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PIANO & KEYBOARDS
Piano solo
57329
Piano, Voice
20928
Piano, Vocal and Guitar
14415
Easy Piano
12551
Big Note Piano
2796
C Instruments
2395
Organ
1910
1 Piano, 4 hands
1784
Piano Accompaniment
750
Accordion
441
Piano Trio: piano, violin, cello
375
Piano (band part)
288
2 Pianos, 4 hands
271
Melody line, Piano
158
Piano Quartet: piano, violin, viola, cello
109
Organ, Trumpet (duet)
107
Piano Quintet: piano, 2 violins, viola, cello
85
Accordion, Voice
61
Piano Quartet: piano, 2 violins, cello
48
Harpsichord
45
Organ, Piano (duet)
43
Solo instrument and Organ
31
Keyboard
28
1 Piano, 6 hands
18
2 Pianos, 8 hands
11
2 Accordions
9
Fake Book
4
Accordion ensemble
3
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1
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1
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1
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1
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GUITARS
Guitar notes and tablatures
7322
Melody line, (Lyrics) and Chords
4733
Ukulele
2878
Guitar
2821
Bass guitar
1002
Lyrics and Chords
628
2 Guitars (duet)
418
Mandolin
351
Piano, Guitar (duet)
245
Guitar (band part)
238
Banjo
105
4 Guitars (Quartet)
101
Dulcimer
96
Lap Steel Guitar
88
Guitar Ensemble
60
Electric Bass (band part)
54
3 Guitars (trio)
48
Band Scores
47
Ukulele Ensemble
47
Baritone Ukulele
46
Mandolin, Piano (duet)
12
Mandolin, Guitar (duet)
6
2 Dulcimers (duet)
6
Guitar, Violin, Cello (trio)
5
2 Mandolins (duet)
4
2 Ukuleles
2
Bouzouki
2
Dobro
2
Zither
2
Lute
1
Plectrum Orchestra
1
Guitar, Orchestra
1
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VOICE
Choral SATB
10256
Choral 3-part
4295
Choral Instrumental Pak
2426
Choral 2-part
2095
Choral TTBB
2008
Choral Unison
1646
Choral SSAA
1194
Choral
657
Vocal duet, Piano
526
Voice solo
509
High voice
434
Soprano voice, Piano
431
Tenor voice, Piano
270
Vocal duet
241
Baritone voice, Piano
192
Alto voice, Piano
138
Low voice, Piano
110
Mezzo-Soprano voice, Piano
110
Medium voice, Piano
96
Tenor voice
34
Choral SSAATTBB
34
Choral SSATB
26
Choral SSAB a cappella
18
Baritone voice
16
Soprano voice
16
High voice, Piano
16
Choral SSATTB
15
Soli, Mixted choir and accompaniment
13
Low voice
12
Voice, Guitar
8
Choral, Organ
8
Soprano voice, Orchestra
6
Choral SATBB
6
Choral SSATBB
5
Choral SSAATB
3
Choral SSAB, Piano
3
Medium Voice
2
Choral SAATB A Cappella
2
Vocal duet, Organ
1
Voice, Basso continuo
1
Voix Masculines
1
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WOODWIND
Saxophone (band part)
3318
Saxophone Quartet: 4 saxophones
2935
Flute and Piano
2852
Flute
2837
Clarinet
2763
Alto Saxophone
2269
Clarinet and Piano
2247
Clarinet (band part)
2226
Flute, Oboe, Clarinet, Bassoon
2032
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
2031
Tenor Saxophone
1803
2 Saxophones (duet)
1650
Alto Saxophone and Piano
1545
Oboe, Piano (duet)
1415
Clarinet Quartet: 4 clarinets
1390
2 Flutes (duet)
1296
2 Clarinets (duet)
1125
Flute (band part)
1043
Oboe (band part)
1003
Tenor Saxophone and Piano
993
Saxophone Quintet: 5 Saxophones
755
Flute Quartet: 4 flutes
733
Soprano Saxophone and Piano
543
3 Saxophones (trio)
531
Recorder
509
Flute and Guitar
506
Ocarina
480
Clarinet Ensemble
469
3 Clarinets (trio)
436
Flute ensemble
420
Saxophone ensemble
407
Eb Instruments
368
Oboe
342
Saxophone
311
Flute, Clarinet (duet)
308
Clarinet Quintet: 5 clarinets
307
Descant (Soprano) Recorder
305
Baritone Saxophone, Piano
298
Flute Trio: 3 flutes
294
Recorder Quartet
263
2 Oboes (duet)
235
Harmonica
224
Treble (Alto) Recorder
201
Saxophone, Clarinet (duet)
189
English horn, Piano
179
Clarinet, Violin (duet)
172
Flute Quintet : 5 flutes
172
Flute, Violin, Piano
170
Oboe, Bassoon (duet)
168
Bass Clarinet, Piano
157
Flute, Oboe, Clarinet (trio)
144
2 Recorders (duet)
140
Flute, Clarinet and Bassoon.
