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+ 12 instrumentations
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+ 68 instrumentations
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180
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81
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32
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Tuba
9
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6
2 Trumpets (duet)
6
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5
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3 Trumpets (trio)
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4 Tubas
1
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64
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4 Harps
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4 Cellos
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Choral SATB
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178 sheet music found
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176
Copacabana (At The Copa)
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Choral SATB
#
ADVANCED
#
Barry Manilow
#
Matt Astle
#
Copacabana
#
Matt Astle Music
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1470839 By Barry Manilow. By Barry Manilow, Bruce Sussman, and Jack Feldman. Arrange...
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Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1470839 By Barry Manilow. By Barry Manilow, Bruce Sussman, and Jack Feldman. Arranged by Matt Astle. A Cappella,Barbershop,Pop. 9 pages. Matt Astle Music #1048467. Published by Matt Astle Music (A0.1470839). Why don't more barbershop quartets sing about love and murder in Latin nightclubs? This classic disco hit is now arranged for SATB barbershop chorus, complete with a misdirectional original introduction. In this chorus version, each copy is sold separately, with a minimum of 10 copies. Learning tracks available at mattastlemusic.com.Additional voicings and ensemble editions also available on SheetMusicPlus.com.More information and custom arrangements available at mattastlemusic.com.
$1.99
Tuesday Morning at School (a 9/11 Story)
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Choral SATB
#
ADVANCED
#
Stephen Sullivan
#
Original Score
#
Tuesday Morning at School
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Stephen Sullivan Arts
#
SheetMusicPlus
Instrumental Duet,Piano Electric Guitar,Instrumental Duet,Keyboard,Piano - Level 5 - Digital Download SKU: A0.1385825 By Stephen Sullivan. By Stephen Sul...
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Instrumental Duet,Piano Electric Guitar,Instrumental Duet,Keyboard,Piano - Level 5 - Digital Download SKU: A0.1385825 By Stephen Sullivan. By Stephen Sullivan- arranged for SATB and Rock Band. Arranged by Original Score. 21st Century,Patriotic,Rock,Singer/Songwriter. 16 pages. Stephen Sullivan Arts #969765. Published by Stephen Sullivan Arts (A0.1385825). Based on the events of 9/11 and including audio clips from where the airport officials indicated the carnage on board one of the planes that struck the former World Trade Centers 1 and 2 on Tuesday, September 11th, 2001. I was 12 and a half years old at the time, and my brother was 10 and a half. Before he woke up, he had nightmares about flames. That was really creepy. The song centers on the trauma that the elementary school students across the street from the destruction in Manhattan faced as they witnessed the planes strike the towers, and everything that ensued. It uses the opening melody of Rachmaninoff's 2nd Piano Concerto, repeated and with the addition of drums, a wild bass solo, and some electric guitar riffs. It's a little painful even for me to listen to. I listened to it a lot this evening before posting it for sale.Stephen Sullivan- 02/20/2024Southeast Indiana *.
$4.99
At Last
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Choral SATB
#
ADVANCED
#
Celine Dion
#
Nick Johnson
#
At Last
#
Nick Johnson
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1031208 By Celine Dion. By Harry Warren. Arranged by Nick Johnson. Oldies. Octavo. 5 pages. Nick...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1031208 By Celine Dion. By Harry Warren. Arranged by Nick Johnson. Oldies. Octavo. 5 pages. Nick Johnson #3024707. Published by Nick Johnson (A0.1031208). Rhythmically challenging 8 voice arrangement of Etta James' At Last. .
$100.00
At Calvary - #4 of 5 in my Suite of Hymns
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Choral SATB
#
ADVANCED
#
Sacred music
#
Christopher Schwinger
#
Christopher Schwinger
#
At Calvary - #4 of 5 in my Sui
#
Christopher Schwinger
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.938537 Composed by Christopher Schwinger. Arranged by Christopher Schwinger. Christian,Sacred. O...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.938537 Composed by Christopher Schwinger. Arranged by Christopher Schwinger. Christian,Sacred. Octavo. 36 pages. Christopher Schwinger #27695. Published by Christopher Schwinger (A0.938537). For 8-voice SATB choir, flute, violin, viola, and piano. If you buy the whole Suite of Hymns (which is in 3 separate $26.66 PDFs), it's $80. If you buy them individually, it would cost $100, because each of the 5 is $20 by itself. That is, you get a discount if you get the whole Suite of Hymns in one package. At Calvary is my own original tune.
