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PIANO & KEYBOARDS

Piano solo 40 Piano, Voice 19 Easy Piano 14 Piano, Vocal and Guitar 3 Organ 3

Piano Quintet: piano, 2 violins, viola, cello 2 1 Piano, 4 hands 2 Piano Trio: piano, violin, cello 2 Piano Accompaniment 2 Piano Quartet: piano, violin, viola, cello 1 2 Pianos, 4 hands 1 C Instruments 1

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GUITARS

Guitar 8 2 Guitars (duet) 1 Guitar notes and tablatures 1

VOICE

Choral SATB 22 Choral 2-part 6 Choral Unison 5 Choral TTBB 3 Choral 3-part 2

Voice solo 1 High voice 1 Choral SSATTB 1

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WOODWIND

Alto Saxophone 3 Clarinet Quartet: 4 clarinets 2 Flute 2 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2 Flute and Piano 2

Flute, Oboe, Clarinet, Bassoon 2 Flute, Clarinet and Bassoon. 1 Clarinet 1 3 Clarinets (trio) 1 Flute and Guitar 1 Saxophone Quartet: 4 saxophones 1 Clarinet, Cello (duet) 1 Soprano Saxophone and Piano 1

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WOODBRASS

Brass Quintet: 2 trumpets, horn, trombone, tuba 7 4 Tubas 2 Brass quartet : 2 trumpets, trombone, tuba 1 Brass Quartet 1 2 Euphoniums and 2 Tubas 1

Trumpet 1 French horn 1

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STRINGS

String Quartet: 2 violins, viola, cello 12 Violin and Piano 5 Cello 2 Violin 2 String Trio: violin, viola, cello 2

Harp 2 Cello, Piano 1 String Quintet: 2 violins, viola, cello, bass 1 Viola 1 String Trio: 3 cellos 1 Violin, Cello (duet) 1

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PERCUSSION & ORCHESTRA

Concert band 61 Orchestra 20 Jazz Ensemble 7 String Orchestra 7 Brass ensemble 6

Chamber Orchestra 3 Marching band 2 Percussion Ensemble 2 Handbells 1 Vibraphone 1

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Piano, Vocal and Guitar

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3 sheet music found

We Must Learn to Walk Together Piano, Vocal and Guitar

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…(+)

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.

$3.99 3.68 € #Piano, Vocal and Guitar #Lisa Waites #We Must Learn to Walk Together #Servant Song Music and Ministry #SheetMusicPlus

Judgement Day (From the musical "Berlin") Piano, Vocal and Guitar

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.866345 Composed by Ti…(+)

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.866345 Composed by Tim J Spencer. Broadway,Musical/Show. Score. 4 pages. Tim J Spencer/Green Panda Music #48469. Published by Tim J Spencer/Green Panda Music (A0.866345). 'Judgement Day' is taken from the musical 'Berlin' by British songwriter Tim J Spencer (PRS). In it the character Marietta has cared for the child, Joshua, for 23 years due to her and her husband Hans rescuing him from being killed as a baby. Now the parents will reveal to Joshua the truth of what they did to save him from the State but Marietta is desperately concerned over what his reaction will be. The MP3 is a demo by the composer but is in the key of the sheet music as per the female character. It is best suited to a Mezzo Soprano but could be sung by a soprano or alto. The song is taken from the Tim Spencer Songbook, a series of audition pieces for musical theatre performers. Green Panda Music | www.greenpandatheatre.co.uk | music@greenpandamusic.com.

$5.99 5.52 € #Piano, Vocal and Guitar #Tim J Spencer #Judgement Day #Tim J Spencer/Green Panda Music #SheetMusicPlus

SUPPORTING CHARACTER SONGS - from "Roxane of Bergerac" Piano, Vocal and Guitar

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.995990 Composed by Da…(+)

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.995990 Composed by Dave Flippo-music, Marie Yuen - lyrics. Baroque,Jazz. Score. 16 pages. David William Flippo #4775081. Published by David William Flippo (A0.995990). Three songs sung by three supporting characters in the full length musical Roxane of Bergerac Audio for each can be found at www.flippomusic.com/roxane . The pieces include Love is Wasted on the Young - sung by Duenna, The Good Old Days - sung by De Guiche and Almont Tarts - sung by Ragueneau. The first pieces is lyric, flowing ballad in a classical style that is interrupted by a dance section and returns to the original music; the second is a bouncing, humorous , jazzy stride-style piece in which De Guiche complains about the new, polite rules for love; the last is a humorous musical recipie for almond tarts. Roxane is a romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance.The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of todayâ€™s slang with the preciosity (refined speech) of some 16th century Parisians.

$12.95 11.94 € #Piano, Vocal and Guitar #Dave Flippo-music, Marie Yuen - lyrics #. The pieces include #SUPPORTING CHARACTER SONGS - from "Roxane of Bergerac" #David William Flippo #SheetMusicPlus