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Sing A Song - Guitar
High voice
Sheetmusic to print
9 sheet music found
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1
The Christening Song
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.995914 Composed by Ruby …
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.995914 Composed by Ruby Mann Pool. Christian,Sacred. 3 pages. Pool Publishing Company #4745379. Published by Pool Publishing Company (A0.995914). This tender song can be performed as a song of blessing for a baby boy or girl. It can be performed at a christening or special baby dedication.
$2.00
1.82 €
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High voice
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Ruby Mann Pool
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The Christening Song
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Pool Publishing Company
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SheetMusicPlus
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuar…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
7.03 €
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High voice
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Stuart Brown
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Idylls - five songs for solo high voice
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Stuart Brown Music
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SheetMusicPlus
The Mark Hayes Vocal Solo Collection -- 10 Christmas Songs for Solo Voice
High voice
Voice (High/Medium High) - Digital Download For Concerts, Contests, Recitals, and Worshi…
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Voice (High/Medium High) - Digital Download For Concerts, Contests, Recitals, and Worship (Medium High Voice). Arranged by Mark Hayes. Series; Vocal; Vocal Collection; Worship Resources. The Mark Hayes Vocal Solo Collection. Christmas; Sacred; Winter. Book. 74 pages. Jubilate Music Group - Digital #00- 18916. Published by Jubilate Music Group - Digital
English. Award-winning composer, arranger, pianist, and recording artist Mark Hayes has crafted an exquisite anthology of Christmas arrangements for solo voice, including traditional carols, art songs, masterworks, and spirituals. Reflecting the arranger's mastery of vocal accompaniment, the piano partners with the voice in true art song style. Available in medium high and medium low voicings, this collection also features accompaniment and full-performance recordings with Mark Hayes at the piano. Titles: Bring a Torch, Jeannette, Isabella * Away in a Manger * Sing Joy! * Midnight Noel * Gesu Bambino * Silent Night * Lo, How a Rose E'er Blooming * O Holy Night * The Coventry, Carol * Jesus, Oh What a Wonderful Child.
$15.99
14.52 €
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High voice
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Vocal
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The Mark Hayes Vocal Solo Collection -- 10 Christmas Songs for Solo Voice
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Jubilate Music Group - Digital
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SheetMusicPlus
Periwinkle
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1027761 Composed by Alic…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-Davis #2923157. Published by Alicia Santee-Davis (A0.1027761). Periwinkle is a song cycle that was originally composed for mezzo-soprano and piano, but has been arranged for soprano and piano; it is a collection of character pieces using original poetry by Alicia Willard. High High Shoes is an upbeat, rhythmically active piece that illustrates the exhilaration and anxiety in reaching for one’s desires. Wings is a hauntingly slow array of uneasy dissonances, using only one line of text that is chopped into fragments and slowly arranged into a comprehensible statement. Boulders on Our Shoulders has a lilting jazz feel, including several piano solos that incorporate many aspects of the blues. Follow the Borrowers is much more introspective, with the music vividly conveying what the text colorfully provides in such lines as I’ll caress the tongue shapes. The title of the cycle is taken from a line of poetry in which the periwinkle dirt in the sky is introduced, providing one of many colors that are portrayed in the pieces. Periwinkle was written in 2009 and premiered at the University of North Carolina School of the Arts by Stephanie McAllister, mezzo-soprano, and the composer at the piano. After its recomposition, the soprano edition was premiered in Fairbanks, Alaska in 2016 by Amy Ingram, soprano, with the composer at the piano.
$16.95
15.39 €
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High voice
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Alicia Willard
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Periwinkle
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Alicia Santee-Davis
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
High voice
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.18 €
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High voice
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
David of the White Rock
High voice
High voice and piano - Digital Download SKU: S9.Q20009 Dafydd y Garreg Wen. …
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High voice and piano - Digital Download SKU: S9.Q20009 Dafydd y Garreg Wen. This edition: Sheet music. Downloadable. Duration 2 minutes. Schott Music - Digital #Q20009. Published by Schott Music - Digital (S9.Q20009). Welsh.According to tradition, the Bard David lived in a house called Y Garreg Wen (The White Rock) in a remote situation in North Wales. He was commonly called by his Christian name followed by the name of his house, a common custom in Wales, and one which survives to the present day.Like many other Welsh Bards, David was also a harpist, and is reputed to have had his harp continually at his side. On his death-bed, he is supposed to have asked that his harp be once more placed in his hands in order that he might play just one more tune.The melody he played was afterwards called by his name Dafydd Y Garreg Wen (David of the White Rock), and this same melody was performed on a single Welsh harp at his funeral, as was his dying wish.The Welsh words were subsequently added by Ceiriog Hughes in the nineteenth century. Words and melody are now inseparably linked, and are together widely known and regarded as one of the most popular of Welsh Traditional Songs.Richard Bowen (1963).
$4.99
4.53 €
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High voice
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David of the White Rock
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Schott Music - Digital
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SheetMusicPlus
Jeanie with the Light Brown Hair - High Voice/piano
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.821406 Composed by Steph…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.821406 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Traditional. 5 pages. Maggs #6340897. Published by Maggs (A0.821406). Jeanie with the Light Brown Hair is one of Stephen Fosters best loved songs. This arrangement could be performed as a piano solo (advanced intermediate level) or as a vocal solo with accompaniment. The arrangement is in G major, which is high for the singer and reaches from D above middle C to high G. (An octave lower for the male singer.) Versions are also available for Medium-high voice (Key of F: range C to F) and medium low voice. (Key of D: range A to D)
$2.99
2.72 €
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High voice
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Stephen Foster
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Jeanie with the Light Brown Hair - High Voice/piano
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Maggs
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SheetMusicPlus
Et Vennestykke/Verrat (Grieg) [High Voice]
High voice
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.795741 Composed by Edvar…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.795741 Composed by Edvard Grieg. Arranged by Maxence Lasserre-Engberts. Concert,Romantic Period,Standards,World. 2 pages. Maxence Lasserre-Engberts #4278693. Published by Maxence Lasserre-Engberts (A0.795741). Et Vennestykke (English: A piece of friendship), better known by its German title Verrat (English: Betrayal), is a Norwegian art song by Peer Gynt Suite composer Edvard Grieg. It is short and appears simple, yet it can be deeply emotionally impacting. An original addition to a singer's repertoire.
$2.99
2.72 €
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High voice
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Edvard Grieg
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Et Vennestykke/Verrat
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Maxence Lasserre-Engberts
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SheetMusicPlus
The Lord bless you and keep you (solo/high)
High voice
Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digit…
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Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digital #9780193550636. Published by Oxford University Press Digital
ISBN 9780193550636.<br> <br> A much-loved setting of the Aaronic Blessing (Numbers 6: 24), this simple but highly expressive work is at once tender and profound. It was composed for a memorial service for Edward T. Chapman, the Director of Music at Highgate School, where John Rutter was a pupil. It is arranged here for solo high voice and piano (which may be adapted for performance on the organ), originally published in Oxford Solo Songs: Sacred. Also available in versions for solo low. voice and piano, SATB and organ/strings, SAB and piano, and SA and piano/organ/strings.
$4.00
3.63 €
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High voice
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John Rutter (1945-)
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The Lord bless you and keep you
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Oxford University Press Digital
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SheetMusicPlus
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