Download Digital Sheet Music of Instrumentation: for Trumpet, Trombone (duet)

Instrumentation:
Trumpet, Trombone (duet)

Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics â€“ or was rather the first to indicate them such as in his Sonata Pianâ€™ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieliâ€™s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments â€“ which he calls Sinfonia â€“ and smaller sections for vocal soloists, accompanied by a basso continuo.

Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics â€“ or was rather the first to indicate them such as in his Sonata Pianâ€™ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieliâ€™s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments â€“ which calls Sinfonia â€“ and smaller sections for vocal soloists, accompanied by a basso continuo.

Nimrod (Brass Trio) Trumpet, Trombone (duet)

Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1398472 By Paul Barker Music.…(+)

Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1398472 By Paul Barker Music. By Edward Elgar. Arranged by Paul Barker. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. 13 pages. Paul Barker Music #981748. Published by Paul Barker Music (A0.1398472). Discover the charm of this renowned concert classic with our easily accessible arrangement, skilfully crafted for Brass Trio. This title is also featured in our popular Easy Concert Classics Collection and is ideal for general concerts, recitals, and festivals. A performance recording is available for rehearsal and performance accompaniment here.Also, explore our extensive range of Christmas Holiday arrangements for the same instrumentation and levels. Â Â Â Â Â Â Â Â Â Â Â Â Level: Early - Intermediate - Grade 2+Duration: 2:20Occasion: General Concert - Formal/Informal Occasions - FestivalsInstrumentation: Brass Trio.
$5.95 5.46 € #Trumpet, Trombone (duet) #Paul Barker Music #Nimrod #Paul Barker Music #SheetMusicPlus

Surprise Symphony (Brass Trio) Trumpet, Trombone (duet)

Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1398511 By Paul Barker Music.…(+)

Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1398511 By Paul Barker Music. By Franz Joseph Haydn. Arranged by Paul Barker. Classical,Contemporary,Contest,Festival,Instructional. 9 pages. Paul Barker Music #981787. Published by Paul Barker Music (A0.1398511). Discover the charm of this renowned concert classic with our easily accessible arrangement, skilfully crafted for Brass Trio. This title is also featured in our popular Easy Concert Classics Collection and is ideal for general concerts, recitals, and festivals. A performance recording is available for rehearsal and performance accompaniment here.Also, explore our extensive range of Christmas Holiday arrangements for the same instrumentation and levels. Â Â Â Â Â Â Â Â Â Â Â Â Level: Early - Intermediate - Grade 2+Duration: 1:25Occasion: General Concert - Formal/Informal Occasions - FestivalsInstrumentation: Brass Trio.
$5.95 5.46 € #Trumpet, Trombone (duet) #Paul Barker Music #Surprise Symphony #Paul Barker Music #SheetMusicPlus

Concert Brass Trios - Book 1 Trumpet, Trombone (duet)

Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1398528 By Paul Barker Music.…(+)

Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1398528 By Paul Barker Music. By Beethoven, Elgar and Haydn. Arranged by Paul Barker. Classical,Contemporary,Contest,Festival,Instructional,Romantic Period. 27 pages. Paul Barker Music #981803. Published by Paul Barker Music (A0.1398528). An easily accessible collection of three popular concert classics, which includes: Ode To Joy (Beethoven), Nimrod (Elgar), and the Surprise Symphony (Haydn). Imaginatively scored for Brass Trio, this collection is ideal for general concerts, recitals, and festivals. Performance recordings are available individually for rehearsal and performance accompaniment.Also, explore our extensive range of Christmas Holiday arrangements for the same instrumentation and level. Â Â Â Â Â Â Â Â Â Â Â Â Â Level: Early Intermediate - Grade 2+Duration: VariousOccasion: General Concert - Formal/Informal Occasions - FestivalsInstrumentation: Brass Trio.
$12.95 11.88 € #Trumpet, Trombone (duet) #Paul Barker Music #Concert Brass Trios - Book 1 #Paul Barker Music #SheetMusicPlus