131
Soprano Saxophone
128
Oboe, Clarinet (duet)
118
Flute, Violin
115
Oboe, Flute
107
Clarinet, Guitar (duet)
104
3 Recorders (trio)
103
Clarinet, Trumpet (duet)
100
Flute, Violin and Violoncello
99
Oboe, Clarinet, Bassoon (trio)
99
Flute, Oboe, Bassoon
90
Flute, Viola (duet)
87
Bass Clarinet
78
Clarinet, Bassoon (duet)
76
Clarinet and Viola
75
Clarinet, Harp (duet)
74
Recorder Ensemble
71
Baritone Saxophone
68
English Horn
66
5 Recorders
66
2 Flutes, Piano
65
Flute, Violoncello
64
Flute, Trumpet (duet)
63
Flute, Saxophone (duet)
61
Piccolo
54
Clarinet, Cello (duet)
46
Descent (Soprano) Recorder, Piano
43
Flute, Cello, Piano (trio)
39
3 Oboes
37
Flute, Oboe (duet)
36
Bagpipe
35
Tenor Recorder
32
Flute, Clarinet, Piano (trio)
31
Saxophone and Guitar
29
2 Clarinets, Bassoon
29
Oboe, Cello
29
Treble (Alto) Recorder, Piano
29
Recorder, Piano
28
Oboe, Guitar (duet)
26
Flute, Bassoon, and Piano
26
2 Saxophones, Piano
26
Oboe, Violin (duet)
24
Flute, Oboe, Piano (trio)
24
Flute, Clarinet, Horn and Bassoon (Quartet)
23
Flute, Viola and Piano
23
Flute, harp and violin
22
2 Clarinets, Piano
21
Piccolo, Piano
21
Clarinet, Cello, Piano (trio)
18
Saxophone and Organ
17
English Horn, Guitar (duet)
15
Flute, Trombone (duet)
14
Wind ensemble
13
Oboe and viola (duet)
13
4 Oboes
13
Clarinet Quartet: Clarinet, Violin, Viola, Cello
12
Clarinet, Trombone (duet)
11
Recorder, Guitar (duet)
9
Treble (Alto) Recorder, Basso continuo
9
Flute, Basso continuo
8
Flute and Strings Trio
8
Oboe, Bassoon and Piano
7
Flute, trombone and piano
7
Saxophone and Piano
7
Flute, Harp and Cello
7
Oboe, Harp
7
Oboe ensemble
6
Flute, Violin, Violoncello and Piano
6
Clarinet, Bassoon, Piano (trio)
6
Flute, Tuba (duet)
6
Saxophone, Violin (duet)
6
Flute, Organ (duet)
5
Oboe, Trumpet (duet)
5
2 English horns and Pianoforte
5
Flute, Oboe, Violin
5
Flute, Cello, Guitar
5
Pennywhistle
5
Flute and String Quartet
5
Saxophone and Harp
5
Clarinet Quintet: Clarinet, String Quartet
5
Clarinet, Tuba
4
Clarinet, trumpet and piano
4
2 Harmonicas
4
2 Recorders, Piano
4
Flute, Clarinet, Violin (trio)
4
Flute, Orchestra
3
2 Oboes and Basson
3
Clarinet, String quartet and Piano
3
Oboe, Violin, Piano
3
Clarinet, Organ
3
Flute, Viola and harp
2
Oboe, Trombone (duet)
2
Saxophone, Bassoon (duet)
2
Saxophone and cello
2
English horn, Harp (duet)
2
Clarinet, Double bass (duet)
2
Oboe, Clarinet and Piano (Trio)
2
2 Oboes and English horn
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
2 Flutes, Basso continuo
2
Flute, Violin, Guitar
1
Flute, Viola and Cello
1
Oboe and String quartet
1
2 clarinets, 2 bassoons
1
Oboe, Organ
1
Clarinet, Orchestra
1
Harmonica, Piano
1
Oboe, Clarinet, Bassoon and Piano
1
Oboe, Cello and Piano
1
Descant (Soprano) Recorder, Basso continuo
1
Clarinette, Viola and Piano (trio)
1
2 Flutes and Harp
1
2 Oboes, 2 Horns and 2 Bassoons
1
Instrumentations suivantes
Retracter
WOODBRASS
Trumpet (band part)
2771
Trumpet
2435
Trombone (band part)
2330
Brass Quintet: 2 trumpets, horn, trombone, tuba
2152
Trombone
1758
French horn
1637
Trumpet, Piano
1555
Brass quartet : 2 trumpets, trombone, tuba
1553
Trombone and Piano
1209
French horn (band part)
1076
French Horn and Piano
941
2 Trumpets (duet)
713
