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You've selected:
Mark King
Trumpet, Trombone (duet)
Sheetmusic to print
7 sheet music found
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1
5 Easy Christmas Carols for Brass Trio
Trumpet, Trombone (duet)
Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1254256 Composed by Tradition…
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Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1254256 Composed by Traditional Christmas. Arranged by Kate Agioritis. Christmas,Holiday,Traditional. 25 pages. Musika Publishing Australia #847830. Published by Musika Publishing Australia (A0.1254256). 5 Easy Christmas Carols - Brass Trio (2 trumpets and trombone)5 simple, yet well-crafted arrangements of well-known Christmas Carols for early-intermediate players.Silent Night, We Wish You A Merry Christmas, Away in a Manger, O Christmas Tree (O Tannenbaum) and Good King Wenceslas.Download includes a score and a full set of parts.Visit our website: www.musikapublishing.com or www.sheetmusicmarketplace.com.
$6.99
6.33 €
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Trumpet, Trombone (duet)
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Traditional Christmas
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5 Easy Christmas Carols for Brass Trio
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Musika Publishing Australia
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
Trumpet, Trombone (duet)
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Compos…
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Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.42 €
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Trumpet, Trombone (duet)
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Giovanni Gabrieli
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1 Bass Trombone
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Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trumpet, Trombone (duet)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Compo…
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Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.42 €
#
Trumpet, Trombone (duet)
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Giovanni Gabrieli
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Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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jmsgu3
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SheetMusicPlus
More Carols for Two - Trumpet/Trombone Duet
Trumpet, Trombone (duet)
B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1296280
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1296280 Composed by Christmas Carol. Arranged by Kate Agioritis. Christmas,Holiday,Traditional. 32 pages. Musika Publishing Australia #886522. Published by Musika Publishing Australia (A0.1296280). Here it is - the next edition! Ten more well-loved Christmas Carols. Add them to your Christmas stash now! It Came Upon a Midnight Clear, While Shepherds Watched their Flocks by Night; Coventry Carol; Carol of the Bells (Ukrainian Bell Carol); God Rest Ye Merry Gentlemen; We Three Kings of Orient Are; Carol of the Drum; Here We Come A-Wassailing; Angels from the Realms of Glory; Jingle Bells. Visit our websites: www.musikapublishing.com and www.sheetmusicmarketplace.com
$14.99
13.57 €
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Trumpet, Trombone (duet)
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Christmas Carol
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Coventry Carol
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More Carols for Two - Trumpet/Trombone Duet
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Musika Publishing Australia
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SheetMusicPlus
Maple Leaf Rag, by Scott Joplin, Trumpet and Trombone Duet
Trumpet, Trombone (duet)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: …
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1109637 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and parts. 5 pages. David McKeown #711997. Published by David McKeown (A0.1109637). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This duet version for one Trumpet and one Trombone includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. The YouTube link is a full performance of the Clarinet version of this arrangement. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.61 €
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Trumpet, Trombone (duet)
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Scott Joplin
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Maple Leaf Rag, by Scott Joplin, Trumpet and Trombone Duet
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David McKeown
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SheetMusicPlus
March Militaire-Brass Duet 1
Trumpet, Trombone (duet)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: …
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.844785 Composed by L Streabbog. Arranged by Phil Beaman. Classical,Instructional. Score and parts. 7 pages. Phil Beaman #5372933. Published by Phil Beaman (A0.844785). I have taken an elaborate piano solo and re-created it in just 2 parts. I have added extra markings of articulation and dynamics to provide interest. I used selected themes from Streabbog's piece with my own bridges to create a new structure. There are 3 main sections including a Trio in a different key. Perfect for the March repertoire.
$4.99
4.52 €
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Trumpet, Trombone (duet)
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L Streabbog
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March Militaire-Brass Duet 1
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Phil Beaman
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SheetMusicPlus
Sing Joyfully (Eb) ( Brass Sextet) (3 Trp, 3 Trb)
Trumpet, Trombone (duet)
Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1344013 Composed by William B…
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Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1344013 Composed by William Byrd. Arranged by Regis Bookshar. Chamber,Early Music,Historic,Instructional,Renaissance. 27 pages. Regis Bookshar #929495. Published by Regis Bookshar (A0.1344013). Sing Joyfully William Byrd - Brass Sextet - Advanced/Intermediate - Digital Download.William Byrd was the greatest British composer of the late Renaissance. and just maybe, the greatest British composer ever. He wrote a huge body of choral music, some of it profound and timeless. He also composed brilliant, virtuoso pieces and his motet-like anthem, Sing Joyfully, a polyphonic setting of Psalm 81, written in 1590, is perhaps his best-known one. It is enchanting to listen to and fun to sing. Regis Bookshar thought that instrumental performers should have the same opportunity that singers have experienced for years, so he has now transcribed, edited and arranged this wonderful composition for a wide variety of instrumental ensembles, including this one for a Brass Sextet, consisting of 3 Bb Trumpets and 3 Trombones.Since no tempo is indicated and there are no written dynamic or phrase markings in William Byrd's original score, Regis Bookshar has taken the liberty to included them in order to provide direction and life to the piece. This arrangement is suitable for high school and college students, and perhaps even some younger students. It is perfect for concerts, recitals and church services, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages).Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numerous selections in a variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of William Byrd's magnificaebt anthem, Sing Joyfully, will continue to delight both performers and audiences alike for many years to come.
$30.00
27.17 €
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Trumpet, Trombone (duet)
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William Byrd
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Sing Joyfully
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Regis Bookshar
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