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You've selected:
Young Man
Vocal duet, Piano
Sheetmusic to print
9 sheet music found
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1
The Aspen
Vocal duet, Piano
Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.1031136 Composed …
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Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.1031136 Composed by Felicity Mazur-Park. Contemporary. 21 pages. Felicity Mazur-Park #3558677. Published by Felicity Mazur-Park (A0.1031136). The Aspen is an original art song for soprano, baritone, and piano. It is suitable for high school students, college students, and professionals and uses text from a Shropshire Lad by A.E. Housman. In the song, The Aspen, an ominous tree, predicts doom for both a young man and his lover. This song with its dramatic text is ideal for a studio or professional recital. To find out more about Felicity Mazur-Park and her compositions visit www.felicitymazurpark.com
$1.99
1.83 €
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Vocal duet, Piano
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Felicity Mazur-Park
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The Aspen
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Felicity Mazur-Park
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SheetMusicPlus
Grant and Grace: An Opera in One Act
Vocal duet, Piano
Piano,Voice Duet Piano,Voice - Digital Download SKU: A0.484632 Composed by Lon W. C…
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Piano,Voice Duet Piano,Voice - Digital Download SKU: A0.484632 Composed by Lon W. Chaffin. Classical,Contemporary,Opera. 99 pages. Published by LCS Productions (A0.484632). A one-act, duet opera in which a young man (baritone) attempts to write a love poem and is assisted by the poem herself (mezzo-soprano). It explores the language of love and the creative process.
$29.99
27.54 €
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Vocal duet, Piano
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Lon W
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Grant and Grace: An Opera in One Act
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LCS Productions
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SheetMusicPlus
Hänsel und Gretel
Vocal duet, Piano
2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liedersp…
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2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99
22.03 €
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Vocal duet, Piano
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the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
Dôme épais (The Flower Duet) - Lakmé (Ab Major)
Vocal duet, Piano
Duet for Soprano and Mezzo- soprano with piano accompaniment - Digital Download Comp…
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Duet for Soprano and Mezzo- soprano with piano accompaniment - Digital Download Composed by Leo Delibes (1836-1891). Arranged by Jonathan Prentice. Romantic Period, Opera. Sheet Music Single. 11 pages. Published by Jonathan Prentice
This famously beautiful duet for soprano and mezzo is sung in Act 1 of Delibes's opera, Lakmé. Set in India, the High Priest's eponymous daughter sings with her servant Mallika about the beauty of their surroundings as they pick flowers at the side of the river. (Here in the lower key of Ab Major more suitable for younger singers).
$1.99
1.83 €
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Vocal duet, Piano
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Leo Delibes (1836-1891)
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Dôme épais
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SheetMusicPlus
Jesus is Here (with ?Amazing Grace?) (ST Duet, Piano Accompaniment)
Vocal duet, Piano
Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.893538 Composed b…
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Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.893538 Composed by Lyrics: Helen R. Young, John Newton and Music: Robert Lowry, NEW BRITAIN. Arranged by Cathy Stamegna. Christmas,Contest,Easter,Festival,Praise and Worship,Sacred. 8 pages. Cathy Stamegna #499827. Published by Cathy Stamegna (A0.893538). A gentle, yet powerful Robert Lowry/Helen Young hymn. We stand on holy ground Jesus is here; His glory shines aroundâ?¦The Lord is here to save and bless; O lost one, comeâ?¦Jesus is here. A phrase of Amazing Grace, sung on a vocal syllable, introduces the piece and reappears within it. Appropriate for Easter, Christmas, Reconciliation, Penance, Funeral, many Christian worship occasions, or as concert repertoire, or a festival piece. Performance Time: Approx. 2:40.
$4.99
4.58 €
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Vocal duet, Piano
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Lyrics: Helen R
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Jesus is Here
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Cathy Stamegna
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SheetMusicPlus
Jesus is Here (with “Amazing Grace”) (TB Duet, Piano Accompaniment)
Vocal duet, Piano
Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.893539 Composed b…
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Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.893539 Composed by Lyrics: Helen R. Young, John Newton and Music: Robert Lowry, NEW BRITAIN. Arranged by Cathy Stamegna. Christmas,Contest,Easter,Festival,Praise & Worship,Sacred. 8 pages. Cathy Stamegna #499828. Published by Cathy Stamegna (A0.893539). A gentle, yet powerful Robert Lowry/Helen Young hymn. We stand on holy ground Jesus is here; His glory shines around…The Lord is here to save and bless; O lost one, come…Jesus is here. A phrase of Amazing Grace, sung on a vocal syllable, introduces the piece and reappears within it. Appropriate for Easter, Christmas, Reconciliation, Penance, Funeral, many Christian worship occasions, or as concert repertoire, or a festival piece. Performance Time: Approx. 2:40.