Tuba (band part)
674
2 Trombones (duet)
632
Brass Quartet
596
Tuba
450
Tuba and Piano
428
Brass Quartet: 2 trumpets, horn, trombone
419
Bass Clef Instruments
384
Bb Instruments
368
Brass Quartet: 4 trombones
294
F Instruments
283
Euphonium, Piano (duet)
231
Trumpet, Trombone (duet)
224
Brass Quartet: 4 horns
214
Trombone ensemble
212
2 French horns (duet)
197
English horn, Piano
179
Trumpet ensemble
161
Trumpet, Saxophone (duet)
143
2 Euphoniums and 2 Tubas
111
Brass Trio
87
Euphonium
85
Horn Ensemble
84
Tuba or Euphonium or Saxhorn
71
English Horn
66
2 Tubas (duet)
63
4 Tubas
61
3 Trumpets (trio)
55
Trumpet, Horn (duert)
53
3 Trombones (trio)
47
Brass Quartet: 4 trumpets
46
2 Euphoniums (duet)
24
Euphonium, Tuba (duet)
22
Trombone, Organ
21
Tuba and Organ
21
3 French horns (trio)
19
Cornet
19
Bass Trombone and Piano
17
Trombone, Tuba (duet)
17
Trumpet, Tuba (duet)
16
2 Trumpets, Keyboard (piano or organ)
16
English Horn, Guitar (duet)
15
Bass Trombone
15
Trumpet, violin (duet)
14
Trombone, Horn (duet)
12
Brass Quartet: 2 trumpets, 2 trombones
10
Horn, Tuba (duet)
9
3 Tubas (trio)
9
Trumpet, Cello (duet)
9
Euphonium (band part)
8
Trombone, cello (duet)
8
Trumpet, Trombone, Piano
8
Tuba ensemble
8
Trombone, Violin (duet)
7
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
6
French horn and Basson (duet)
6
Horn, Cello (duet)
6
Brass Quintet: 2 trumpets, horn, 2 trombones
6
Horn and Orchestra
5
Horn and Organ
5
2 English horns and Pianoforte
5
French Horn and Harp
5
Trumpet, Bassoon (duet)
4
Trumpet, Cello, Piano
4
Trumpet, Harp
4
2 French horns, Piano
3
Cornet and Piano
3
2 Trombones, Piano
2
Cornet and Orchestra
2
Trumpet and Guitar
2
Trumpet, Euphonium (duet)
2
Clarinet, Horn (duet)
2
4 Euphoniums
2
English horn, Harp (duet)
2
3 Euphoniums
1
Euphonium or Saxhorn and Piano
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
6871
Violin
3906
Violin and Piano
3489
Harp
3117
Cello, Piano
2514
Cello
2453
Viola
2143
Violin (band part)
1804
Viola, Piano
1672
2 Violins (duet)
1426
2 Cellos (duet)
998
Violin, Cello (duet)
971
String Trio: violin, viola, cello
903
Doublebass (band part)
802
Viola (band part)
591
Cello (band part)
525
Violin, Viola (duet)
483
2 Violas (duet)
444
String Quintet: 2 violins, viola, cello, bass
417
Double Bass
412
Double bass, Piano (duet)
346
String Trio: 2 violins, cello
333
Harp, Flute (duet)
288
4 Cellos
223
Viola, Cello (duet)
196
String Trio: 3 violins
152
String trio
136
Violin, Guitar (duet)
136
2 Harps (duet)
117
Piano Trio: Violin, Viola, Piano
105
Cello, Guitar (duet)
101
String Trio: 3 cellos
100
String Trio: 3 violas
84
String quartet: 4 violins
75
Viola, Guitar (duet)
62
Cello, String Bass (duet)
57
2 Violins, Piano
49
String Quartet : 4 violas
47
String Trio: 2 violins, viola
46
2 Double basses (duet)
45
String Quintet: 2 violins, 2 violas, cello
39
Harp, Violin (duet)
38
Violin, Bassoon (duet)
25
Violin ensemble
24
Cello Ensemble
23
Viola ensemble
22
Harp and mandolin
19
Violin, Organ
19
4 Double Basses
18
Cello, Orchestra
17
Harp, Voice
17
Harp, Cello (duet)
16
2 Cellos, Piano
16
Flute, Doublebass (duet)
15
Violin, Basso continuo
13
Cello, Organ
13
String Quintet: 2 violins, viola, 2 cellos
10
Viola and Bassoon