$20.00
Song at Sunset
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Choral SATB
#
ADVANCED
#
Contemporary
#
Leslie Kleen
#
Song at Sunset
#
Music From Riverside
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1004870 Composed by Leslie Kleen. Contemporary. Octavo. 14 pages. Music From Riverside #5985023....
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1004870 Composed by Leslie Kleen. Contemporary. Octavo. 14 pages. Music From Riverside #5985023. Published by Music From Riverside (A0.1004870). Song at Sunset for SATB chorus, Soprano and Tenor solos, and Brass QuintetWords are by Walt Whitman from his Songs of Parting from 1881Brass Parts are available separately.
$1.99
At Wit's End
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Choral SATB
#
ADVANCED
#
Hans Zimmer
#
Charles Martin
#
At Wit's End
#
Charles Martin, Jr.
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1184960 Composed by Hans Zimmer. Arranged by Charles Martin. 20th Century,Contest,Festival,Film/...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1184960 Composed by Hans Zimmer. Arranged by Charles Martin. 20th Century,Contest,Festival,Film/TV. Octavo. 11 pages. Charles Martin, Jr. #784643. Published by Charles Martin, Jr. (A0.1184960). This is a perfect choral arrangement for competition and advanced choirs.
$1.99
Death Is Nothing At All
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Choral SATB
#
ADVANCED
#
John Lehrack
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Death Is Nothing At All
#
GGLS Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1007357 Composed by John Lehrack. A Cappella,Contemporary. Octavo. 10 pages. GGLS Publishing #33...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1007357 Composed by John Lehrack. A Cappella,Contemporary. Octavo. 10 pages. GGLS Publishing #3372005. Published by GGLS Publishing (A0.1007357). Set to the lovely poem by Henry Scot Holland, this work tells us that death does not matter but that we are still together even after parting. This a cappella composition is SSAATTBB.
$2.50
Love Came Down at Christmas
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Choral SATB
#
ADVANCED
#
Sacred music
#
Stephen Keeling
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Love Came Down at Christmas
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Stephen Keeling
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1117771 By Stephen Keeling. By Stephen Keeling. Christmas,Holiday,Praise & Worship. Octavo. 6 pa...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1117771 By Stephen Keeling. By Stephen Keeling. Christmas,Holiday,Praise & Worship. Octavo. 6 pages. Stephen Keeling #719312. Published by Stephen Keeling (A0.1117771). A setting for SATB and Organ of Christina Rossetti's famous Christmas poem.
$1.99
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
#
ADVANCED
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Blame It On My Youth
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Choral SATB
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ADVANCED
#
Contemporary
#
Oscar Levant
#
Jeremy Landig
#
Blame It On My Youth
#
Landig Music Productions
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.882989 Composed by Oscar Levant. Arranged by Jeremy Landig. Contemporary. Octavo. 25 pages. Land...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.882989 Composed by Oscar Levant. Arranged by Jeremy Landig. Contemporary. Octavo. 25 pages. Landig Music Productions #6092105. Published by Landig Music Productions (A0.882989). An arrangement of the classic ballad for vocal jazz ensembles, based loosely on the recording by Carmen McRae and inspired by the writing style of Phil Mattson. SSATB (one bass/bari split at the end can be omitted) A female soloist is featured at the beginning, during the middle of the 1st verse, and at the very end. Crunchy turns of harmony -- lots of extended chords, #9 dissonances, and mid-verse key and texture shifting to keep your advanced group engaged. There is a piano solo after the first verse; it can be replaced with a vocal or instrumental solo. A sample solo is written out for pianists who need it; chords are indicated.Contents:A vocal / piano / bass scoreVocal-only reproducible chartBass chart with chords (can be used for any rhythm section player that reads chord symbols)Drum map (without those pesky chords)Written-out piano part for accompanists who aren't used to comping chords.Contact the arranger at jeremy@landigmusic.com to request practice mp3s.Full performance at https://soundcloud.com/landigmusic/blame-it-on-my-youth
$65.00
Anim Zemiros
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Choral SATB
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ADVANCED
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Ce...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
Missa Millennia in Honor of St. Francis (SATB)
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Choral SATB
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ADVANCED
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Sacred music
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Curtis Hanson
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Missa Millennia in Honor of St
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Pu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
The Story of a Leader
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Choral SATB
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ADVANCED
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Classical
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 3...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
We Are In Love
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Choral SATB
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ADVANCED
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Jazz
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Harry Connick Jr
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Kerry Marsh
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We Are In Love
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Kerry Marsh
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SheetMusicPlus
Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453748 Composed by Harry Connick Jr. Arranged by Kerry Marsh. Jazz. Vocal J...
