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51
The Unquiet Grave from American Death Ballads (Downloadable)
High voice
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.2 €
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High voice
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuar…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
7.08 €
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High voice
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Stuart Brown
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Idylls - five songs for solo high voice
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Stuart Brown Music
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SheetMusicPlus
All for Love of One
High voice
Composed by Bob Chilcott. Score. 5 pages. Oxford University Press Digital #978019356…
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Composed by Bob Chilcott. Score. 5 pages. Oxford University Press Digital #9780193560406. Published by Oxford University Press Digital
$4.00
3.66 €
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High voice
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Bob Chilcott
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All for Love of One
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Oxford University Press Digital
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
6.39 €
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High voice
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.36 €
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High voice
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
The Two Shall Become One
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.961303 Composed by James…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.961303 Composed by James Sclater. Christian,Sacred,Wedding. 7 pages. James S Sclater #6027853. Published by James S Sclater (A0.961303). A wedding duet for soprano, tenor and piano. Text is from the Gospel of Matthew, 19:5-6. Duration is ca. 3'00. .
$3.50
3.2 €
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High voice
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James Sclater
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The Two Shall Become One
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James S Sclater
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SheetMusicPlus
Like a River Glorious (WYE VALLEY), High Voice, arr. Brenda Portman
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.753049 Composed by James…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.753049 Composed by James Mountain. Arranged by Brenda Portman. Christian,Classical,Praise & Worship,Religious,Sacred. 10 pages. Brenda Portman #1815633. Published by Brenda Portman (A0.753049). With a piano part depicting the river, this rich, flowing setting of an old favorite requires a competent pianist! The overall effect is one of peace and joy. For Solo Voice and Piano. Vocal Range D to G. Recording is in the original key of F major. For more vocal arrangements by Brenda Portman, visit: https://brendaportman.com/compositions-vocal
$4.25
3.89 €
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High voice
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James Mountain
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Like a River Glorious
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Brenda Portman
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SheetMusicPlus
SCARLATTI, Domenico: Qual farfalletta amante, canzonetta for Voice and Piano (C minor)
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868643 Composed by Domen…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868643 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #4365852. Published by Really Good Music, LLC. (A0.868643). The canzonetta Qual farfalletta amante was composed by Domenico SCARLATTI (1685 – 1757), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The canzonetta may be an invaluable addition to the repertoire of vocal teachers and students. It is available in C minor (F#4 – Ab5) for high voice. .
$5.95
5.44 €
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High voice
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Domenico SCARLATTI
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SCARLATTI, Domenico: Qual farfalletta amante, canzonetta for Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
CARISSIMI, Giacomo: Crudo amore, cantata for Voice (Soprano/Tenor) and Piano (B minor)
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868631 Composed by Giaco…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868631 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4365804. Published by Really Good Music, LLC. (A0.868631). The cantata Crudo amore was composed by Giacomo CARISSIMI (1605 – 1674), one of the greatest composers of Italian Baroque. The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The cantata may be an invaluable addition to the repertoire of vocal teachers and students. The tune was transposed into B minor (F#4 – A5). .
$5.95
5.44 €
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High voice
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Giacomo CARISSIMI
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CARISSIMI, Giacomo: Crudo amore, cantata for Voice
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Really Good Music, LLC.
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SheetMusicPlus
CARISSIMI, Giacomo: Crudo amore, cantata for Voice (Soprano/Tenor) and Piano (G minor)
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868630 Composed by Giaco…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868630 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4365796. Published by Really Good Music, LLC. (A0.868630). The cantata Crudo amore was composed by Giacomo CARISSIMI (1605 – 1674), one of the greatest composers of Italian Baroque. The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The cantata may be an invaluable addition to the repertoire of vocal teachers and students. The tune is available in the original key of G minor (D4 – F5).
$5.95
5.44 €
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High voice
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Giacomo CARISSIMI
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CARISSIMI, Giacomo: Crudo amore, cantata for Voice
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Really Good Music, LLC.
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SheetMusicPlus
RACHMANINOFF Sergei: I am alone again, an art song with transcription and translation (C minor)
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868854 Composed by Serge…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868854 Composed by Sergei RACHMANINOFF (1873 â?? 1943). Arranged by Sergei PICHUGIN. 20th Century,Concert,Instructional,Standards,World. 6 pages. Really Good Music, LLC. #4794381. Published by Really Good Music, LLC. (A0.868854). The art song/romance I am alone again («Я опÑÑ?Ñ? одинок») (Op. 26, No. 9) was composed by Sergei RACHMANINOFF (1873 â?? 1943) in 1906. In present edition the Russian lyrics by outstanding poet and prose writer, Nobel laureate Ivan BUNIN (translated from Ukrainian poet Taras Shevchenko) with transliteration and English translation are inserted into the score. The romance is available in the key of C minor (D4 â?? Ab5 (G5)) for high voice.
