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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
This Can
Not classified
15,537
Piano & keyboards
Piano solo
33,103
Piano, Voice
5,459
Piano, Vocal and Guitar
3,268
Easy Piano
3,237
Accordion
2,423
Organ
2,155
Big Note Piano
1,186
C Instruments
665
1 Piano, 4 hands
400
Piano Accompaniment
313
Piano Trio: piano, violin, cello
97
2 Pianos, 4 hands
93
Keyboard
70
Piano Quartet: piano, violin, viola, cello
42
Piano (band part)
34
Organ, Piano (duet)
25
Piano Quintet: piano, 2 violins, viola, cello
24
Organ, Trumpet (duet)
20
Accordion, Voice
20
Piano Quartet: piano, 2 violins, cello
18
Solo instrument and Organ
14
Harpsichord
9
Melody line, Piano
7
1 Piano, 6 hands
7
2 Pianos, 8 hands
6
Organ, Voice
3
Accordion, String(s)
1
Accordion, Piano
1
+ 23 instrumentations
-
Retract
Guitars
Guitar
5,013
Bass guitar
3,773
Guitar notes and tablatures
2,310
Ukulele
701
Melody line, (Lyrics) and Chords
670
Piano, Guitar (duet)
209
Dulcimer
166
2 Guitars (duet)
72
Baritone Ukulele
70
Mandolin
63
Guitar (band part)
62
Banjo
56
4 Guitars (Quartet)
53
Lyrics and Chords
52
2 Dulcimers (duet)
17
3 Guitars (trio)
15
Guitar Ensemble
14
Mandolin, Piano (duet)
10
Dobro
5
Lap Steel Guitar
4
Mandolin, Guitar (duet)
3
2 Ukuleles
3
2 Mandolins (duet)
2
Guitar, Violin, Cello (trio)
2
Plectrum Orchestra
1
Electric Bass (band part)
1
+ 21 instrumentations
-
Retract
Voice
Voice solo
5,779
Choral SATB
5,072
Choral 3-part
1,548
Choral 2-part
1,086
Choral Instrumental Pak
817
Choral Unison
614
Choral TTBB
571
Choral SSAA
355
Vocal duet, Piano
231
Vocal duet
106
High voice
67
Alto voice, Piano
54
Soprano voice, Piano
52
Choral
35
Baritone voice, Piano
29
Low voice, Piano
28
Tenor voice, Piano
27
Medium voice, Piano
20
Tenor voice
16
Choral SSATB
11
Choral SSAATTBB
10
Soli, Mixted choir and accompaniment
9
Choral SSATTB
8
Soprano voice
8
Mezzo-Soprano voice, Piano
7
Low voice
7
Voice, Guitar
4
Choral SATBB
3
Choral SSAB a cappella
3
Choral SSAB, Piano
3
Choral SAATB A Cappella
2
Vocal duet, Organ
1
Choral SATTBB A Cappella
1
Choral SSAATB
1
+ 29 instrumentations
-
Retract
Woodwind
Saxophone
16,635
Flute
8,214
Clarinet
7,635
Alto Saxophone
1,720
Tenor Saxophone
1,600
Flute and Piano
1,329
Recorder
1,262
Oboe, Piano (duet)
942
Clarinet and Piano
904
2 Saxophones (duet)
861
Saxophone Quartet: 4 saxophones
780
Oboe
764
Alto Saxophone and Piano
754
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
616
Saxophone (band part)
594
Soprano Saxophone
594
Clarinet Quartet: 4 clarinets
565
Tenor Saxophone and Piano
519
Flute, Oboe, Clarinet, Bassoon
498
2 Flutes (duet)
453
2 Clarinets (duet)
451
Saxophone Quintet: 5 Saxophones
321
Oboe (band part)
306
Descant (Soprano) Recorder
295
Flute Quartet: 4 flutes
282
Soprano Saxophone and Piano
267
Flute, Clarinet (duet)
212
3 Clarinets (trio)
205
2 Recorders (duet)
200
3 Saxophones (trio)
200
Saxophone, Clarinet (duet)
187
Clarinet Ensemble
165
Baritone Saxophone, Piano
165
2 Oboes (duet)
161
Clarinet, Violin (duet)
154
Clarinet (band part)
148
Oboe, Bassoon (duet)
143
Flute ensemble
140
Flute (band part)
130
Flute Trio: 3 flutes
130
Harmonica
127
Saxophone ensemble
122
Clarinet, Trumpet (duet)
122
Clarinet Quintet: 5 clarinets
119
English horn, Piano
112
Oboe, Clarinet (duet)
111
Flute, Violin
105
Flute and Guitar
84
Flute Quintet : 5 flutes
84
Clarinet and Viola
76
Descent (Soprano) Recorder, Piano
73
Flute, Oboe, Clarinet (trio)
72
Recorder Quartet
68
Pennywhistle
67
Flute, Saxophone (duet)
66
Flute, Viola (duet)
65
Oboe, Flute
62
Treble (Alto) Recorder
58
English Horn
58
Flute, Clarinet and Bassoon.
