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Time To Work This Out
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Time To Work This Out
Trumpet, Trombone (duet)
Sheetmusic to print
11 sheet music found
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1
Stompin' Jam - Trumpet Trombone Duet
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Trumpet, Trombone (duet)
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INTERMEDIATE/ADVANCED
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Eddie Lewis
Jazz out wi
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Eddie Lewis
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Stompin' Jam - Trumpet Trombon
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Tiger Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.750372 Composed by Eddie Lewis. Blues,Jazz,Multicultural,World....
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.750372 Composed by Eddie Lewis. Blues,Jazz,Multicultural,World. Score and parts. 4 pages. Tiger Music #6624793. Published by Tiger Music (A0.750372). Stompin’ Jam Trumpet and Trombone Duet MTR 0255 4143 By Eddie Lewis Jazz out with your trumpet or trombone friend playing this cool sounding duet. We’re calling it a jam because both players get to play a solo over the repeated accompaniment line. First the trombone player jams, then the trumpet. Here is the first of what I hope to be many, many duets made possible by my Just Friends video series. In this series I am inviting one of my musician friends over to make music, do an interview and maybe follow it all up with a Q and A session. I wrote this duet for one of those videos and we had a good time recording it. I enjoy writing music for the people I work with. Does trumpet and trombone seem like an odd duet to write? Well, you may not believe this, but sometimes trumpet players have trombone player friends. :-) Thus, the purpose of the duet. Trumpet Pro Skill Level The highest note in the trumpet part is B natural. The rhythms are also just a little complicated. That’s why we put this at the Trumpet Pro level. We recorded it the same day when I wrote it, so it’s not like I was working on this for days. But there was a little bit of awkwardness in the trumpet part. Practice Recommendations My number one suggestion for practicing this piece is to learn the rhythms first. Notice the anticipation of the third beat. This happens in almost every measure. This rhythm grew on me during my trip to South Africa in 2016 when I performed with the Afrika Mkhize big band. There were lots of songs at the jazz festival in Grahamstown that had that twelve-eight groove with the anticipated third beat. I am NOT saying that this composition is South African. I would not presume to know how to write that kind of music. What I am saying is that the music in South Africa has influenced my writing. In much the same way as playing in all those salsa bands in the 90’s did. So, recognize that the rhythms in this composition are very important and learn those first. The rest of it should fall into place after that. About the Trumpet Pro Skill Level The Trumpet Pro skill level is the fifth skill level in our system. This skill level has exercises and music up to high C. There are many other considerations in this skill level but that is the most obvious. To find more music for this specific skill level, search our other publications for the word Trumpet Pro in the title or descriptions. We publish books and compositions for students at the Trumpet Pro level that we believe you or your students will truly enjoy.
$4.99
Shall We Gather at The River, Gospel Hymn for Trumpet and Trombone Duet
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Trumpet, Trombone (duet)
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Robert Lowry
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David McKeown
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Shall We Gather at The River,
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.589973 Composed by Robert Lowry. Arranged by David McKeown. Chr...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.589973 Composed by Robert Lowry. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 3 pages. David McKeown #6134169. Published by David McKeown (A0.589973). Shall We Gather at The River is an American nineteenth century hymn often sung in a gospel style. This version is arranged as a duet for one Trumpet and one Trombone. Shall We Gather at The River was composed in 1865 by a Baptist minister from New York, Robert Lowry. As well as becoming a gospel standard, the melody of Shall We Gather at The River has found its way into compositions by Charles Ives and Aaron Copeland and has often been used in classic Western movies.Shall We Gather at The River is simply arranged in keys and range best suited to the instruments. The hymn is played three times in a slow swing style, with a key change on the final verse and chorus. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Shall We Gather at The River is suitable for players at an intermediate level and above, though the key change may require extra work for less experienced players. With a performance time of around three minutes, this version of Shall We Gather at The River is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
7.40pm, Traditional Klezmer tune for Trumpet and Trombone Duet
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Trumpet, Trombone (duet)
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INTERMEDIATE
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Klezmer
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Traditional
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David McKeown
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7.40pm, Traditional Klezmer tu
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.589098 Composed by Traditional. Arranged by David McKeown. Folk...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.589098 Composed by Traditional. Arranged by David McKeown. Folk,Hanukkah,Jewish,World. Score and parts. 6 pages. David McKeown #6017123. Published by David McKeown (A0.589098). 7.40pm is a traditional Russian Jewish tune, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Trombone.It isn’t completely clear where the title 7.40pm comes from. One interpretation is that 7.40pm was the time the Odessa tram conductors finished work and danced to this tune. But there are versions titled 7.40am which may refer to the time of Jewish early morning prayers. Whatever the origin, there are several Russian recordings of 7.40pm that predate the 1917 revolution.7.40pm is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo. 7.40pm is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of 7.40pm is perfect for recital and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Kandel's Hora, Klezmer tune for Trumpet and Trombone Duet
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Trumpet, Trombone (duet)
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INTERMEDIATE/ADVANCED
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Klezmer
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Harry Kandel
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David McKeown
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Kandel's Hora, Klezmer tune fo
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.589675 Composed by Harry Kandel. Arranged by David McKeown. Jew...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.589675 Composed by Harry Kandel. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6083805. Published by David McKeown (A0.589675). Kandel’s Hora is a Jewish dance tune, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Trombone.Kandel’s Hora was written and named after Harry Kandel. Born in Lvov, and after a short period in the Russian army, Kandel emigrated to the USA in 1905 and quickly found work as a clarinettist in vaudeville, Buffalo Bill’s Wild West Show and JP Sousa’s band. A brief but productive period as band-leader and recording artist followed, after which Kandel retired from performing to run a music shop.Kandel’s Hora is arranged in a key and range best suited to the instruments. A slow Hora in triple meter is followed by a faster Freylach version of the same melody in 4. Kandel’s Hora is suitable for players at an advanced intermediate level and above. With a performance time of three minutes, this version of Kandel’s Hora is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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Trumpet, Trombone (duet)
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EASY
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte,
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jmsgu3
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SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest...