$5.95
5.44 €
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High voice
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Sergei RACHMANINOFF
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RACHMANINOFF Sergei: I am alone again, an art song with transcription and translation
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Really Good Music, LLC.
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SheetMusicPlus
RACHMANINOFF Sergei: I am alone again, an art song with transcription and translation (D minor)
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868853 Composed by Serge…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868853 Composed by Sergei RACHMANINOFF (1873 – 1943). Arranged by Sergei PICHUGIN. 20th Century,Concert,Instructional,Standards,World. 6 pages. Really Good Music, LLC. #4794379. Published by Really Good Music, LLC. (A0.868853). The art song/romance I am alone again («Я опÑÑ‚ÑŒ одинок») (Op. 26, No. 9) was composed by Sergei RACHMANINOFF (1873 – 1943) in 1906. In present edition the Russian lyrics by outstanding poet and prose writer, Nobel laureate Ivan BUNIN (translated from Ukrainian poet Taras Shevchenko) with transliteration and English translation are inserted into the score. The romance is available in the original key of D minor (E4 – Bb5 (A5)) for high voice.
$5.95
5.44 €
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High voice
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Sergei RACHMANINOFF
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RACHMANINOFF Sergei: I am alone again, an art song with transcription and translation
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Really Good Music, LLC.
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SheetMusicPlus
VIVALDI Antonio: Guarda in quest'occhi e senti, aria from the opera "Ottone in Villa", arranged for
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868953 Composed by Anton…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868953 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #5309907. Published by Really Good Music, LLC. (A0.868953). Guarda in quest'occhi e senti is an aria from the opera Ottone in Villa, composed by Antonio VIVALDI (1678 – 1741) in 1713. It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (F4 – F5) for high voice.
$5.95
5.44 €
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High voice
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Antonio VIVALDI
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VIVALDI Antonio: Guarda in quest'occhi e senti, aria from the opera "Ottone in Villa", arranged for
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Really Good Music, LLC.
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SheetMusicPlus
VIVALDI Antonio: Dille ch'il viver mio, aria from the opera "Il Teuzzone", - Voice and Pi
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868937 Composed by Anton…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868937 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #5024189. Published by Really Good Music, LLC. (A0.868937). Dille ch'il viver mio is an aria from the opera Il Teuzzone (1719) by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D minor (E4 – G5) for high voice.
$5.95
5.44 €
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High voice
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Antonio VIVALDI
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VIVALDI Antonio: Dille ch'il viver mio, aria from the opera "Il Teuzzone", - Voice and Pi
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Really Good Music, LLC.
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SheetMusicPlus
CARISSIMI, Giacomo: Piangete, ohimè piangete, cantata for Voice (Soprano/Tenor) and Piano (G minor)
High voice
High Voice,Vocal Solo - Digital Download SKU: A0.868639 Composed by Giacomo CARISSI…
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High Voice,Vocal Solo - Digital Download SKU: A0.868639 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4365834. Published by Really Good Music, LLC. (A0.868639). The cantata Piangete, ohimè piangete was composed by Giacomo CARISSIMI (1605 – 1674), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The cantata may be an invaluable addition to the repertoire of vocal teachers and students. The tune is available in the original key of G minor (D4 – A5) for high voice. .
$5.95
5.44 €
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High voice
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Giacomo CARISSIMI
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CARISSIMI, Giacomo: Piangete, ohimè piangete, cantata for Voice
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Really Good Music, LLC.
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SheetMusicPlus
SCARLATTI Alessandro: O cessate di piagarmi, aria from the opera "Il Pompeo", - Voice and
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868717 Composed by Aless…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868717 Composed by Alessandro SCARLATTI (1660 – 1725). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4405460. Published by Really Good Music, LLC. (A0.868717). O cessate di piagarmi is an aria from the opera Il Pompeo (1683) by Alessandro SCARLATTI (1660 – 1725), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in G minor (F#4 – F5) for high voice.
$5.95
5.44 €
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High voice
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Alessandro SCARLATTI
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SCARLATTI Alessandro: O cessate di piagarmi, aria from the opera "Il Pompeo", - Voice and
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Really Good Music, LLC.