58
Bass Clarinet, Piano
56
Flute, Violin and Violoncello
54
Clarinet, Bassoon (duet)
51
Flute, Trumpet (duet)
47
Flute, Harp and Cello
46
2 Flutes, Piano
44
Flute, Violin, Piano
44
Flute, Violoncello
43
Flute, Oboe, Bassoon
42
Oboe, Clarinet, Bassoon (trio)
40
Baritone Saxophone
38
Ocarina
38
3 Recorders (trio)
38
Clarinet, Harp (duet)
35
Clarinet, Guitar (duet)
31
Flute, Oboe (duet)
26
Clarinet, Cello (duet)
23
Flute, Clarinet, Piano (trio)
21
Tenor Recorder
21
Oboe, Cello
20
2 Clarinets, Bassoon
20
Recorder Ensemble
19
5 Recorders
18
Clarinet, Cello, Piano (trio)
18
Flute, Oboe, Piano (trio)
16
Oboe, Guitar (duet)
15
Flute, Cello, Piano (trio)
14
2 Clarinets, Piano
14
2 Saxophones, Piano
13
Piccolo, Piano
12
Flute, harp and violin
11
Descant (Soprano) Recorder, Basso continuo
10
4 Oboes
10
Eb Instruments
9
Flute, Oboe, Violin
9
Flute, Viola and Piano
8
Treble (Alto) Recorder, Piano
8
Flute, Bassoon, and Piano
8
Saxophone and Guitar
7
Oboe and viola (duet)
7
Flute and Strings Trio
6
Bass Clarinet
6
Piccolo
6
Oboe ensemble
6
Flute, Clarinet, Violin (trio)
6
Flute, trombone and piano
6
English Horn, Guitar (duet)
6
Clarinet, trumpet and piano
6
Oboe, Violin (duet)
5
Oboe, Clarinet and Piano (Trio)
5
Flute, Trombone (duet)
5
Treble (Alto) Recorder, Basso continuo
4
Oboe, Harp
4
Flute, Basso continuo
4
Saxophone and Organ
4
Clarinet Quintet: Clarinet, String Quartet
4
Oboe, Bassoon and Piano
4
Clarinette, Viola and Piano (trio)
4
Clarinet, Trombone (duet)
3
Recorder, Guitar (duet)
3
Flute, Cello, Guitar
3
Wind ensemble
3
Clarinet, Tuba
3
Flute, Viola and harp
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Oboe, Trombone (duet)
2
2 Oboes, Piano
2
Clarinet, Double bass (duet)
2
Flute, Violin, Guitar
2
Flute, Organ (duet)
2
Pan Flute
2
Flute, Violin, Violoncello and Piano
2
Bagpipe
2
English horn, Harp (duet)
1
Recorder, Piano
1
Flute, French horn (duet)
1
Oboe, Cello and Piano
1
2 Recorders, Piano
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Flute, Tuba (duet)
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
3 Oboes
1
2 Flutes and Harp
1
Flute, viola, cello and guitar
1
Oboe, Trumpet (duet)
1
2 English horns and Pianoforte
1
Saxophone and Harp
1
Flute and String Quartet
1
Clarinet, Bassoon, Piano (trio)
1
+ 144 instrumentations
-
Retract
Woodbrass
Trumpet
6,725
Trombone
6,178
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,272
French horn
810
Trombone and Piano
607
Trumpet, Piano
607
Trumpet (band part)
535
Tuba
485
Brass quartet : 2 trumpets, trombone, tuba
436
French Horn and Piano
434
Euphonium
433
Trombone (band part)
342
2 Trombones (duet)
248
Brass Quartet
234
Tuba and Piano
224
2 Trumpets (duet)
211
Brass Quartet: 2 trumpets, horn, trombone
159
Trumpet, Trombone (duet)
159
French horn (band part)
147
Trumpet, Saxophone (duet)
134
Brass Quartet: 4 trombones
114
English horn, Piano
112
2 French horns (duet)
103
Tuba (band part)
93
Trombone ensemble