9
Harp, Violin, Violoncello
9
Viola and Harp
7
Violin, Tuba (duet)
6
3 double basses
6
Violin, Clarinet, Piano (trio)
6
2 Violas, Piano
5
Violoncello, Basso continuo
5
Harp, String quartet
4
Harp (band part)
4
3 Harps
4
Harp and Piano
4
4 Harps
3
Harp and Organ
3
Autoharp
3
Harp, Orchestra
2
Harp, Trombone (duet)
2
Violin, Cello, Clarinet
2
Viola, Organ
2
2 Violins and Basso
1
Violin, Trumpet and Piano
1
Instrumentations suivantes
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PERCUSSION & ORCHESTRA
Concert band
13737
Orchestra
3973
String Orchestra
2951
Marching band
2150
Jazz Ensemble
1828
Percussion (band part)
1609
Brass ensemble
1199
Handbells
1145
Chamber Orchestra
870
Drums
805
Percussion
445
Timpani (band part)
363
Jazz combo
352
Drum (band part)
240
Percussion Ensemble
166
Timpani
133
Marimba
120
Xylophone
105
Vibraphone
70
Snare drums
54
Xylophone, Piano
47
Piano and Orchestra
39
Woodwind Quintet
33
Orchestra, Violin
27
Woodwind Quartet: any 4 woodwinds
24
2 Xylophones
21
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
12
Flexible Instrumentation
9
Vibraphone (band part)
7
Brass Quintet: other combinaisons
6
School Ensemble
4
Vibraphone and Marimba
3
Big band
3
Woodwind Trio: any 3 woodwinds
2
Xylophone (band part)
2
Marimba, Piano (duet)
2
2 Marimbas
1
3 Percussions
1
Voice and Orchestra
1
3 Marimbas
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
9
Music Theory
1
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High voice
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The Unquiet Grave from American Death Ballads (Downloadable)
High voice
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.19 €
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High voice
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
This Nearly Was Mine from South Pacific
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790001 Composed by Richa…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790001 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. 15 pages. Diamond S Music #3533727. Published by Diamond S Music (A0.790001). THIS NEARLY WAS MINE from South Pacific. For SOLO VOICE (Tenor or Soprano) AND PIANO ACCOMPANIMENT (with optional Double Bass). KEY of Eb. This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949 Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$8.99
8.2 €
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High voice
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Richard Rodgers
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This Nearly Was Mine from South Pacific
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Diamond S Music
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SheetMusicPlus
VIVALDI Antonio: Tu m’offendi mà non rendi, an aria from the opera "La verità in cimento", arran
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868972 Composed by Anton…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868972 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5725469. Published by Really Good Music, LLC. (A0.868972). Tu m’offendi mà non rendi is an aria from from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of A minor (G4 – A5) for high voice.
