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2 Saxophones (duet)
Sheetmusic to print
12 sheet music found
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1
Nobody Knows The Trouble I've Seen, for Alto Saxophone Duet
2 Saxophones (duet)
Alto Saxophone Duet Alto Saxophone - Level 2 - Digital Download SKU: A0.763784 Comp…
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Alto Saxophone Duet Alto Saxophone - Level 2 - Digital Download SKU: A0.763784 Composed by Afro-American Spiritual. Arranged by Nigel Williams. Folk,Lent,Sacred,Spiritual. 2 scores. 6 pages. Nigel Williams #6477981. Published by Nigel Williams (A0.763784). This popular Spiritual is ideal in a service of worship and great duet repertoire in the high school classroom. The performance duration is close to three minutes and the score downloads with parts attached. Enjoy browsing my extensive selection of woodwind solos, duets, trios and quartets available in SMP.
$3.99
3.66 €
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2 Saxophones (duet)
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Afro-American Spiritual
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Nobody Knows The Trouble I've Seen, for Alto Saxophone Duet
#
Nigel Williams
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SheetMusicPlus
Josquin: 22 Duets for Alto & Tenor Sax
2 Saxophones (duet)
Alto Saxophone,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074056 Compo…
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Alto Saxophone,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074056 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Standards,Wedding. 50 pages. Jmsgu3 #678327. Published by jmsgu3 (A0.1074056). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.26 €
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2 Saxophones (duet)
#
Josquin des Prez
#
Josquin: 22 Duets for Alto & Tenor Sax
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jmsgu3
#
SheetMusicPlus
Josquin: 22 Duets for Soprano & Alto Sax
2 Saxophones (duet)
Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 2 - Digital Download SKU: A0…
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Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1074047 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Standards,Wedding. 50 pages. Jmsgu3 #678317. Published by jmsgu3 (A0.1074047). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.26 €
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2 Saxophones (duet)
#
Josquin des Prez
#
Josquin: 22 Duets for Soprano & Alto Sax
#
jmsgu3
#
SheetMusicPlus
Josquin: 22 Duets for Tenor & Baritone Sax
2 Saxophones (duet)
Baritone Saxophone,Instrumental Duet,Tenor Saxophone - Level 2 - Digital Download SKU: …
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Baritone Saxophone,Instrumental Duet,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1074034 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678304. Published by jmsgu3 (A0.1074034). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.26 €
#
2 Saxophones (duet)
#
Josquin des Prez
#
Josquin: 22 Duets for Tenor & Baritone Sax
#
jmsgu3
#
SheetMusicPlus
March of the Toys (Saxophone Duet)
2 Saxophones (duet)
Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1307506 Compose…
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Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1307506 Composed by Victor Herbert. Arranged by P. R. Frederick. Broadway,Christmas,Holiday,Musical/Show. Saxophone Duet. 6 pages. P. R. Frederick #896771. Published by P. R. Frederick (A0.1307506). March of the Toys is a famous instrumental piece from the operetta Babes in Toyland composed by Victor Herbert in 1903It is a march that is often associated with Christmas and occasionally shows up on Christmas compilationsThe piece is performed by an ensemble of toy soldiers and other toys in the operetta, and children from the audience are sometimes brought up to help wind-up the toy dancersThe operetta itself tells the story of two children who run away from home and find themselves in Toyland, a magical land of spirited toysThe piece is often arranged for ensembles who might find the original work's difficult key and tricky time signatures inaccessible. This saxophone duetis written for like saxophones (Alto & Alto or Tenor & Tenor) and is easily accessible and playable. Â A score and separate parts are provided.See my other arrangements by clicking hereComments, Sugestions, Requests? Â I can be reached at pfmusician@netscape.net.
$10.00
9.18 €
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2 Saxophones (duet)
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Victor Herbert
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Alto or Tenor &
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March of the Toys
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P. R. Frederick
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SheetMusicPlus
Now And Then
2 Saxophones (duet)
Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1329321 By The …
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Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1329321 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by P. R. Frederick. Pop. Saxophone Duet. 6 pages. P. R. Frederick #917301. Published by P. R. Frederick (A0.1329321). Here's the last Beatles' Song arranged as a duet for like saxophones. Â A score and separate parts are provided. Â Have fun playing this instant classic.See all of my duet arrangements hereComments, Suggestions, Requests? Â I can be reached here: pfmusician@netscape.net.
