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1
Hänsel und Gretel
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Vocal duet, Piano
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INTERMEDIATE
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the way, the ‘cock-a-doo
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet...
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2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99
THE MASTER HATH COME
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Vocal duet, Piano
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Sacred music
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Gospel/Spiritual
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Welsh Melody
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Sonny Rios
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THE MASTER HATH COME
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Sonny Rios
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Digital Download SKU: A0.962916 Composed by Welsh Melody. Arranged by Sonny Rios. Christian,Gospel,Sacred,Spiritual. 8 pag...
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Piano,Voice Duet Piano,Voice - Digital Download SKU: A0.962916 Composed by Welsh Melody. Arranged by Sonny Rios. Christian,Gospel,Sacred,Spiritual. 8 pages. Sonny Rios #4278111. Published by Sonny Rios (A0.962916). THE MASTER HATH COME: Sonny Rios has arranged, in duet form, this public domain, Welsh melody (Ash Grove), set to a Christian message by Sarah Doudney. The lyric’s message is that Christ calls His children to follow in His footsteps throughout life until the heavenly mansions are reached. The song is in English and has a range of B3-G5. This arrangement has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record this arrangement, please obtain a license by emailing: tenor@sonnyrios.com.
$6.99
O Cessate di Piagarmi (Vocal duet)
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Vocal duet, Piano
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INTERMEDIATE
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Opera
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Classical
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Alessandro Scarlatti
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John Ross
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O Cessate di Piagarmi
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John Ross
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.741860 Composed by Alessandro Scarlatti. Arranged by John Ross. Baroque,Opera. 4 pages....
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Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.741860 Composed by Alessandro Scarlatti. Arranged by John Ross. Baroque,Opera. 4 pages. John Ross #3447535. Published by John Ross (A0.741860). Alessandro Scarlatti's O Cessate di Piagarmi from his 1683 opera Pompeo is a favourite of singers and singing teachers, being one of the early Italian arias often used in vocal tuition. This arrangement adds a second soloist, providing a decorative balancing part to the original aria's melodic line. Scarlatti repeats his melody line in the original aria. In this arrangement it is shared between the singers - soloist 1 singing it the first time, with soloist 2 singing a second part. On the repeat the singers swap roles. In this way each singer has the main tune once during this arrangement. There are additional decorations and ornaments in the repeated version. Creating a duet from a solo aria gives singers the chance to participate in some vocal chamber music and add another dimension to their performance skills.
$1.99
Ancient Words
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Vocal duet, Piano
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EASY
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Sacred music
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Lynn DeShazo
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Sharon Wilson
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ALTO ~ A3 to B4
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Ancient Words
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Sharon Wilson
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.565461 Composed by Lynn DeShazo. Arranged by Sharon Wilson. 20th Century,Contemporary,P...
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Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.565461 Composed by Lynn DeShazo. Arranged by Sharon Wilson. 20th Century,Contemporary,Praise & Worship,Sacred. 17 pages. Sharon Wilson #4405788. Published by Sharon Wilson (A0.565461). This beautiful, contemporary worship song by Lynn Deshazo is arranged as a SOPRANO and ALTO duet with PIANO accompaniment. The flowing, lyrical style of this vocal arrangement creates a reverent, yet cheerful atmosphere and is an ideal selection for worship services throughout the year.This SOPRANO and ALTO duet arrangement is in the key of G with vocal ranges as follows: SOPRANO ~ D4 to D5; ALTO ~ A3 to B4. Each verse begins with the SOPRANO and ALTO singing solo for one phrase each, then the SOPRANO leads with the melody for the remainder of the verse and chorus while the ALTO adds a non-complex harmony. The audio sample begins at the pickup to measure 15 when the two parts first start singing together as a duet (played by a violin and flute for the audio sample).To purchase multiple copies for 2-part choral use, this arrangement is available separately at a reduced price. Â The purchase price includes these printing options: 1. a grand staff (7 pages) with all parts on each page2. separate scores for the SOPRANO and ALTO (2 pages each) and PIANO (2 pages)3. a combined 2-staff score for just the VOCALS (4 pages)
$5.99
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