$5.95
5.43 €
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High voice
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Antonio VIVALDI
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VIVALDI Antonio: Tu m’offendi mà non rendi, an aria from the opera "La verità in cimento", arran
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Really Good Music, LLC.
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SheetMusicPlus
Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
High voice
High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Denni…
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High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.73 €
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High voice
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McCorkle, Dennis F
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Come Lie with Me
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
6.38 €
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High voice
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.34 €
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High voice
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Ice! from Songs from the High Sierra
High voice
High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwynet…
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High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25
6.62 €
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High voice
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Gwyneth W
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Ice! from Songs from the High Sierra
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
VIVALDI Antonio: Guarda in quest'occhi e senti, aria from the opera "Ottone in Villa", arranged for
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868953 Composed by Anton…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868953 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #5309907. Published by Really Good Music, LLC. (A0.868953). Guarda in quest'occhi e senti is an aria from the opera Ottone in Villa, composed by Antonio VIVALDI (1678 – 1741) in 1713. It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (F4 – F5) for high voice.
$5.95
5.43 €
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High voice
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Antonio VIVALDI
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VIVALDI Antonio: Guarda in quest'occhi e senti, aria from the opera "Ottone in Villa", arranged for
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Really Good Music, LLC.
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SheetMusicPlus
VIVALDI Antonio: Quel tuo ciglio languidetto, an aria from the opera "Il Farnace", - Voic
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868968 Composed by Anton…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868968 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5372531. Published by Really Good Music, LLC. (A0.868968). Quel tuo ciglio languidetto is an aria (Minuèt) from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C major (D4 – G5) for high voice.
$5.95
5.43 €
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High voice
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Antonio VIVALDI
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VIVALDI Antonio: Quel tuo ciglio languidetto, an aria from the opera "Il Farnace", - Voic
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Really Good Music, LLC.
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SheetMusicPlus
BONONCINI Giovanni: Pieta, mio caro bene, aria from the serenata, - Voice and Piano (B mi
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868714 Composed by Giova…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868714 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4405110. Published by Really Good Music, LLC. (A0.868714). Pieta, mio caro bene is an aria from serenata L’Euleo festeggiante nel ritorno d’Alessandro Magno dall’Indie (1699), composed by Giovanni BONONCINI (1670 – 1747). It was realized from the manuscript and edited for voice and piano by Sergei Pichugin. Although being intended by composer for a tenor part, the aria is traditionally quite often performed by female voices. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (E3 – G#4/E4 – G#5) for high voices. .
$5.95
5.43 €
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High voice
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Giovanni BONONCINI
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BONONCINI Giovanni: Pieta, mio caro bene, aria from the serenata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, - Voice and Piano (G maj
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868704 Composed by Nicol…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868704 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4404622. Published by Really Good Music, LLC. (A0.868704). Già la notte s'avvicina is an aria from Solo cantata VI, written by the eminent Italian composer Nicola PORPORA (1686 – 1768). The cantatas were composed on the poetry of Pietro Metastasio, famous Italian librettist and poet, who once took music lessons from Porpora. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on early publication of the composer’s twelve cantatas (London, 1735). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – G5) for high voice.
