purchase now and embark on a musical journey inspired by the enchanting world of Barbie!
$6.99
6.37 €
#
Flute and Piano
#
Billie Eilish
#
What Was I Made For?
#
Glauco Fernandes
#
SheetMusicPlus
No Time To Die
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1171466 By Billie Eilish. By Billi…
(+)
Flute,Piano - Level 4 - Digital Download SKU: A0.1171466 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Robert Newth. Film/TV. Score and part. 8 pages. Robert Newth #771786. Published by Robert Newth (A0.1171466). No Time To Die, the main theme from the 2021 James Bond film of the same name, was written by Billie Eilish and her brother Finneas O'Connell, and was released to critical acclaim. This arrangement for flute and piano captures the excitement of the original song, and is challenging yet rewarding.The PDF download includes a full score and the solo flute part.If you have enjoyed this arrangement, please leave a review!
$4.99
4.55 €
#
Flute and Piano
#
Billie Eilish
#
No Time To Die
#
Robert Newth
#
SheetMusicPlus
No Time To Die
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.909730 By Billie Eilish. By Billie…
(+)
Flute,Piano - Level 4 - Digital Download SKU: A0.909730 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Alison Turriff. Pop. Score and part. 11 pages. Atmosphaera Publishing #5299725. Published by Atmosphaera Publishing (A0.909730). An arrangement of Billie Eilish's Bond theme, No Time to Die, arranged for piano and flute.
$5.50
5.02 €
#
Flute and Piano
#
Billie Eilish
#
No Time To Die
#
Atmosphaera Publishing
#
SheetMusicPlus
Franz Schubert - An Die Musik (To Music) for Flute and Piano
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.739857 Composed by Franz Schubert …
(+)
Flute,Piano - Level 4 - Digital Download SKU: A0.739857 Composed by Franz Schubert (1797-1828). Arranged by Len Rhodes. Classical,Contemporary,Easter,Holiday,Wedding. Score and part. 5 pages. Len Rhodes Music #3031911. Published by Len Rhodes Music (A0.739857). An Die Musik - FRANZ SCHUBERT - for Flute and Piano. An new arrangement of this beautiful Schubert song. Download includes separate part, and score.
$5.99
5.46 €
#
Flute and Piano
#
Franz Schubert
#
Franz Schubert - An Die Musik
#
Len Rhodes Music
#
SheetMusicPlus
Thérèse Brenet: Sonata for flute and piano
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet.…
(+)
Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2894443. Published by Musik Fabrik Music Publishing (A0.533397). A sonata in three movements for flute and piano: I. EphémèreII. La lune s'éteignitIII. Miroirs The sonata lasts aproximately 13 minutes. Thérèse BRENET, born 22 October 1935 in Paris, France began her musical studies at a very early age, receiving her first prize in Piano from the Conservatoire de Reims.At the Paris Conservatory, her prinicipal teachers were Jean Rivier, Darius Milhaud, Maurice Duruflé, Noël Gallon and Henri Dutilleux and she obtained First Prizes in Harmony, Counterpoint, and Fugue. She finished her studies in 1965, receiving a First Prize in Orchestration, A First Prize with highest honors in Composition and the First Grand Prix de Rome in musical composition.She also won the Halphen Prize for Composition and the Fugue, a grant from the Coplay Foundation of Chigaco and was named honorable member of the National Academy of History of Reims. In 1971, she received the Stéphane Chapelier-Clergue-Gabriel Marie Prize from the SACEM and in 1973, the Silver Medal from the City of Paris.After her stay at the French Academy at the Villa Médicis in Rome, Thérèse Brenet undertook several post-graduate voyages for study, notably to Poland. Upon her return in Paris in 1970, she was immediately named to the Faculty of the Paris Conservatory (CNSMD de Paris) where she also was frequently part of the juries for music theory and composition, as well as electroacoustical music.Thérèse Brenet receiving her definitive SACEM membership from Georges Auric She retired from the Paris Conservatory in 2000 and has since devoted her time to musical composition. She uses both tonal and atonal musical language, which she uses to suit her personal style. Her works are strongly influenced by literature, by painting and by science (especially astronomy). She believes that a composer should use all technical means at his or her disposal and use them rather than be used by them.Her first commission from the French National Radio, Clamavit, for Narrator, Chorus and Orchestra which was premièred by the Orchestre Lyrique de l'O.R.T.F., under the direction of André Girard, with Michel Bouquet as the Narrator, was selected to represent France in the Composer's Forum of 'U.N.E.S.C.O., and was performed in many countries. Many other works have also been performed outside of France in countries such as Switzerland, England, Germany, Belgium, Ireland, the former Yugoslavia, Italy, Portugal, the Netherlands, Libya, Canada, Uruguay, Japan and the United States etc...
$16.95
15.46 €
#
Flute and Piano
#
Therese Brenet
#
Thérèse Brenet: Sonata for flute and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
<
1
26
51
....
651
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