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453748 Composed by Harry Connick Jr. Arranged by Kerry Marsh. Jazz. Vocal Jazz Ensemble. 66 pages. Kerry Marsh #1032965. Published by Kerry Marsh (A0.1453748). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks Mixer (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Step into the timeless swing of Harry Connick, Jr.'s We Are In Love with this dynamic arrangement for advanced SSATBaB vocal jazz ensemble. In this chart, vocalists often take on the role of the big band brass and winds, while a baritone soloist steps into Connick’s shoes to deliver this swinging love story. The ensemble shines in several key spots, taking the lead with bold and exciting harmonies.A vocal or instrumental improv section adds a layer of spontaneity, launching the tune into a new key with a powerful sendoff from the choir. The ensemble remains engaged with energetic backgrounds, building towards an exhilarating hybrid shout section/soli section. The arrangement culminates in a huge final chorus, bringing the chart to a rousing peak before winding down to a clever and subtle finish.Despite its swinging nature, the chart features a delightful contrast with sudden transitions to a straight-8th Afro-Cuban groove at the end of each chorus. This unique twist keeps both the singers and the audience on their toes, providing a fun and engaging listening experience.Perfect for vocal jazz directors looking to challenge their advanced ensembles, this arrangement offers a mix of technical prowess, stylistic variety, and performance excitement. Check out the Scoreflipper preview to see how this arrangement can bring your group to new heights and captivate your audience.
$49.99
Cantata No. 1 Psalm 139 The Lord Has Known Me
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Choral SATB
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ADVANCED
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Kevin Longley
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Kevin Longley
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Charles Munion
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Cantata No. 1 Psalm 139 The Lo
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Kevin Longley
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1441952 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. 21st Century,...
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Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1441952 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. 21st Century,Contemporary,Religious,Spiritual. 38 pages. Kevin Longley #1021944. Published by Kevin Longley (A0.1441952). The InspirationIn 2023 I decided to review a piece I had composed in 1990 to honor a friend I was singing with in a choral group at that time; Charles Munion. He never heard the piece as I felt the classical contemporary style would be a bit much for his ears! Beyond that I don't have allot of recollection as to the inspiration or what my thoughts were at the time of the composition. In regards to the revision, I added additional music to the third movement in order to balance out the movements and reworked some of the choral voicing.The MusicWritten in a contemporary classical style it follows the classic structure of 3 movements: First movement – brisk, loud forceful in nature Second movement – slow and lyrical Third movement – light and quick but with a forceful ending While in a contemporary style, at heart it maintains tonal centers throughout. While there is a few brief moments where I can here a little Bartok, as a whole I would say this piece is unique in regards to its style.
$1.99
The Prodigal Son (final scene)
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Choral SATB
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ADVANCED
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Classical
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Claude Debussy
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Curtis Hanson
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The Prodigal Son
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719611 Composed by Claude Debussy. Arranged by Curtis Hanson. 20th Century,Sacred. Octavo. 15 pa...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719611 Composed by Claude Debussy. Arranged by Curtis Hanson. 20th Century,Sacred. Octavo. 15 pages. Curtis Hanson #11833. Published by Curtis Hanson (A0.719611). The Prodigal Son as arranged here is an adaptation of the final scene of Debussy's cantata which won the Prix de Rome in 1884. Debussy scored his work for three primary solo voices, the mother (soprano), the father (bass), and the son (tenor) plus a couple of minor servant roles. In this arrangement for SATB voices which begins as the prodigal son returns to his home, the father's solo and son's reply are kept, but they may be eliminated and the piece begin at ms. 68 where the entire company praises God at the son's return. Debussy modulated at this point to the key of B major which gives the solo soprano a high B near the end. For choral ease, such as it is, the arranger drops the modulation to A major making the high note a little more accessible for choral sopranos. Being a piano reduction of a Debussy orchestral accompaniment, a competent pianist is necessary, but the choral writing is not overly difficult. The English text is a translation by the arranger.
