Download Digital Sheet Music of Many for Cello, String Bass (duet)

Many

In The Hall Of The Mountain King - Violin and Contrabass (Full Score and Parts) #Cello, String Bass (duet) #INTERMEDIATE #Classical #Halloween #Edvard Grieg #CÃ©sar Madeira #In The Hall Of The Mountain Ki #Sheet Music To Play Editions #SheetMusicPlus

Double Bass,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1215625 Composed by Edvard Grieg. Arranged by CÃ©sar Madeira. 19th Century,20...(+)

Double Bass,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1215625 Composed by Edvard Grieg. Arranged by CÃ©sar Madeira. 19th Century,20th Century,Film/TV,Multicultural,Romantic Period,World. 6 pages. Sheet Music To Play Editions #812353. Published by Sheet Music To Play Editions (A0.1215625). In The Hall Of The Mountain King by Grieg. Arrangement for Violin and Contrabass. With Full Score and Individual Parts. Enjoy it!In the Hall Of The Mountain King is a piece of orchestral music composed by Edvard Grieg in 1875 as incidental music for the sixth scene of act 2 in Henrik Ibsen's 1867 play Peer Gynt. It was originally part of Opus 23 but was later extracted as the final piece of Peer Gynt, Suite No. 1, Op. 46. Its easily recognizable theme has helped it attain iconic status in popular culture, where it has been arranged by many artists.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score and parts. 106 pages. Artistic Score Engraving di Galvagno Michele #6029285. Published by Artistic Score Engraving di Galvagno Michele (A0.841356). Jean-Baptiste Sebastien BrÃ©val (1753-1823) was a French cellist and composer, who is, perhaps, best known for his cello sonatas, namely the ones in C major (Op. 40, No. 1) and G major (Op. 12, No. 5). BrÃ©val was one of the last students of the cellist and composer Martin Berteau (1691-1771), continuing his teacherâ€™s tradition of composing sonatas for cello with bass accompaniment. With both composers, the bass part was to be played by a second cello, very likely by the cello teacher. Many cellists opt in to have Berteauâ€™s unfigured bass part realised by a harpsichord. However, the two-cello layout was common in the late Classical Era, especially in method books, such as BrÃ©valâ€™s own TraitÃ© du violoncelle (where BrÃ©val states that the bass and the cello are one and the same), as well as Rombergâ€™s, Dotzauerâ€™s, et al. Romberg and Dotzauer even composed sonatas for cello and basso (second cello) accompaniment as well, Op. 43 and Op. 103, respectively. Our current publication presents student cellists with a beautifully engraved edition of BrÃ©valâ€™s 6 Cello Sonatas, Op. 28 and Air de Malborough, Op. 13. BrÃ©val composed the Sonatas in c1795, most likely in conjunction with Op. 40, since Op. 28, No. 1 picks up right where Op. 40, No. 6 leaves off. Whereas Op. 40 and Op. 28, Nos. 1-4 are in two fast movements, Op. 28, Nos. 5 and 6 include a slow middle movement, No. 6 even using the thumb. The autograph, which the editor used as the primary source, and the first edition both present each sonata on four pages in score form. Our volume includes a score and parts for each player. The cello part includes fingering and bowing suggestions by Yuriy Leonovich. Each sonata begins with an Allegro movement in sonata form. The finales vary from five-part rondos (Nos. 1, 3, 5), to sonata form (Nos. 2, 6), to theme and variations (No. 4). The slow movement of No. 5 is in simple binary form, and No. 6 is in simple ternary. The six keys BrÃ©val used for Op. 28 are the same as the ones he used for Op. 40, only in a different order. Op. 40 uses the following order: C, F, G, B-flat, A, D. Op. 28 uses the following order: D, C, A, G, B-flat, F. The Op. 28 sonatas are primarily written in tenor clef, whereas Op. 40 is primarily written in bass clef. The playing range is identical for both sets, with the exception of the high B-flat in m. 46 in the slow movement of No. 6, and high B and C in m. 37 of the finale of No. 6. BrÃ©val explores more advanced bow techniques as well.

TIEMPO DE VAMOS (cello and bass) #Cello, String Bass (duet) #INTERMEDIATE/ADVANCED #Anthony Giamanco #TIEMPO DE VAMOS #Whole Tone Press #SheetMusicPlus

Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 4 - Digital Download SKU: A0.773831 Composed by Anthony Giamanco. Concert,Jazz,World. Score...(+)

Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 4 - Digital Download SKU: A0.773831 Composed by Anthony Giamanco. Concert,Jazz,World. Score and parts. 9 pages. Whole Tone Press #5735905. Published by Whole Tone Press (A0.773831). A fun, rhythmic duet for cello and bass, this effervescent mambo is a delight to play! Advanced intermediate. Perfect for gigs, recitals and concerts. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.