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You've selected:
Ask of Me - Harp
Vocal duet, Piano
Sheetmusic to print
8 sheet music found
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1
Follow Me (Vocal Duet)
Vocal duet, Piano
Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.627664 By Stephen…
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Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.627664 By Stephen DeCesare. By Stephen DeCesare. Folk,Patriotic,Praise & Worship,Sacred. 8 pages. Exultet Music #6038889. Published by Exultet Music (A0.627664). A heart-breaking and powerful Contemporary Christian hymn that asks God Where was Your Mercy?, How could you let terrible things happen? when it was needed during World War II and also on the terrorist attacks of September 11, 2001.  Appropriate and accessible for church or concert setting.  Scored for 2 solos with Piano accompaniment.  A rehearsal track is also available.  CCLI Song Number: 7119073.
$4.99
4.46 €
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Vocal duet, Piano
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Stephen DeCesare
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Follow Me
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Exultet Music
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SheetMusicPlus
Joseph M. Martin: Ask Of Me (from Voices Together: Duets for Sanctuary Singers) - two voices & piano
Vocal duet, Piano
Instantly printable sheet music by Joseph M. Martin for two voices & piano of MEDIUM s…
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Instantly printable sheet music by Joseph M. Martin for two voices & piano of MEDIUM skill level. / christmas,sacred,advent,carol,festival
$5.97
5.33 €
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Vocal duet, Piano
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Joseph M. Martin
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Virtualsheetmusic
Hänsel und Gretel
Vocal duet, Piano
2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liedersp…
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2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99
21.43 €
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Vocal duet, Piano
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the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
Who Am I?
Vocal duet, Piano
Piano,Voice Duet Alto Voice,Baritone Horn TC,Piano - Level 2 - Digital Download SKU: A0…
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Piano,Voice Duet Alto Voice,Baritone Horn TC,Piano - Level 2 - Digital Download SKU: A0.1212585 Composed by Russell Roden. Christian,Contemporary,Praise & Worship,Religious,Spiritual. 7 pages. Roden Studio Creations #809950. Published by Roden Studio Creations (A0.1212585). This piece is an alto/baritone duet based on the passage in Psalm 8 that asks the question Who am I that You are mindful of me? A beautiful melodic line and harmony, coupled with an attainable, yet interesting piano accompaniment provides a meaningful song of worship. For more information about the composer, go to www.rodenstudiocreations.com.
$4.95
4.42 €
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Vocal duet, Piano
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Russell Roden
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Who Am I?
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Roden Studio Creations
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SheetMusicPlus
Believe in Yourself PVG
Vocal duet, Piano
Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.983992 Composed b…
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Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.983992 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 9 pages. Boothe Publishing #4360819. Published by Boothe Publishing (A0.983992). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.
$3.99
3.56 €
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Vocal duet, Piano
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the time I sat down I had decided that I was never going to sing again
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Steven H
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Believe in Yourself PVG
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Boothe Publishing
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SheetMusicPlus
Mama and Daddy PVG
Vocal duet, Piano
Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.984006 Composed b…
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Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.984006 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Contemporary,Pop. 9 pages. Boothe Publishing #4360917. Published by Boothe Publishing (A0.984006). I love my Mother and Father. They love me and their parents loved them. In this song, a mother who is in the hospital sees her deceased parents in her hospital room. They are there to escort her home. Mom and dad have always been there for me. I wrote this song when a teenage friend named Dustin died. Years later Dustin's mother was in the hospital. She could see three people standing in the back of her hospital room. She asked her mother, who was present, if she could see anyone standing in the back of her room. Her mother looked to where her daughter pointed, but she couldn't see anyone. She told her mother that she thought the three people that only she could see had come to take her home. She passed away later that day. Its nice to know that we have family and friends both here and on the other side of life.
$3.99
3.56 €
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Vocal duet, Piano
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Steven H
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Mama and Daddy PVG
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Boothe Publishing
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SheetMusicPlus
Quarry Songs
Vocal duet, Piano
Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - Digital Download SKU:…
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Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - Digital Download SKU: A0.1101414 Composed by Brett L. Wery. Chamber,Classical,Contemporary,Multicultural,World. 52 pages. Sonata Grendel Publishing #704802. Published by Sonata Grendel Publishing (A0.1101414). I. Hammering on Rocks text by Joseph Ross II. Normal text by Reginald Harris III. My Body Holds Stones text by Laura Tohe IV. The Museum of Stones text by Carolyn Forché. Quarry Songs were written as a project initiated by my long-time friend and colleague, Mark Evans. Mark and I have spent hundreds of hours rehearsing and performing together so when he asked me to participate in a project to create a song cycle as part of a residency at the Avaloch Farm Music Institute in New Hampshire, I said yes immediately. Joining us were former students, now colleagues, Areli Mendoza-Pannone (soprano) and Robert Frazier (baritone). During our residency at Avaloch, the trio and I organized Zoom meetings with the poets and work-shopped many sections of the songs. I am immensely grateful for the contributions Mark, Areli, and Bobby made to this piece. I am especially indebted to the four amazing poets for their powerful, inspiring poems. These are works of courage, honesty, and craftsmanship and I’m humbled by the writer’s trust and generosity as I attempt to add a dimension to their work that is worthy of the source. The poems represent varied American perspectives of the artifacts of human existence and the trajectory of our culture(s), the human capacity to grow numb to suffering, the weight and cost of identity—self imposed and projected—on ourselves, our nation, and our children. Most importantly the poems witness our power to change the world through art. These poems recall the courage of Nelson Mandela, the paralysis that comes with the twenty year old war in Afghanistan, the lasting wounds of inflicted upon children in boarding schools designed to eradicate native cultures, and the markers of war and suffering that call as much for hope as for remorse. I chose poets whose voices represent not only suppressed perspectives but also the voices of Americans born of privilege, willing to use the power of art to focus the readers’ minds on the rough truths of our shared history as Americans.
$51.06
45.61 €
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Vocal duet, Piano
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Brett L
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Quarry Songs
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Sonata Grendel Publishing
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SheetMusicPlus
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