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1,034
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644
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221
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136
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89
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39
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26
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23
1 Piano, 4 hands
14
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11
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7
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4
2 Pianos, 4 hands
4
Piano (band part)
4
Keyboard
3
1 Piano, 6 hands
1
Harpsichord
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Accordion
1
Piano Quartet: piano, violin, viola, cello
1
Piano Quintet: piano, 2 violins, viola, cello
1
+ 14 instrumentations
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Guitar notes and tablatures
38
Guitar
36
Melody line, (Lyrics) and Chords
10
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6
2 Guitars (duet)
5
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4
4 Guitars (Quartet)
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Ukulele
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Bass guitar
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3 Guitars (trio)
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Mandolin
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Banjo
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Dulcimer
1
+ 8 instrumentations
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299
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240
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94
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92
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78
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73
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16
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Choral SSAATTBB
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+ 13 instrumentations
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113
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79
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59
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37
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34
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33
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31
2 Clarinets (duet)
30
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16
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7
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4
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4
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4
2 Recorders (duet)
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4
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3
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3
Flute, Clarinet and Bassoon.
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2
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2
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2
5 Recorders
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2
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1
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1
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1
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1
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1
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1
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1
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1
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63
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38
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31
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21
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21
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20
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18
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15
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14
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10
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9
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2 sheet music found
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1
Moonlight Festival Dances (for Mallet Percussion Solo)
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Marimba
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INTERMEDIATE/ADVANCED
#
Contemporary
#
Adam Lenhart
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2-mallets, unaccompanied
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Moonlight Festival Dances
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Adam Lenhart
#
SheetMusicPlus
Marimba Solo - Level 4 - Digital Download SKU: A0.949340 Composed by Adam Lenhart. Contemporary. Individual part. 5 pages. Adam Lenhart #4969133. Publish...
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Marimba Solo - Level 4 - Digital Download SKU: A0.949340 Composed by Adam Lenhart. Contemporary. Individual part. 5 pages. Adam Lenhart #4969133. Published by Adam Lenhart (A0.949340). This intense mallet solo uses mixed meter to evoke an exciting and slightly chaotic of the climax of a town celebration. Each section embodies a different group of people celebrating and dancing in their own unique style, as if the audience were in the center of the dance looking around at the variety of cultures contained in the festival. Moonlight Festival Dances is an original piece that encompasses a variety of emotions and tones and requires the player to swiftly change between time signatures, styles and keys.Suitable for 3-octave marimba, xylophone or vibes; 2-mallets, unaccompanied.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$2.99
Christmas Medley for Marimba Trio
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Marimba
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INTERMEDIATE
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Christmas
#
Dan Heslink
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Christmas Medley for Marimba T
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Pharaoh Publications
#
SheetMusicPlus
Marimba Solo - Level 3 - Digital Download SKU: A0.935391 Arranged by Dan Heslink. Christian,Christmas. Individual part. 13 pages. Pharaoh Publications #6...
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Marimba Solo - Level 3 - Digital Download SKU: A0.935391 Arranged by Dan Heslink. Christian,Christmas. Individual part. 13 pages. Pharaoh Publications #6194993. Published by Pharaoh Publications (A0.935391). Christmas Medley for Marimba Trio . . . . . . . . . . . . . . arr. Dan HeslinkThis medley combines three of the most favored Carols celebrating the miracle of Christ’s birth. Angels We Have Heard On High encapsulates the birth of Jesus Christ as narrated in the Gospel of Luke. The flowing second part of this carol portrays the shepherds’ wonder as they encounter a multitude of angels singing and praising. The spiritual renewal brought about by the birth of the Christ child is given in What Child Is This? Sung to the tune of the traditional English song Greensleeves, its haunting quality has made it one of the most popular of Christmas carols. And focusing on the immediacy of the Child’s entrance into the world, Away in a Manger has become the most loved of all American Christmas carols. The medley opens with an eight-measure introduction that immediately establishes the Christmas spirit, and then moves on to Angels We Have Heard on High. The binary form of this section should suggest to the performers two contrasting manners of execution, one involving brisk, rhythmic strokes and the other more legato in nature. At the second indicated rehearsal number What Child Is This? introduces a new key and new meter for new melodic content. The score shapes these phrases with dynamic changes, which should be observed with care. The dynamic arches and divided eighth note passages will enhance the impetus of a rolling ternary meter The medley’s final selection, Away in a Manger, begins at measure sixty-seven. A light and delicate approach to execution should create an innocent, child-like characterization. The final cadence of this selection is expanded to a bolder conclusion. Players and conductor may wish to experiment with a dead stroke on the last soft note, to artistically suggest that the music may be experienced for a moment even after it is concluded. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:21. The arranger, Dan Heslink, assigned a difficulty level of medium, and can be contacted at dan@dheslink.com.
$3.99
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