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Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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Trumpet, Trombone (duet)
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EASY
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest...
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Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Derek the Deskbound Demon, Halloween Duet for Trumpet and Trombone
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Trumpet, Trombone (duet)
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INTERMEDIATE/ADVANCED
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Halloween
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David McKeown
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Derek the Deskbound Demon, Hal
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.592117 Composed by David McKeown. 20th Century,Concert,Contempo...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.592117 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6348745. Published by David McKeown (A0.592117). Derek the Deskbound Demon is a fun and original duet written by David McKeown for one Trumpet and one Trombone. Derek the Deskbound Demon is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Trombone.Most demons spend their time playing fiendish tricks on folk or devising infernal tortures, but all that activity requires organisation behind the scenes and that’s where Derek comes in. Not for him, the sweaty toil at the furnace; Derek may well have little red horns and a pointy tail, but he much prefers sorting out payroll, tax receipts, spreadsheets and work rotas.Derek the Deskbound Demon is suitable for players at an advanced intermediate level and above, with the accessible key and range balanced by the fast tempo and variable meter. With a playing-time of around three minutes, Derek the Deskbound Demon is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
The Easy Winners, Duet for Trumpet and Trombone
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Trumpet, Trombone (duet)
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INTERMEDIATE/ADVANCED
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Ragtime
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Scott Joplin
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David McKeown
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The Easy Winners, Duet for Tru
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1109072 Composed by Scott Joplin. Arranged by David McKeown. 20...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1109072 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and parts. 4 pages. David McKeown #711616. Published by David McKeown (A0.1109072). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a duet for one Trumpet and one Trombone. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Â
$3.99
Eleanor Rigby
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Trumpet, Trombone (duet)
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INTERMEDIATE
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Rock
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David Cook
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David McKeown
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Eleanor Rigby
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.588123 By David Cook. By John Lennon and Paul McCartney. Arrang...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.588123 By David Cook. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 5 pages. David McKeown #5303281. Published by David McKeown (A0.588123). Eleanor Rigby first appeared on the Beatles’ 1966 album, Revolver. There has been much speculation over the identity of Eleanor Rigby, and a gravestone bearing that name has been discovered close to where Paul McCartney grew up in Liverpool. But Paul McCartney insists that he chose the natural-sounding name as a combination of a friend’s name and a shop he noticed in Bristol. Indeed, the original working title of the song was Miss Daisy Hawkins.This version of Eleanor Rigby is arranged as a duet for one Trumpet and one Trombone. The YouTube sample above is the Clarinet version of this duet.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Liebe, (German for Love), Trumpet and Trombone Duet
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Trumpet, Trombone (duet)
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INTERMEDIATE
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David McKeown
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Liebe,
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.590474 Composed by David McKeown. Holiday,Love,Wedding,World. S...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.590474 Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. 4 pages. David McKeown #6211995. Published by David McKeown (A0.590474). Liebe, (German for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Trumpet and one Trombone.This duet is inspired by the German Baroque style, particularly the slow compound-time compositions of JS Bach and the canonic sonatas written by GP Telemann. Both composers filled their works with deep emotion, transcending the strict musical rules of the period. Liebe is a Canon, with the first part following the second throughout, one bar behind, like lovers in intimate conversation.Liebe is written for players at an intermediate standard and upwards. The melody should always carry momentum and adding plenty of expression will help convey the style. Liebe has a performance time of around three minutes. Click the link above to hear a full performance the Clarinet version of Liebe on Youtube.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
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