90
Euphonium, Piano (duet)
86
Trumpet ensemble
71
English Horn
58
Brass Quartet: 4 horns
57
2 Tubas (duet)
41
Trumpet, Horn (duert)
38
Brass Quartet: 4 trumpets
38
2 Euphoniums and 2 Tubas
37
3 Trombones (trio)
29
Horn Ensemble
28
Trombone, Tuba (duet)
24
4 Tubas
22
Bass Clef Instruments
22
Brass Trio
19
Euphonium, Tuba (duet)
19
Bb Instruments
15
3 Trumpets (trio)
15
Trombone, Horn (duet)
14
Trumpet, Tuba (duet)
12
3 Tubas (trio)
11
2 Euphoniums (duet)
11
3 French horns (trio)
9
Tuba and Organ
8
Brass Quartet: 2 trumpets, 2 trombones
8
Horn, Cello (duet)
8
French Horn and Harp
7
Trumpet, Harp
6
Brass Quintet: 2 trumpets, horn, 2 trombones
6
English Horn, Guitar (duet)
6
Trumpet, violin (duet)
5
Bass Trombone
5
Trumpet, Trombone, Piano
5
Bass Trombone and Piano
5
Trumpet, Cello, Piano
4
Horn, Tuba (duet)
4
Trumpet, Bassoon (duet)
4
Trombone, Organ
2
Trumpet and Guitar
2
Trombone and Orchestra
2
Trumpet, Cello (duet)
2
2 French horns, Piano
2
Cornet and Orchestra
2
Horn and Organ
1
Clarinet, Horn (duet)
1
Trombone, Violin (duet)
1
English horn, Harp (duet)
1
3 Euphoniums
1
Tuba or Euphonium or Saxhorn
1
Euphonium (band part)
1
Trumpet, Euphonium (duet)
1
2 Trumpets, Keyboard (piano or organ)
1
4 Euphoniums
1
2 English horns and Pianoforte
1
Horn, Cello and Piano
1
+ 74 instrumentations
-
Retract
Strings
Violin
5,112
Cello
3,392
Viola
2,642
String Quartet: 2 violins, viola, cello
2,250
Harp
1,915
Violin and Piano
1,577
Cello, Piano
868
Viola, Piano
838
Violin, Cello (duet)
516
2 Violins (duet)
420
String Trio: violin, viola, cello
366
Double Bass
359
Harp, Flute (duet)
293
2 Cellos (duet)
287
Violin (band part)
276
Violin, Viola (duet)
273
2 Violas (duet)
227
String Trio: 2 violins, cello
201
2 Harps (duet)
187
Double bass, Piano (duet)
181
String Quintet: 2 violins, viola, cello, bass
177
Viola (band part)
168
Harp, Violin (duet)
138
Doublebass (band part)
106
Viola, Cello (duet)
81
String Trio: 3 violins
79
4 Cellos
56
Cello (band part)
46
Harp and Piano
42
String quartet: 4 violins
42
Violin, Guitar (duet)
40
String Trio: 3 cellos
35
2 Double basses (duet)
33
Cello, Guitar (duet)
31
Piano Trio: Violin, Viola, Piano
31
Cello, String Bass (duet)
30
String Trio: 2 violins, viola
27
2 Violins, Piano
26
String Trio: 3 violas
23
Harp, Cello (duet)
17
Violin, Bassoon (duet)
16
Viola, Guitar (duet)
15
2 Violins and Basso
14
String Quartet : 4 violas
14
String trio
13
Flute, Doublebass (duet)
12
Harp, Voice
12
Viola and Harp
11
String Quintet: 2 violins, 2 violas, cello
11
Viola and Bassoon
10
Violin ensemble
10
Harp and mandolin
10
Violin, Organ
9
Violin, Clarinet, Piano (trio)
7
Viola ensemble
7
2 Cellos, Piano
6
Cello, Organ
6
3 Harps
5
Cello Ensemble
5
Autoharp
5
4 Double Basses
5
Violoncello, Basso continuo
4
String Quintet: 2 violins, viola, 2 cellos
4
Harp, Violin, Violoncello
4
Viola, Organ
3
Cello, Orchestra
3
2 Violas, Piano
3
5 Harps
2
Harp, Trombone (duet)