$8.00
7.35 €
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2 Saxophones (duet)
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The Beatles
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Now And Then
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P. R. Frederick
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Soprano or Tenor Saxophone Quartet
2 Saxophones (duet)
Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital …
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Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.784332 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288655. Published by Slide Ride (A0.784332). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.59 €
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2 Saxophones (duet)
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Soprano or Tenor Saxophone Quartet
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Slide Ride
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SheetMusicPlus
Sammartini: Sonata Op. 1 No. 1 for Baritone Sax Duo
2 Saxophones (duet)
Baritone Saxophone Duet Baritone Saxophone - Level 2 - Digital Download SKU: A0.1083001…
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Baritone Saxophone Duet Baritone Saxophone - Level 2 - Digital Download SKU: A0.1083001 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. 2 scores. 18 pages. Jmsgu3 #687213. Published by jmsgu3 (A0.1083001). Sammartini Op. 1 No. 1 Sonata. Score: 10 pages. Duration: 8:43 I. Andante II. Allegro III. AllegroGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
25.67 €
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2 Saxophones (duet)
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Giuseppe Sammartini
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Sammartini: Sonata Op. 1 No. 1 for Baritone Sax Duo
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jmsgu3
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SheetMusicPlus
Sammartini: Sonata Op. 1 No. 2 for Baritone Sax Duo
2 Saxophones (duet)
Baritone Saxophone Duet Baritone Saxophone - Level 2 - Digital Download SKU: A0.1081929…
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Baritone Saxophone Duet Baritone Saxophone - Level 2 - Digital Download SKU: A0.1081929 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Instructional,Standards,Wedding. 2 scores. 12 pages. Jmsgu3 #686059. Published by jmsgu3 (A0.1081929). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$26.95
24.75 €
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2 Saxophones (duet)
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Giuseppe Sammartini
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Sammartini: Sonata Op. 1 No. 2 for Baritone Sax Duo
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jmsgu3
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SheetMusicPlus
Sammartini: Sonata Op. 1 No. 2 for Soprano Sax Duo
2 Saxophones (duet)
Soprano Saxophone Duet Soprano Saxophone - Level 2 - Digital Download SKU: A0.1079342
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Soprano Saxophone Duet Soprano Saxophone - Level 2 - Digital Download SKU: A0.1079342 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score. 12 pages. Jmsgu3 #683540. Published by jmsgu3 (A0.1079342). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
25.67 €
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2 Saxophones (duet)
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Giuseppe Sammartini
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Sammartini: Sonata Op. 1 No. 2 for Soprano Sax Duo
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jmsgu3
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SheetMusicPlus
Sammartini: Sonata Op. 1 No. 2 for Tenor Sax Duo
2 Saxophones (duet)
Tenor Saxophone Duet Tenor Saxophone - Level 2 - Digital Download SKU: A0.1079757 C…
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Tenor Saxophone Duet Tenor Saxophone - Level 2 - Digital Download SKU: A0.1079757 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Christmas,Contest,Festival,Standards,Wedding. Score. 12 pages. Jmsgu3 #683945. Published by jmsgu3 (A0.1079757). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
25.67 €
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2 Saxophones (duet)
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Giuseppe Sammartini
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Sammartini: Sonata Op. 1 No. 2 for Tenor Sax Duo
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jmsgu3
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SheetMusicPlus
Sammartini: Sonata Op. 1 No. 1 for Alto Sax Duo
2 Saxophones (duet)
Alto Saxophone Duet Alto Saxophone - Level 2 - Digital Download SKU: A0.1082990 Com…
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Alto Saxophone Duet Alto Saxophone - Level 2 - Digital Download SKU: A0.1082990 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. 2 scores. 18 pages. Jmsgu3 #687202. Published by jmsgu3 (A0.1082990). Sammartini Op. 1 No. 1 Sonata. Score: 10 pages. Duration: 8:43 I. Andante II. Allegro III. AllegroGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
25.67 €
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2 Saxophones (duet)
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Giuseppe Sammartini
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Sammartini: Sonata Op. 1 No. 1 for Alto Sax Duo
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jmsgu3
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SheetMusicPlus
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