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76
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67
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38
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306
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211
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150
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148
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142
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141
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133
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129
Flute
121
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108
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97
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94
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86
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84
2 Flutes (duet)
79
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72
2 Clarinets (duet)
65
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60
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53
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51
Flute (band part)
50
Saxophone Quintet: 5 Saxophones
46
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46
Flute Quartet: 4 flutes
39
Flute and Guitar
30
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29
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26
Flute Trio: 3 flutes
23
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22
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21
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19
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18
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17
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17
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17
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16
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16
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15
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14
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13
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9
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9
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9
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9
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8
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8
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7
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7
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52
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Tuba
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STRINGS
String Quartet: 2 violins, viola, cello
537
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383
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248
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174
Violin
166
Harp
138
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110
Cello (band part)
97
Viola
96
Violin, Cello (duet)
90
String Trio: violin, viola, cello
88
Doublebass (band part)
64
Cello
61
2 Violins (duet)
57
Viola (band part)
35
2 Cellos (duet)
34
Double bass, Piano (duet)
33
Violin, Viola (duet)
30
2 Violas (duet)
29
String Trio: 2 violins, cello
27
Double Bass
24
String Quintet: 2 violins, viola, cello, bass
18
Violin, Guitar (duet)
18
Cello, Guitar (duet)
15
Harp, Flute (duet)
13
Viola, Guitar (duet)
12
Viola, Cello (duet)
8
String Trio: 3 violins
8
Harp, Violin (duet)
7
4 Cellos
7
String Trio: 3 cellos
7
2 Harps (duet)
6
Piano Trio: Violin, Viola, Piano
6
Violin, Clarinet, Piano (trio)
5
Cello, String Bass (duet)
4
String trio
4
String Quintet: 2 violins, 2 violas, cello
4
String quartet: 4 violins
4
Viola and Harp
4
String Trio: 2 violins, viola
4
Harp, Cello (duet)
3
Cello, Orchestra
3
2 Double basses (duet)
3
Violin ensemble
2
Violin, Basso continuo
2
String Trio: 3 violas
2
Viola and Bassoon
2
String Quartet : 4 violas
2
Viola and orchestra
1
Harp (band part)
1
Violoncello, Basso continuo
1
2 Violins, Piano
1
2 Violins and Basso
1
Harp, Trombone (duet)
1
Harp, Voice
1
Harp, Violin, Violoncello
1
3 double basses
1
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PERCUSSION & ORCHESTRA
Concert band
972
String Orchestra
324
Orchestra
296
Handbells
194
Jazz Ensemble
138
Brass ensemble
124
Drums
94
Percussion (band part)
74
Chamber Orchestra
66
Marching band
45
Drum (band part)
44
Jazz combo
28
Percussion Ensemble
17
Timpani (band part)
16
Percussion
11
Vibraphone
7
Marimba
6
Xylophone, Piano
4
Orchestra, Violin
2
Flexible Instrumentation
1
Marimba, Saxophone (duet)
1
2 Marimbas
1
Piano and Orchestra
1
Brass Quintet: other combinaisons
1
Marimba, Piano (duet)
1
Voice Mezzo-Soprano, Orchestra
1
Woodwind Quintet
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High voice
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10 sheet music found
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1
Turn Out The Stars (High Voice)
High voice
(High Voice) - Digital Download SKU: HX.470440 By Bill Evans. Jazz. Real Book - Mel…
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(High Voice) - Digital Download SKU: HX.470440 By Bill Evans. Jazz. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470440).
$1.99
1.83 €
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High voice
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Bill Evans
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Turn Out The Stars
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Hal Leonard - Digital
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SheetMusicPlus
Harlem Nocturne (High Voice)
High voice
(High Voice) - Digital Download SKU: HX.470344 Jazz,Pop,Standards. Real Book - Melo…
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(High Voice) - Digital Download SKU: HX.470344 Jazz,Pop,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470344).
$1.99
1.83 €
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High voice
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Harlem Nocturne
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Hal Leonard - Digital
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
High voice
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.21 €
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High voice
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Moving Up to Higher Ground (Coming out of the Rain)
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.915793 Composed by Jonat…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.915793 Composed by Jonathan Tauscheck. 20th Century,Praise & Worship,Sacred,Standards. 8 pages. Jonathan Tauscheck #4758077. Published by Jonathan Tauscheck (A0.915793). Moving Up to Higher Ground is a poem by Larry Burt explaining his struggles in life and, by turning to God, overcoming them. .