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SheetMusicPlus
SCARLATTI Alessandro: Crudel tiranno Amore, aria from solo cantata Quella pace gradita, arranged for
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869017 Composed by Aless…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869017 Composed by Alessandro SCARLATTI (1660 – 1725). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6354077. Published by Really Good Music, LLC. (A0.869017). Crudel tiranno Amore is an Aria 1 from solo cantata Quella pace gradita, composed by Alessandro SCARLATTI (1660 – 1725), one of the greatest composers of Italian Baroque. It has been realized from the score of the cantata and arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of E flat major (Eb4 – G5) for high voice.
$5.95
5.44 €
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High voice
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Alessandro SCARLATTI
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SCARLATTI Alessandro: Crudel tiranno Amore, aria from solo cantata Quella pace gradita, arranged for
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Really Good Music, LLC.
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SheetMusicPlus
CARISSIMI, Giacomo: No, no, non si speri, cantata for Voice (Soprano/Tenor) and Piano (E minor)
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868636 Composed by Giaco…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868636 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4365826. Published by Really Good Music, LLC. (A0.868636). The cantata No, no, non si speri was composed by Giacomo CARISSIMI (1605 – 1674), one of the greatest composers of Italian Baroque, and arranged for voice and piano by Sergei Pichugin. The cantata may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of E minor (C#4 – A5).
$5.95
5.44 €
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High voice
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Giacomo CARISSIMI
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CARISSIMI, Giacomo: No, no, non si speri, cantata for Voice
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Really Good Music, LLC.
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SheetMusicPlus
Waltz of the Roses (Think of My Love As A Rose), for High Voice Piano, Theme from The Snow Queen, A
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730413 Composed by James…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730413 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. 8 pages. James Nathaniel Holland #3369761. Published by James Nathaniel Holland (A0.730413). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged for high voice (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.95
4.53 €
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High voice
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
All People That On Earth Do Dwell (Vocal solo - High Key) (Choir/Vocal score)
High voice
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1225665 By Stephen DeCes…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1225665 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. 12 pages. Exultet Music #821735. Published by Exultet Music (A0.1225665). Old 100th (also known as Old Hundred) is one of the best known melodies in many occidental Christian musical traditions and has now been freshly arranged for a Vocal solo, Brass Quartet with Organ accompaniment. Â Parts are NOT included. Â Accompaniment package sold separately. Â A Full score is also available.
$4.99
4.56 €
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High voice
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Stephen DeCesare
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All People That On Earth Do Dwell
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Exultet Music
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SheetMusicPlus
STRADELLA Alessandro: So ben, che mi saettano, canzonetta for Voice and Piano (D major)
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868650 Composed by Aless…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868650 Composed by Alessandro STRADELLA (1639 – 1682). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 4 pages. Really Good Music, LLC. #4366426. Published by Really Good Music, LLC. (A0.868650). The canzonetta So ben, che mi saettano was composed by Alessandro STRADELLA (1639 – 1682). The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The canzonetta may be an invaluable addition to the repertoire of vocal teachers and students. It is available in D major (D4 – A5) for high voice. .
$5.95
5.44 €
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High voice
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Alessandro STRADELLA
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STRADELLA Alessandro: So ben, che mi saettano, canzonetta for Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
STRADELLA Alessandro: So ben, che mi saettano, canzonetta for Voice and Piano (C major)
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868649 Composed by Aless…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868649 Composed by Alessandro STRADELLA (1639 – 1682). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 4 pages. Really Good Music, LLC. #4366424. Published by Really Good Music, LLC. (A0.868649). The canzonetta So ben, che mi saettano was composed by Alessandro STRADELLA (1639 – 1682). The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The canzonetta may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C major (C4 – G5) for high voice. .
$5.95
5.44 €
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High voice
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Alessandro STRADELLA
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STRADELLA Alessandro: So ben, che mi saettano, canzonetta for Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
VIVALDI Antonio: Se lascio d’adorare, an aria from the opera "Il Tigrane", - Voice and
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868952 Composed by Anton…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868952 Composed by Antonio Vivaldi. Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5292337. Published by Really Good Music, LLC. (A0.868952). Se lascio d’adorare is a mezzo-soprano (baritone) aria from the opera-pasticcio La virtù trionfante dell’amore e dell’odio, ovvero Il Tigrane (1724). Antonio VIVALDI (1678 – 1741) composed the music of the second act of the opera. The aria has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (E4 – G#5) for high voice.
$5.95
5.44 €
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High voice
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Antonio Vivaldi
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VIVALDI Antonio: Se lascio d’adorare, an aria from the opera "Il Tigrane", - Voice and
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Really Good Music, LLC.
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SheetMusicPlus
Ice! from Songs from the High Sierra
High voice
High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwynet…
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High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25
6.63 €
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High voice
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Gwyneth W
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Ice! from Songs from the High Sierra
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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