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Christ Above All - Percussion
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274
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You've selected:
Christ Above All - Percussion
High voice
Sheetmusic to print
3 sheet music found
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1
Rebecca St. James: Above All - voice & piano (High Voice)
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High voice
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INTERMEDIATE
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Christian contemporary
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Rebecca St. James
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Virtualsheetmusic
Instantly printable sheet music by Rebecca St. James for voice & piano (High Voice) of MEDIUM skill level. / christian,gospel,sacred
Instantly printable sheet music by Rebecca St. James for voice & piano (High Voice) of MEDIUM skill level. / christian,gospel,sacred
$8.97
Ave Maria - vocal solo-high
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High voice
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EASY
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Phil Beaman
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Ave Maria - vocal solo-high
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Phil Beaman
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.844444 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 4 pages. Phil...
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.844444 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 4 pages. Phil Beaman #3364773. Published by Phil Beaman (A0.844444). The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more.The lyrics quote only the first 3 phrases of the traditional Ave Maria text. These 6 words are in common across most usages regardless of region or religion or purpose and impart a broader blessing. These 6 words are interspersed throughout the piece with the Ave (Hail) high in the range for celebration, Gratia (Grace) mid-range for acceptance, and Dominus (God) low in the range for humility.The vocal range of the song is thus quite large - a full two octaves. The High version goes from a B flat below the Treble Staff to an A flat above the Treble Staff. The Low version (a third lower) goes from a low G to a high F.The accompaniment is a circling minimalist 2 chord ostinato for the entire piece.Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it.(4 pages, 3:45 minutes)
$4.99
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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High voice
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INTERMEDIATE/ADVANCED
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown M...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
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