2
Violin, Tuba (duet)
2
Violin, Basso continuo
2
Violin, Cello, Clarinet
1
4 Harps
1
3 double basses
1
+ 69 instrumentations
-
Retract
Orchestra & Percussion
Drums
5,984
Concert band
4,030
Orchestra
2,029
String Orchestra
1,215
Handbells
832
Jazz Ensemble
683
Brass ensemble
584
Marching band
377
Chamber Orchestra
325
Percussion Ensemble
161
Jazz combo
161
Percussion
154
Percussion (band part)
104
Marimba
69
Drum (band part)
49
Vibraphone
48
Xylophone, Piano
23
Xylophone
14
Timpani (band part)
9
School Ensemble
8
3 Marimbas
6
2 Xylophones
4
Piano and Orchestra
4
Orchestra, Violin
3
Woodwind Quintet
2
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Timpani
2
Cajon
2
Conga
1
Marimba, Piano (duet)
1
Brass Quintet: other combinaisons
1
Bongos
1
Snare drums
1
Woodwind Quartet: any 4 woodwinds
1
Flexible Instrumentation
1
Vibraphone and Marimba
1
Voice and Orchestra
1
+ 32 instrumentations
-
Retract
Others
Musical course - Solfege
48
Music Theory
6
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67 sheet music found
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The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
The Last Great American Dynasty
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High voice
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INTERMEDIATE
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Pop music
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Taylor Swift
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Kelvin Reed
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The Last Great American Dynast
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Kelvin Reed
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.921989 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Kelvin Reed. Pop. 12 pa...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.921989 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Kelvin Reed. Pop. 12 pages. Kelvin Reed #6021555. Published by Kelvin Reed (A0.921989). This great new work of art from Taylor Swift is found on her eighth album, Folklore. The entire album was released on July 24, 2020 in the midst of the COVID-19 Pandemic. The songs debuted at the top of the charts, breaking numerous records. Enjoy this intermediate level piece, featuring an all new key, allowing for a higher voicing.
$4.99
WHEN I CAN READ MY TITLE CLEAR
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High voice
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J
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Sonny Rios
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WHEN I CAN READ MY TITLE CLEAR
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Sonny Rios
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SheetMusicPlus
High Voice,Vocal Solo - Digital Download SKU: A0.962917 Composed by J.C. Lowry. Arranged by Sonny Rios. Christian,Contemporary,Jewish,Sacred. 5 pages. So...
