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High voice
Sheetmusic to print
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1
When I Let God Lead (High Voice)
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.947834 Composed by Josep…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.947834 Composed by Joseph H. Gilmore. Words by Elizabeth Ragsdale, Music by Elizabeth Ragsdale, and William B. Bradbury. Arranged by Elizabeth Ragsdale. Christian,Sacred. 7 pages. Elizabeth Ragsdale #2548741. Published by Elizabeth Ragsdale (A0.947834). This sacred solo explores the when, where, and how of God’s leading. It incorporates a refrain from the well-known hymn He Leadeth Me. With its easy, engaging accompaniment, the music has great audience appeal. Duration: 4:06. Vocal range: C4–E5.
$4.79
4.36 €
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High voice
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Joseph H
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When I Let God Lead
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Elizabeth Ragsdale
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SheetMusicPlus
Bist du bei mir / When you are near - High voice, Piano
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1159768 Composed by G.H.…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1159768 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Classical,Wedding. 5 pages. John Ross #760027. Published by John Ross (A0.1159768). Bist du bei mir is an aria from Stolzel's opera Diomedes (1718), best known now as forming part of the Notebook for Anna Magdalena Bach (1725). This arrangement, in the key of D, is for high voice and piano. It is also available for medium voice (key of C) or low voice (key of Bb). Added to the original German words are new lyrics, When you are near, making this song ideal for weddings, anniversaries, and special occasions.
$3.99
3.63 €
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High voice
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G
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Bist du bei mir / When you are near - High voice, Piano
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John Ross
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SheetMusicPlus
When Darkness Fills Your Heart - aria study for Tenor or Soprano
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005648 Composed by Rudy…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005648 Composed by Rudy Volkmann. Baroque,Christian,Concert,Instructional,Sacred. 4 pages. Rudy Volkmann #6116387. Published by Rudy Volkmann (A0.1005648). A study in long notes, this Baroque-style aria study was initially composed for tenor John Miles after he came to Brnau College for a concert in the late 1970's. Either a tenor or a soprano could use this piece to work on their long notes - it goes to dramatic high Bb, and has a simple piano part. It's a great recital piece. The piece eventually became number 5 of my 6 aria studies for trumpet and piano, as well as the basis for a larger work for brass quintet and organ.
$4.99
4.54 €
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High voice
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Rudy Volkmann
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When Darkness Fills Your Heart - aria study for Tenor or Soprano
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Rudy Volkmann
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SheetMusicPlus
Song Of The Angel
High voice
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.915900 Composed by Judy …
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.915900 Composed by Judy Lane. Christian,Praise & Worship,Sacred. 8 pages. Judy Lane Music #5996469. Published by Judy Lane Music (A0.915900). Judy Lane's own words are used in this comforting and powerful song with a message. The song is for a solo performance at a praise and worship church service.The song of the Angel came clear in the night. Pray cease your worry and calm your fright. Our Lord left his footprints as clear as the day. Just follow them, follow them all of the way, But Lord though I try hard, I stray from your path. I slip when it's frosty and trip over stones. The wind blows me sideways, the fog clouds my eyes. Oh Lord I am lost, Lord I am lost, Lord I am lost. When I woke the next morning the world seemed more clear. Gone were my worries, more calm my fear. Those footprints were shining the way seemed more clear And the song of the Angel will forever with me stay.
$4.99
4.54 €
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High voice
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Judy Lane
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Song Of The Angel
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Judy Lane Music
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
High voice
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.19 €
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High voice
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
6.36 €
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High voice
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Lead Me To The Cross
High voice
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.800144 Composed by Brook…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.800144 Composed by Brooke Ligertwood. Arranged by Nancy Frese Tabb. Contemporary,Holiday,Praise & Worship,Sacred,Spiritual. 8 pages. Nancy Frese Tabb #6681737. Published by Nancy Frese Tabb (A0.800144). This arrangement of Brooke Ligertwood's Lead Me to the Cross is arranged as a solo for a High Voice (Soprano or Tenor) and can be easily learned in just a few rehearsals. It is paired with an excerpt of the hymn 'When I Survey the Wondrous Cross' and is a great addition to a Lenten or Holy Week service or Sacred Concert.
$4.99
4.54 €
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High voice
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Brooke Ligertwood
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Lead Me To The Cross
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Nancy Frese Tabb
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.33 €
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High voice
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Dido's Lament [High Voice; key: Am]
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.795717 Composed by Henry…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.795717 Composed by Henry Purcell. Arranged by Maxence Lasserre-Engberts. Baroque,Classical,Opera,Renaissance,Standards. 4 pages. Maxence Lasserre-Engberts #3575021. Published by Maxence Lasserre-Engberts (A0.795717). Dido's Lament (or When I am laid in earth) is a heartbreaking death aria from Henry Purcell's opera Dido and Æneas. It is definitely amongst the most beautiful baroque music.
$3.99
3.63 €
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High voice
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Henry Purcell
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Dido's Lament [High Voice; key: Am]
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Maxence Lasserre-Engberts
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SheetMusicPlus
Danny Boy (Funeral Version) (High Vocal Solo)
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.626415 Composed by Frede…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.626415 Composed by Frederic Weatherly, Franz Schubert. Arranged by Stephen DeCesare. Celtic,Contemporary,Irish,Multicultural,Praise & Worship,Sacred,World. 5 pages. Exultet Music #5718379. Published by Exultet Music (A0.626415). This version not only is the ballad that is most closely associated with Irish communities, but it combines the famous Ave Maria by Franz Schubert. Â The piece starts as the normal duet but when the phrase begins you'll kneel and say an Ave there for me is where the Ave Maria begins as duet and then the original tune comes back in at a later point. Â Scored for a High Vocal Solo with Piano accompaniment. Â Accessible for all levels of singing and playing and can used for a variety of venues. An accompaniment track is also available.
$4.99
4.54 €
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High voice
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Frederic Weatherly, Franz Schubert
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Danny Boy
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Exultet Music
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SheetMusicPlus
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