$5.95
5.43 €
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High voice
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Nicola PORPORA
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PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
VIVALDI Antonio: Se lascio d’adorare, an aria from the opera "Il Tigrane", - Voice and
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868952 Composed by Anton…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868952 Composed by Antonio Vivaldi. Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5292337. Published by Really Good Music, LLC. (A0.868952). Se lascio d’adorare is a mezzo-soprano (baritone) aria from the opera-pasticcio La virtù trionfante dell’amore e dell’odio, ovvero Il Tigrane (1724). Antonio VIVALDI (1678 – 1741) composed the music of the second act of the opera. The aria has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (E4 – G#5) for high voice.
$5.95
5.43 €
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High voice
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Antonio Vivaldi
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VIVALDI Antonio: Se lascio d’adorare, an aria from the opera "Il Tigrane", - Voice and
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Really Good Music, LLC.
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SheetMusicPlus
SARTORIO Antonio: Dolce Amor, bendato Dio, aria from the opera "Il Massenzio", - Voice an
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868656 Composed by Anton…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868656 Composed by Antonio SARTORIO (1630 – 1680). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4366442. Published by Really Good Music, LLC. (A0.868656). Dolce Amor, bendato Dio is an aria from the opera Il Massenzio (1673), composed by Antonio SARTORIO (1630 – 1680). Despite the fact that Sartorio’s authorship has been reliably established, various publications of the arrangements of the aria for a long time named Francesco CAVALLI as a composer. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the first publications of the libretto of the opera (Venice, 1673; Rome, 1674) and on comparison of four manuscripts, mostly from the end of seventeenth century. It is available in the original key of A minor (E4 – G5).
$5.95
5.43 €
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High voice
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Antonio SARTORIO
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SARTORIO Antonio: Dolce Amor, bendato Dio, aria from the opera "Il Massenzio", - Voice an
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Really Good Music, LLC.
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SheetMusicPlus
Keep Nothing From Me - a flowing ballad for solo female voice & piano
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.832134 Composed by Simon…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.832134 Composed by Simon Walters. Folk,Pop. 9 pages. Simon Walters #5723215. Published by Simon Walters (A0.832134). A flowing pop/folk ballad for most female voices (A below middle C to C above middle C) asking a partner to open up.... if the relationship is to have a future...How many have been lost through lack of communication ?Keep nothing from me: it's no use keeping secrets, can't you see?If we are to continue then we need to talk things through: keep nothing from me...Why can't you set me free....?
$3.99
3.64 €
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High voice
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Simon Walters
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Keep Nothing From Me - a flowing ballad for solo female voice & piano
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Simon Walters
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SheetMusicPlus
SCARLATTI Alessandro: Crudel tiranno Amore, aria from solo cantata Quella pace gradita, arranged for
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869017 Composed by Aless…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869017 Composed by Alessandro SCARLATTI (1660 – 1725). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6354077. Published by Really Good Music, LLC. (A0.869017). Crudel tiranno Amore is an Aria 1 from solo cantata Quella pace gradita, composed by Alessandro SCARLATTI (1660 – 1725), one of the greatest composers of Italian Baroque. It has been realized from the score of the cantata and arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of E flat major (Eb4 – G5) for high voice.
$5.95
5.43 €
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High voice
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Alessandro SCARLATTI
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SCARLATTI Alessandro: Crudel tiranno Amore, aria from solo cantata Quella pace gradita, arranged for
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Really Good Music, LLC.