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High Voice,Vocal Solo - Digital Download SKU: A0.962917 Composed by J.C. Lowry. Arranged by Sonny Rios. Christian,Contemporary,Jewish,Sacred. 5 pages. Sonny Rios #4278121. Published by Sonny Rios (A0.962917). WHEN I CAN READ MY TITLE CLEAR: This old public domain Christian song, by Isaac Watts and J.C. Lowry, has been arranged by Sonny Rios for solo High Voice. The song’s range is C4-A5 and is in English. The song speaks about a person’s final journey and arrival in his/her heavenly rest. The song may be used in Jewish or Christian services, concerts, and in funerals. This arrangement has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record this arrangement, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
All I Can Do Is Praise - High edition
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High voice
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INTERMEDIATE
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Sacred music
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Daniel Barta
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All I Can Do Is Praise - High
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Shaw Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1097965 Composed by Daniel Barta. Sacred. 8 pages. Shaw Music #701870. Published by Shaw Music...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1097965 Composed by Daniel Barta. Sacred. 8 pages. Shaw Music #701870. Published by Shaw Music (A0.1097965). This original song by lyricist and composer Daniel Barta explores the grace of God with uniquely personal imagery. This beautifully tuneful piece features supportive, elegant piano accompaniment and will appeal to singers of all abilities. Appropriate for any moment of worship. (From ALL I CAN DO IS PRAISE: FIVE SONGS FOR VOICE & PIANO).
$3.95
This Nearly Was Mine from South Pacific
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High voice
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INTERMEDIATE/ADVANCED
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Broadway
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Richard Rodgers
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W
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This Nearly Was Mine from Sout
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Diamond S Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790001 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. 15 pag...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790001 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. 15 pages. Diamond S Music #3533727. Published by Diamond S Music (A0.790001). THIS NEARLY WAS MINE from South Pacific. For SOLO VOICE (Tenor or Soprano) AND PIANO ACCOMPANIMENT (with optional Double Bass). KEY of Eb. This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949 Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$8.99
"She Died, this was the way she died" Emily Dickinson
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High voice
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INTERMEDIATE/ADVANCED
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Jan Van Outryve
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"She Died, this was the way sh
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Kaila
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1014492 Composed by Jan Van Outryve. Contemporary,Folk,New Age. 5 pages. Kaila #5735689. Publi...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1014492 Composed by Jan Van Outryve. Contemporary,Folk,New Age. 5 pages. Kaila #5735689. Published by Kaila (A0.1014492). 12 songs settings on poems by Emily Dickinson composed by Jan Van Outryve.You can find She died, this was the way she died on Spotify :https://open.spotify.com/track/4wHf60nnmrIG1M9bkwnduj?si=pyT-fODZRki4qgxe_wl5Wg
$8.00
Can't Help Lovin' Dat Man
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High voice
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Annette Warren and Helen Morga
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Can't Help Lovin' Dat Man
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - Interactive Download SKU: HX.368079 By Annette Warren and Helen Morgan. This edition: Interactive Download. Broadway,Standards. Piano Voca...
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(High Voice) - Interactive Download SKU: HX.368079 By Annette Warren and Helen Morgan. This edition: Interactive Download. Broadway,Standards. Piano Vocal. 3 pages. Published by Hal Leonard - Digital (HX.368079).
$4.99
I Can't Get Started [Jazz version] (arr. Brent Edstrom)
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High voice
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Broadway
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Jazz
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Brent Edstrom
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I Can't Get Started [Jazz vers
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - Interactive Download SKU: HX.454085 Arranged by Brent Edstrom. This edition: Interactive Download. Broadway,Jazz,Standards. Piano Vocal. 3...
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(High Voice) - Interactive Download SKU: HX.454085 Arranged by Brent Edstrom. This edition: Interactive Download. Broadway,Jazz,Standards. Piano Vocal. 3 pages. Published by Hal Leonard - Digital (HX.454085).