$1.99
1.83 €
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High voice
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Jonathan Tauscheck
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Moving Up to Higher Ground
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Jonathan Tauscheck
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SheetMusicPlus
My Lord What A Morning
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.984951 Arranged by Brend…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.984951 Arranged by Brenda A. McGee. Christian,Concert,Gospel,Sacred,Spiritual. 7 pages. Brenda A. McGee #4804883. Published by Brenda A. McGee (A0.984951). My Lord What a Morning is a new piano arrangement of the African American spiritual for soprano and piano accompaniment. The audio recording is sung by Laura Bohn. This song is about the day when Jesus returns to earth at the Last Day. My Lord What a Morning is appropriate for all church services or at a recital. Brenda A. McGee is affiliated with BMI. Ms. McGee can be contacted at facebook.com/thepianoladybamcgee, www.brendaamcgee.com, or a bamcgee@brennieproductions.com.
$4.37
4.01 €
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High voice
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My Lord What A Morning
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Brenda A. McGee
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SheetMusicPlus
Die Stadt | Kunstlied for Soprano or Tenor
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998585 Composed by Micha…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998585 Composed by Michael Barrera. Classical,Contemporary,Romantic Period. 6 pages. Michael Barrera #6860425. Published by Michael Barrera (A0.998585). Https://www.michaelbarreraflute.com/shop/p/die-stadt Program Notes Die Stadt is a piece modeled after a Kunstlied, a type of art song that sets text to music, typically with a voice part and instrumental accompaniment. The text is translated from Heinrich Heine’s poem of the same name. Originally sketched a few years back, it has been reworked and polished, giving the text a beautifully rich setting. The beginning is mysterious and misty like the evening twilight before the wind picks up as the piano swells with huge sweeping arpeggios. The calm returns as all sounds fade into the mist. Instrumentation Soprano Piano Soprano may be substituted with other voice parts, although the range is written best for soprano and tenor.
$7.99
7.34 €
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High voice
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Michael Barrera
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Die Stadt | Kunstlied for Soprano or Tenor
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Michael Barrera
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SheetMusicPlus
This Nearly Was Mine from South Pacific
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790001 Composed by Richa…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790001 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. 15 pages. Diamond S Music #3533727. Published by Diamond S Music (A0.790001). THIS NEARLY WAS MINE from South Pacific. For SOLO VOICE (Tenor or Soprano) AND PIANO ACCOMPANIMENT (with optional Double Bass). KEY of Eb. This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949 Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$8.99
8.26 €
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High voice
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Richard Rodgers
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This Nearly Was Mine from South Pacific
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Diamond S Music
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SheetMusicPlus
Baby, It's Cold Outside
High voice
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.622269 By Ray Charles & …
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.622269 By Ray Charles & Betty Carter. By Frank Loesser. Arranged by Stephen DeCesare. Film/TV. 8 pages. Exultet Music #3618727. Published by Exultet Music (A0.622269). One of the most performed songs during the Christmas season has been freshly arranged as a duet for a Soprano and Tenor Solo with Piano accompaniment. Song starts as usual where the Tenor is asking the Soprano to stay, but in this version, in the second verse, the Soprano turns the tables on the Tenor. Accessible and appropriate for any school or concert program. .
$4.99
4.58 €
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High voice
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Ray Charles & Betty Carter
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Baby, It's Cold Outside
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Exultet Music
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SheetMusicPlus
Ice! from Songs from the High Sierra
High voice
High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwynet…
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High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25
6.66 €
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High voice
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Gwyneth W
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Ice! from Songs from the High Sierra
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
GOD SO LOVED (Solo for High Voice, optional flute)
High voice
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.891175 Composed by Richa…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.891175 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay River Music Publishing #3260171. Published by Cartecay River Music Publishing (A0.891175). GOD SO LOVED is a new rendering of John 3:16 from composer Richard Donn. It features a lovely ascending melody with a descending bass line facilitating the harmonic structure. The solo is very accessible with homophonic and gentle contrapuntal interplay in the instrumental parts. An optional flute part adds just the right touch, making this a piece that you will return to time and again. It is rated medium-easy. Also available: SATB (soprano solo, opt. flute, piano), Medium voice solo (opt. flute), and Low voice solo (opt. flute).
$4.95
4.55 €
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High voice
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Richard Donn
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GOD SO LOVED
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Cartecay River Music Publishing
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SheetMusicPlus
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