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2 Bassoons (duet)
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Arioso by Bach for Bassoon Duet
2 Bassoons (duet)
Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.1041940 Composed by …
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Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.1041940 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. 5 pages. Woods Only, Arrangements #646729. Published by Woods Only, Arrangements (A0.1041940). This easy arrangement for bassoon duet was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$3.99
3.68 €
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2 Bassoons (duet)
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Johann Sebastian Bach
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Arioso by Bach for Bassoon Duet
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Woods Only, Arrangements
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SheetMusicPlus
Handel: Largo from Xerxes for Bassoon & Piano
2 Bassoons (duet)
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.549381…
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.549381 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and parts. 9 pages. Jmsgu3 #3492259. Published by jmsgu3 (A0.549381). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.37 €
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2 Bassoons (duet)
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George Frideric Handel
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Handel: Largo from Xerxes for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Bassoon & Piano
2 Bassoons (duet)
Instrumental Duet Bassoon,Instrumental Duet - Level 4 - Digital Download SKU: A0.549452…
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Instrumental Duet Bassoon,Instrumental Duet - Level 4 - Digital Download SKU: A0.549452 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and parts. 15 pages. Jmsgu3 #3497185. Published by jmsgu3 (A0.549452). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.84 €
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2 Bassoons (duet)
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Go Tell It on the Mountain (Bassoon Duet)
2 Bassoons (duet)
Bassoon,Instrumental Duet - Level 4 - Digital Download SKU: A0.1153896 Composed by …
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Bassoon,Instrumental Duet - Level 4 - Digital Download SKU: A0.1153896 Composed by Traditional. Arranged by Roger Wallace. Christmas,Jazz,Spiritual. 7 pages. Roger Wallace #754163. Published by Roger Wallace (A0.1153896). Trombone Duet. The gospel classic is performed in chorale and swing styles by both parts. The second verse features the second part.Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Duet.Also playable by Bassoon, Cello and Tenor Sax/Baritone Sax Duet.Set includes parts as follows:Part 1: Trombone BC, Trombone TC/Tenor SaxPart 2: Trombone BC, Trombone TC, E-flat Bass/Baritone SaxThis arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$3.99
3.68 €
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2 Bassoons (duet)
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Traditional
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Go Tell It on the Mountain
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Roger Wallace
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SheetMusicPlus
Lo! How a Rose E'er Blooming (Bassoon Duet)
2 Bassoons (duet)
Bassoon,Instrumental Duet - Level 4 - Digital Download SKU: A0.1154534 Composed by …
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Bassoon,Instrumental Duet - Level 4 - Digital Download SKU: A0.1154534 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. 13 pages. Roger Wallace #754818. Published by Roger Wallace (A0.1154534). Trombone Duet. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody by the second part. The third verse features an antiphonal line by the first part accompanying the melody played by the second part. Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Duet. Also playable by Bassoon, Cello or Tenor Sax/Baritone Sax Duet. Set includes parts as follows:Part 1: Trombone BC, Trombone TC/Tenor SaxPart 2: Trombone BC, Trombone TC, E-flat Bass/Baritone Sax The audio demo represents a trombone group.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$3.99
3.68 €
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2 Bassoons (duet)
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Traditional
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Luther: Out of the Depths for Bassoon & Piano
2 Bassoons (duet)
Instrumental Duet Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.548710…
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Instrumental Duet Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.548710 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and parts. 4 pages. Jmsgu3 #3411733. Published by jmsgu3 (A0.548710). Out of the Depths I Cry to You by Martin Luther arranged for bassoon & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.99 €
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2 Bassoons (duet)
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Martin Luther
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piano
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Luther: Out of the Depths for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
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