$2.25
Lacrimosa
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Choral SATB
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ADVANCED
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Mindaugas Urbaitis
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Lacrimosa
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Mindaugas Urbaitis
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.992292 Composed by Mindaugas Urbaitis. A Cappella,Christian,Contemporary. Octavo. 11 pages. Mind...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.992292 Composed by Mindaugas Urbaitis. A Cappella,Christian,Contemporary. Octavo. 11 pages. Mindaugas Urbaitis #3455817. Published by Mindaugas Urbaitis (A0.992292). Lacrimosa (1991-1994) is scored for eight voices mixed choir (2 S, 2 A, 2 T, 2 B) a cappella. The compositional technique is analogical as in my other choral works of recent years: small motifs and scale-like patterns developed by means of repetition, gradual sequences - and all kept in a diatonic mode. As the music develops in its melody and harmony, it comes closer and closer to W.A.Mozart's Lacrimosa and at the end it becomes a quotation of the latter, ending at the same place, where death stopped W.A.Mozart's hand. Lacrimosa is dedicated to those who died for the freedom of Lithuania. At the same the work is Hommage à W.A.Mozart.
$2.95
The Burning Babe
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Choral SATB
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ADVANCED
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Graham Yates
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The Burning Babe
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Graham Yates
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.887974 Composed by Graham Yates. Christmas,Contemporary. Octavo. 16 pages. Graham Yates #5957557...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.887974 Composed by Graham Yates. Christmas,Contemporary. Octavo. 16 pages. Graham Yates #5957557. Published by Graham Yates (A0.887974). For SATB choir, Tenor soloist, piano accompaniment and musical spoons (or aux. percussion).Of all the self-indulgent ecstatic Renaissance poems... this one must be the worst/best. The writer, a member of the Society of Jesus (Jesuits), imagines a literal Christ baby in the woods who is at one moment frying with fire and at the next melting into a pool to wash the sins of the world (or assuage the guilt of the narrator). Only at this moment does the narrator realize that it is Christmas day and the reader is left to ponder their devotional obligation to the poor. Apart from being a monumental target for parody, the text demanded to be set to gothic Halloweeny music. Expect unrepentant stealing from Gesu bambino and a nod to Handel’s French overture style. (Feel free to double-dot this section if you so desire.) There is also an Afro-cuban montuno piano solo whilst the baby Jesus burns. Because of course there is.
$2.99
Mass - SATB choir
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Choral SATB
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ADVANCED
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Sacred music
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Erik Spangler
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Mass - SATB choir
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Erik Spangler
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082302 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Oc...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082302 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 26 pages. Erik Spangler #686452. Published by Erik Spangler (A0.1082302). Latin Mass composed during COVID-19 quarantine from late 2020 to early 2021. Written for and performed by the Mount Calvary Choir, under the direction of Andrew Johnson at Mount Calvary Catholic Church in Baltimore. Combining elements of plainchant and ancient styles of liturgical polyphony, together with a modern harmonic sense of the church modes. In the YouTube video below of the service for Trinity at Mount Calvary on June 12, 2022, the movements of the Mass are heard at: 16:50 - Kyrie, followed by 18:59 - Gloria 1:06:16 - Sanctus 1:20:17 - Agnus Dei.
$7.99
The Landowner
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Choral SATB
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ADVANCED
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Christian Humcke
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The Landowner
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Christian Humcke
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1023766 Composed by Christian Humcke. A Cappella,Contemporary. Octavo. 11 pages. Christian Humck...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1023766 Composed by Christian Humcke. A Cappella,Contemporary. Octavo. 11 pages. Christian Humcke #6404851. Published by Christian Humcke (A0.1023766). Instrumentation: SATB a cappella choir (with divisi)Duration: 6'Completed: January 2017I wrote the poem The Landowner a few years ago in a poetry class at my undergraduate alma mater, Bucknell University. When I heard that there was an opportunity to write for a student formed choir at Peabody, I thought it would be a perfect opportunity to set one of my previously written poems to music. I looked back at poems which I had written, and came across The Landowner. It continues to intrigue me to this day since I am still uncertain as to what it is about. This enigmatic, earthy, and hauntingly repetitive poem poses more questions than it does provide answers. This is something which fascinates me, and which I sought to depict in the music.The Landowner:The landowner sends out his three servants.Each go to work in separate fields;To rake the leaves,to harvest the crops,to pluck the fruits from the tree.Working endlessly,They turn their heads from each other.They refuse to help,they refuse to talk.Good work is done,but for what purpose?The landowner plucks fresh leavesfrom a papaya tree.Although he is blind,he still sees the sun.The mooing of cows andcrowing of roosters ceases.He stands in the shade,waiting for his servants.They offer him papaya,He shakes his head
$2.99
Big Yellow Taxi
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Choral SATB
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ADVANCED
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Joni Mitchell
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Kerry Marsh
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Big Yellow Taxi
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Kerry Marsh
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SheetMusicPlus
Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1488643 By Joni Mitchell. By Joni Mitchell. Arranged by Kerry Marsh. Folk,Ja...
