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You've selected:
Chris Ott
High voice
Sheetmusic to print
5 sheet music found
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1
Christmas Morning in Dornach
High voice
High voice and piano - Digital Download SKU: S9.Q7499 From: Geistliche Lieder
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High voice and piano - Digital Download SKU: S9.Q7499 From: Geistliche Lieder. Composed by Viktor Ullmann. This edition: Sheet music. Downloadable. Op. 20/6. Schott Music - Digital #Q7499. Published by Schott Music - Digital (S9.Q7499). German • English • French.
$3.99
3.58 €
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High voice
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Viktor Ullmann
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Christmas Morning in Dornach
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Schott Music - Digital
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SheetMusicPlus
Three Christmas Songs
High voice
High voice and piano - Digital Download SKU: S9.Q2074 Composed by Hermann Schroeder…
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High voice and piano - Digital Download SKU: S9.Q2074 Composed by Hermann Schroeder. This edition: Sheet music. Downloadable. Schott Music - Digital #Q2074. Published by Schott Music - Digital (S9.Q2074). German.
$11.99
10.77 €
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High voice
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Hermann Schroeder
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Three Christmas Songs
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Schott Music - Digital
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SheetMusicPlus
David of the White Rock
High voice
High voice and piano - Digital Download SKU: S9.Q20009 Dafydd y Garreg Wen. …
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High voice and piano - Digital Download SKU: S9.Q20009 Dafydd y Garreg Wen. This edition: Sheet music. Downloadable. Duration 2 minutes. Schott Music - Digital #Q20009. Published by Schott Music - Digital (S9.Q20009). Welsh.According to tradition, the Bard David lived in a house called Y Garreg Wen (The White Rock) in a remote situation in North Wales. He was commonly called by his Christian name followed by the name of his house, a common custom in Wales, and one which survives to the present day.Like many other Welsh Bards, David was also a harpist, and is reputed to have had his harp continually at his side. On his death-bed, he is supposed to have asked that his harp be once more placed in his hands in order that he might play just one more tune.The melody he played was afterwards called by his name Dafydd Y Garreg Wen (David of the White Rock), and this same melody was performed on a single Welsh harp at his funeral, as was his dying wish.The Welsh words were subsequently added by Ceiriog Hughes in the nineteenth century. Words and melody are now inseparably linked, and are together widely known and regarded as one of the most popular of Welsh Traditional Songs.Richard Bowen (1963).
$4.99
4.48 €
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High voice
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David of the White Rock
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Schott Music - Digital
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
High voice
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.14 €
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High voice
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Ave Maria De Caccini
High voice
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.623091 Composed by Carl …
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.623091 Composed by Carl Prentice Marsh and Joselito Michaud. Arranged by Stephen DeCesare. Christian,Classical,Contemporary,Sacred,Wedding. 3 pages. Exultet Music #4286325. Published by Exultet Music (A0.623091). This piece which was falsely attributed to the Renaissance composer - Guilio Caccini is based on the original Vladimir Vavilov composition who is the actual composer of this piece. This piece has been recorded by singers such as Andrea Bocelli and Charlotte Church. This arrangement is for High Solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at various occasions throughout the liturgical year (such as funerals or weddings) but especially when the theme is about the Blessed Virgin Mary.
$4.99
4.48 €
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High voice
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Carl Prentice Marsh and Joselito Michaud
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Ave Maria De Caccini
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Exultet Music
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SheetMusicPlus
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