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SheetMusicPlus
Soprano Aria When there is my mansion by the Sea... from the opera On the Wings of the Scarlet Messe
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730185 Composed by James…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730185 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 9 pages. James Nathaniel Holland #370921. Published by James Nathaniel Holland (A0.730185). Mariana's (Soprano) Aria When there is my mansion by the sea... from On the Wings of the Scarlet Messenger An Opera in 4 Acts, Based on the Henry James novel, On the Wings of a Dove Music, Adaptation and Libretto by James Nathaniel Holland Composer website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube presentation: https://www.youtube.com/watch?v=dl4l8KeTfic A beautiful and virtuosic contemporary aria for a Gilda Rigoletto type lyric soprano with orchestral accompaniment. Has never been premiered before.Setting: The Fictional Southeast Asian island of Soon Rafa, present day, night, the garden behind Leila's mansion. Mariana (Soprano) niece and ward of her rich Aunt Leila. She cannot marry her love, Kai (bass), due to his lack of money. Mariana has just received a tongue lashing from her Aunt Leila in front of Leila's friends and has left for the garden. Alone and frustrated, Mariana sings of the day when she will have the freedom to do what she wants and execute revenge on all her critics. Fits requirement for contemporary aria in English.Duration: 5:15 Range: C4 to C6
$4.95
4.52 €
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High voice
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James Nathaniel Holland
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Soprano Aria When there is my mansion by the Sea... from the opera On the Wings of the Scarlet Messe
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James Nathaniel Holland
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SheetMusicPlus
Contemporary Soprano Aria, "They Say You Can Find Love" from the opera "Menkaure"
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730207 Composed by James…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730207 Composed by James Nathaniel Holland. Contemporary,Holiday,Opera,Wedding. 9 pages. James Nathaniel Holland #37039. Published by James Nathaniel Holland (A0.730207). They say you can find Love Contemporary Soprano aria in English from 21st Century opera (Duration: 4'30) Music and Libretto by American Costa Rican composer James Nathaniel Holland Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlVideo: https://www.youtube.com/watch?v=br_0U00Ck4Q From the American Opera MENKAURE Full opera YouTube: https://www.youtube.com/playlist?list=PLEcbVsA36MCuT1hxkTAyLuChFGJjtj4Ia Lyrics: They say you can find love, but in truth it is love who finds you! No matter how you force things, no matter what you do. You may sit patiently waiting, As months or years pass you by, and then one day it happens, A glance, a smile, you spy. Yes, I want love to find me, To tangle and entwine me, And it will, I know it will in its own sweet time. (Entire Opera duration: 2 hours) BRIEF SYNOPSIS: 6,000 years ago an almighty ruler died in Aksum. But today he lives for one woman, Trista,who falls in love with his statue at the Metropolitan Museum of Art in New York City. She is pulled deep into obsession, and her family is unable to rescue her; she tries to kiss the statue's face, and is arrested. With a quest to find the statue's twin, she flees to the country Joondor, site of the ancient city of Aksum where she is ultimately consumed by her love for Menkaure. Opera Website Page: http://www.lacoronadelossantos.net/menkaureopera.html Composer's website: http://www.lacoronadelossantos.net/jamesnathanielholland.html
$3.95
3.61 €
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High voice
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James Nathaniel Holland
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Contemporary Soprano Aria, "They Say You Can Find Love" from the opera "Menkaure"
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James Nathaniel Holland
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SheetMusicPlus
SCARLATTI Alessandro: Teco, o mesta tortorella, aria from solo cantata Quella pace gradita, arranged
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869022 Composed by Aless…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869022 Composed by Alessandro SCARLATTI (1660 – 1725). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6354095. Published by Really Good Music, LLC. (A0.869022). Teco, o mesta tortorella is an Aria 3 from solo cantata Quella pace gradita, composed by Alessandro SCARLATTI (1660 – 1725), one of the greatest composers of Italian Baroque. It has been realized from the score of the cantata and arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (D4 – Gb5) for high voice.
$5.95
5.43 €
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High voice
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Alessandro SCARLATTI
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SCARLATTI Alessandro: Teco, o mesta tortorella, aria from solo cantata Quella pace gradita, arranged
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Really Good Music, LLC.
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SheetMusicPlus
VIVALDI Antonio: Dille ch'il viver mio, aria from the opera "Il Teuzzone", - Voice and Pi
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868937 Composed by Anton…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868937 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #5024189. Published by Really Good Music, LLC. (A0.868937). Dille ch'il viver mio is an aria from the opera Il Teuzzone (1719) by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D minor (E4 – G5) for high voice.