$4.99
Nice Work If You Can Get It [Jazz version] (arr. Brent Edstrom)
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High voice
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Broadway
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Jazz
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Nice Work If You Can Get It [J
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - Interactive Download SKU: HX.457780 This edition: Interactive Download. Broadway,Jazz,Standards. Piano Vocal. 5 pages. Published by Hal Le...
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(High Voice) - Interactive Download SKU: HX.457780 This edition: Interactive Download. Broadway,Jazz,Standards. Piano Vocal. 5 pages. Published by Hal Leonard - Digital (HX.457780).
$4.99
They Can't Take That Away From Me [Jazz version] (arr. Brent Edstrom)
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High voice
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Broadway
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Jazz
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They Can't Take That Away From
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - Interactive Download SKU: HX.457785 This edition: Interactive Download. Broadway,Jazz,Standards. Piano Vocal. 5 pages. Published by Hal Le...
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(High Voice) - Interactive Download SKU: HX.457785 This edition: Interactive Download. Broadway,Jazz,Standards. Piano Vocal. 5 pages. Published by Hal Leonard - Digital (HX.457785).
$4.99
Hard Times Come Again No More (High Voice)
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High voice
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INTERMEDIATE/ADVANCED
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Stephen Foster
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Judith L
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Hard Times Come Again No More
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Maggs
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.821411 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Folk,Standards,Tr...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.821411 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Folk,Standards,Traditional. 4 pages. Maggs #6345195. Published by Maggs (A0.821411). Stephen Foster wrote this American parlor song in the mid eighteen hundreds. It was very popular in its day, and is still sung. This arrangement is appropriate for a high singer, with an octave range from G to G. It is also available on SMP for medium high voice (Key of Eb - range Eb to Eb) and low voice (Key of C - range C to C).
$2.99
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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High voice
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INTERMEDIATE/ADVANCED
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown M...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
Lord I Want to be a Christian
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High voice
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ADVANCED
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Gospel/Spiritual
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Sacred music
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Brenda A
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Lord I Want to be a Christian
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Brenda A. McGee
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.984950 Arranged by Brenda A. McGee. Christian,Concert,Gospel,Sacred,Spiritual. 13 pages. Brend...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.984950 Arranged by Brenda A. McGee. Christian,Concert,Gospel,Sacred,Spiritual. 13 pages. Brenda A. McGee #4804901. Published by Brenda A. McGee (A0.984950). Lord I Want to be a Christian is a new arrangement of the African-American spiritual for soprano voice and piano accompaniment. Audio recording sung by Henrietta E. Davis. This spiritual asks the question Am I really a true Christian. Lord I Want to be a Christian is appropriate for all church services or classical recital. Brenda A. McGee is affiliated with BMI. Ms. McGee can be contacted at facebook.com/thepianoladybamcgee, www.brendaamcgee.com, or at bamcgee@brennieproductions.com. .
$5.86
My Lord What A Morning
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High voice
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ADVANCED
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Brenda A
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My Lord What A Morning
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Brenda A. McGee
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.984951 Arranged by Brenda A. McGee. Christian,Concert,Gospel,Sacred,Spiritual. 7 pages. Brenda...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.984951 Arranged by Brenda A. McGee. Christian,Concert,Gospel,Sacred,Spiritual. 7 pages. Brenda A. McGee #4804883. Published by Brenda A. McGee (A0.984951). My Lord What a Morning is a new piano arrangement of the African American spiritual for soprano and piano accompaniment. The audio recording is sung by Laura Bohn. This song is about the day when Jesus returns to earth at the Last Day. My Lord What a Morning is appropriate for all church services or at a recital. Brenda A. McGee is affiliated with BMI. Ms. McGee can be contacted at facebook.com/thepianoladybamcgee, www.brendaamcgee.com, or a bamcgee@brennieproductions.com.