$4.99
4.58 €
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Vocal duet, Piano
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Lyrics: Helen R
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Jesus is Here
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Cathy Stamegna
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SheetMusicPlus
Jesus is Here (with “Amazing Grace”) (SA Duet, Piano Accompaniment)
Vocal duet, Piano
Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.893537 Composed b…
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Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.893537 Composed by Lyrics: Helen R. Young, John Newton and Music: Robert Lowry, NEW BRITAIN. Arranged by Cathy Stamegna. Christmas,Contest,Easter,Festival,Praise & Worship,Sacred. 8 pages. Cathy Stamegna #499826. Published by Cathy Stamegna (A0.893537). A gentle, yet powerful Robert Lowry/Helen Young hymn. We stand on holy ground Jesus is here; His glory shines around…The Lord is here to save and bless; O lost one, come…Jesus is here. A phrase of Amazing Grace, sung on a vocal syllable, introduces the piece and reappears within it. Appropriate for Easter, Christmas, Reconciliation, Penance, Funeral, many Christian worship occasions, or as concert repertoire, or a festival piece. Performance Time: Approx. 2:40.
$4.99
4.58 €
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Vocal duet, Piano
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Lyrics: Helen R
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Jesus is Here
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Cathy Stamegna
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SheetMusicPlus
Nearer My God to Thee / I Need Thee Every Hour Medley (Vocal Duet)
Vocal duet, Piano
Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.726890 Composed b…
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Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.726890 Composed by Annie S. Hawks, Lowell Mason, Robert Lowry, and Sarah F. Adams. Arranged by Rebecca Belliston. Christian,Easter,Holiday,Sacred,Spiritual. 3 pages. Rebecca Belliston #4338879. Published by Rebecca Belliston (A0.726890). Simple medley of I Need Thee Every Hour and Nearer My God to Thee. Can also be used with I am a Child of God.About the ArrangerRebecca Belliston studied music and orchestration at Brigham Young University and Utah State University. She is the composer and arranger of over seventy religious and classical-style songs. In addition, Rebecca also writes romantic suspense novels. She lives in Michigan with her husband and five kids. Find her online at http://www.RebeccaBelliston.com.
$5.99
5.5 €
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Vocal duet, Piano
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Annie S
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Nearer My God to Thee / I Need Thee Every Hour Medley
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Rebecca Belliston
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SheetMusicPlus
Candyland - The Musical
Vocal duet, Piano
Composed by Jilly Cooke. Arranged by Jilly Cooke. Children, Instructional, Musical/S…
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Composed by Jilly Cooke. Arranged by Jilly Cooke. Children, Instructional, Musical/Show. 18 pages. Jilly Paige Cooke #3519335. Published by Jilly Paige Cooke
Inspired by the beloved Hasbro board game, this fun musical showcases a variety of musical styles, including opera, pop, rock, Broadway, jazz, and more! Featuring a large ensemble cast with many featured roles, this show is perfect for schools, young artist programs, professional and amateur theatre, and seasonal camps for kids.<br> <br> ROLES (in order of appearance):<br> King Kandy - Tenor (Operatic, G3-C5)<br> Cupcake Commons Kids (3+) - Tenors/Altos (Pop, D3-A4)<br> Duke of Swirl - Tenor (\'60s Rock, A3-A4)<br> Swirlettes (2+) - Altos/Mezzo Sopranos (\'60s Rock, F#4-C#5)<br> Milo the Gingerbread Man - High Tenor/Countertenor/Boy Treble (Light Pop, A3-Bb4)<br> Gummy Bears (3+) - Tenors (Light Pop/Character Voices, D3-G4)<br> Gingerbread Kids (3+) - Tenors/Altos/Mezzo Sopranos (Light Pop, A3-Bb4)<br> Gingerbread Mouse - Mute (no solos/lines, must have strong comedic sensibilities)<br> Lord Licorice - Baritone (Operatic, D3-E4)<br> Princess Lolly - Soprano/Mezzo Soprano (Light Operatic, D4-G5)<br> Princess Frostine - Mezzo Soprano/Alto (Light Pop/Swing, C4-C5)<br> Grandma Gooey - Alto/Countertenor (Musical Theatre/Character Voice, C#4-B4).
$27.99
25.7 €
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Vocal duet, Piano
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Jilly Cooke
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Candyland - The Musical
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Jilly Paige Cooke
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SheetMusicPlus
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