$5.95
5.43 €
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High voice
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Antonio VIVALDI
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VIVALDI Antonio: Dille ch'il viver mio, aria from the opera "Il Teuzzone", - Voice and Pi
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Really Good Music, LLC.
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SheetMusicPlus
Waltz of the Roses (Think of My Love As A Rose), for High Voice Piano, Theme from The Snow Queen, A
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730413 Composed by James…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730413 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. 8 pages. James Nathaniel Holland #3369761. Published by James Nathaniel Holland (A0.730413). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged for high voice (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.95
4.52 €
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High voice
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
BONONCINI Giovanni: Io ti miro, aria from the cantata "Siedi, Amarilli mia", - Voice and
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869000 Composed by Giova…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869000 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 4 pages. Really Good Music, LLC. #6254099. Published by Really Good Music, LLC. (A0.869000). Io ti miro is an aria from the cantata Siedi, Amarilli mia by Giovanni BONONCINI (1670 – 1747), first published in Cantate e duetti (London, 1721). It was realized for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of D major (E4 – F#5) for high voice.
$5.95
5.43 €
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High voice
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Giovanni BONONCINI
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BONONCINI Giovanni: Io ti miro, aria from the cantata "Siedi, Amarilli mia", - Voice and
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Really Good Music, LLC.
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SheetMusicPlus
BONONCINI Giovanni: Non posso disperar, aria from the opera "Eraclea", - Voice and Piano
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868828 Composed by Giova…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868828 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4602791. Published by Really Good Music, LLC. (A0.868828). Non posso disperar is the aria from the opera Eraclea (1692), composed by Giovanni BONONCINI (1670 – 1747), although in some publications it was misattributed to Severo De LUCA (1684 – 1734). The aria was realized for voice and piano by Sergei Pichugin. It may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (Eb4 – G5) for high voice.
$5.95
5.43 €
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High voice
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Giovanni BONONCINI
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BONONCINI Giovanni: Non posso disperar, aria from the opera "Eraclea", - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
Praise God, From Whom All Blessings Flow (Vocal solo - High Key)
High voice
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1247808 By Stephen DeCes…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1247808 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. 8 pages. Exultet Music #842363. Published by Exultet Music (A0.1247808). The Doxology or The Common Doxology that begins Praise God, from whom all blessings flow, has now been freshly arranged for a Vocal solo with Organ accompaniment. Â Accessible and appropriate for any church setting.
$4.99
4.55 €
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High voice
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Stephen DeCesare
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Praise God, From Whom All Blessings Flow
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Exultet Music
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SheetMusicPlus
Praise God, From Whom All Blessings Flow (Vocal solo - High Key) (Choir/Vocal)
High voice
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1248716 By Stephen DeCes…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1248716 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. 9 pages. Exultet Music #843213. Published by Exultet Music (A0.1248716). The Doxology or The Common Doxology that begins Praise God, from whom all blessings flow, has now been freshly arranged for a Vocal solo, Brass Quartet with Organ accompaniment. Â Accessible and appropriate for any church setting. Parts are NOT included. Â Accompaniment package sold separately. Â A Choir/Vocal score is also available.
$4.99
4.55 €
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High voice
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Stephen DeCesare
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Praise God, From Whom All Blessings Flow
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Exultet Music
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SheetMusicPlus
With my love my life was nestled (Ornamented version from Christ Church Library, MS Mus 439)
High voice
High Voice,Vocal Solo - Digital Download SKU: A0.1287178 Composed by Thomas Morley.…
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High Voice,Vocal Solo - Digital Download SKU: A0.1287178 Composed by Thomas Morley. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #878187. Published by Early Music Scores (A0.1287178). Voice and continuoComposed by Thomas Morley (1557-1602). From Oxford, Christ Church Library, MS Mus 439, f. 37. Edited by Felipe Dias. 2 pages.
$6.99
6.38 €
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High voice
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Thomas Morley
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With my love my life was nestled
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Early Music Scores
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SheetMusicPlus
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