$4.37
Listen to the Lambs (high-voice solo)
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High voice
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EASY
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Traditional African-American S
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David Neff
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Listen to the Lambs
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.829054 Composed by Traditional African-American Spiritual. Arranged by David Neff. Christian,S...
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.829054 Composed by Traditional African-American Spiritual. Arranged by David Neff. Christian,Sacred,Spiritual. 3 pages. David Neff #6475227. Published by David Neff (A0.829054). Here is a fresh arrangement for solo voice and piano of Listen to the Lambs, one of the most hauntingly beautiful spirituals in the African-American heritage. The song is best known in a choral arrangement by Nathaniel Dett, but it cries out for solo treatment as well. This is a high-voice arrangement. Medium-voice and high-voice arrangements will also be available.
$4.99
My Livin' Shall not be in Vain
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High voice
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Gospel/Spiritual
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Sacred music
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Roy Jennings
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My Livin' Shall not be in Vain
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Arch Angel
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SheetMusicPlus
High Voice,Vocal Solo - Digital Download SKU: A0.886386 Composed by Roy Jennings. Christian,Contemporary,Sacred,Spiritual. 10 pages. Arch Angel #4321813....
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High Voice,Vocal Solo - Digital Download SKU: A0.886386 Composed by Roy Jennings. Christian,Contemporary,Sacred,Spiritual. 10 pages. Arch Angel #4321813. Published by Arch Angel (A0.886386). An art song with text based on an Emily Dickinson poem for voice and piano, which concludes with the African-American spiritual, This Little Light of Mine.Solo arrangement of the African-American Spiritual; Solo arrangement of the Negro Spiritual; Concert MusicFor more information visit www.roy-jennings.com
$4.50
Didn't My Lord Deliver Daniel? (high voice)
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High voice
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INTERMEDIATE
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Gospel/Spiritual
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Sacred music
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David Neff
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Didn't My Lord Deliver Daniel?
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.829020 Composed by David Neff. Sacred,Spiritual,Traditional. 5 pages. David Neff #3575379. Pub...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.829020 Composed by David Neff. Sacred,Spiritual,Traditional. 5 pages. David Neff #3575379. Published by David Neff (A0.829020). The anonymous song Didn’t My Lord Deliver Daniel is one of many African-American spirituals that borrow biblical imagery to talk about hope for freedom from oppression. The classic arrangement of this spiritual by H. T. Burleigh will no doubt remain a standard, but I hope the rhythmic variety, jazz harmonies, and big finish of this version will add spice to your church and recital repertoire.  This arrangement (which tops out at a high G#) will also be available in medium-high, medium- and low-voice editions.
$5.99
Marietta's Song
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High voice
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Erich Wolfgang Korngold
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Marietta's Song
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Schott Music - Digital
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SheetMusicPlus
High voice and piano - Digital Download SKU: S9.Q475 From the opera The Dead City. Composed by Erich Wolfgang Korngold. This edition: Sheet music....
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High voice and piano - Digital Download SKU: S9.Q475 From the opera The Dead City. Composed by Erich Wolfgang Korngold. This edition: Sheet music. Downloadable. Op. 12. Duration 5 minutes. Schott Music - Digital #Q475. Published by Schott Music - Digital (S9.Q475). German • English.Marietta’s Lied “Glück, das mir verblieb†from the opera Die tote Stadt is one of the most popular soprano arias of the 20th century. Its sensual, dreamlike atmosphere drenched with a yearning for love allows a beautiful submerged world to resurface before its listeners, and the tender soaring cantilena continues to seduce audiences the world over. In the opera, this vocal scene is actually a duet between the unhappy widower Paul and the attractive Marietta. In Paul’s eyes, Marietta gradually takes on an ever closer resemblance to his deceased wife Marie against the morbid background of Bruges; the figures of the two women merge fatally with each other in the duet.
$7.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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High voice
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
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