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1488643 By Joni Mitchell. By Joni Mitchell. Arranged by Kerry Marsh. Folk,Jazz,Pop. Vocal Jazz Ensemble. 52 pages. Kerry Marsh #1065491. Published by Kerry Marsh (A0.1488643). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).This arrangement of Joni Mitchell's Big Yellow Taxi is propelled by a driving groove, making it a perfect opener or closer for your program. It features fresh reharmonization while retaining many hints of the memorable aspects of Mitchell's original recording, capturing its essence while adding a modern twist.Originally released in 1970 on her album *Ladies of the Canyon*, Big Yellow Taxi is known for its catchy melody and poignant lyrics that lament environmental destruction and urban development. The song's playful yet impactful tone has made it a lasting classic, covered by numerous artists over the years.In this arrangement, a soli section challenges groups and offers directors the opportunity to teach advanced rhythmic and harmonic concepts, providing exciting and energetic musical treats for audiences. The chart is well worth the time spent preparing, especially with the help of our audio learning materials. This memorable and impactful arrangement will be a standout piece in your program, leaving a lasting impression on your audience.
$49.99
Sassy
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Choral SATB
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ADVANCED
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Kurt Elling
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Kerry Marsh
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Sassy
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Kerry Marsh
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SheetMusicPlus
Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1488634 By Kurt Elling. By Bill Bodine, Bill Odine, Charlie Hunter, Cheryl B...
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1488634 By Kurt Elling. By Bill Bodine, Bill Odine, Charlie Hunter, Cheryl Bentyne, Corey Jonathan Fonville, Dj Harrison, Janis Siegel, and Kurt Elling. Arranged by Kerry Marsh. Funk,Jazz,Pop. Vocal Jazz Ensemble. 49 pages. Kerry Marsh #1065481. Published by Kerry Marsh (A0.1488634). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).This arrangement of Sassy, inspired by Kurt Elling's version from the *Superblue* album, brings a modern twist to the classic originally performed by The Manhattan Transfer. Featuring the vocal ensemble prominently throughout, this chart captures the energy and spirit of Elling's interpretation while providing a fresh take on the song, which is a tribute to jazz legend Sarah Vaughan.The ensemble handles nearly all the lyric content, weaving through the intricate and plentiful lines with style and precision. There are also moments where the group seamlessly integrates aspects of the instrumental arrangement, ensuring the performance is engaging and cohesive. One standout section features the choir grooving with just the drums, highlighting the dynamic interplay between voices and rhythm.The arrangement includes some exciting, fast-moving harmonies, especially on the Workin' in the daytime... section, which showcases the group's agility and tight coordination. Toward the end, a baritone soloist steps into the spotlight, embodying the role of Kurt Elling with both notated lyric riffs and opportunities for vocal improvisation, adding an extra layer of excitement and individuality to the performance.Dig!
$49.99
Eleanor Rigby
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Choral SATB
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ADVANCED
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David Cook
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Kerry Marsh and Julia Dollison
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Eleanor Rigby
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Kerry Marsh
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SheetMusicPlus
SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1488650 By David Cook. By John Lennon and Paul McCartney. Arranged by Kerry Marsh and Julia...
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SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1488650 By David Cook. By John Lennon and Paul McCartney. Arranged by Kerry Marsh and Julia Dollison. A Cappella,Jazz,Pop. Vocal Jazz Ensemble. 13 pages. Kerry Marsh #1065498. Published by Kerry Marsh (A0.1488650). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).Returning to the catalog after years out of print, this arrangement of Eleanor Rigby is an epic a cappella treatment that transforms the Beatles' classic into a dynamic vocal jazz journey. With an extended introduction that travels through several key centers, the piece features an intricate bass vocal part set against surprising modal harmonies above. This collaborative arrangement by Kerry Marsh and Julia Dollison employs a wealth of contemporary vocal jazz arranging devices and tonal colors, creating a captivating soundscape that challenges even skilled vocal jazz and pop groups.Originally written by Paul McCartney and released on The Beatles' *Revolver* album in 1966, Eleanor Rigby is renowned for its poignant lyrics and innovative use of classical instrumentation. The song explores themes of loneliness and isolation, which resonate with audiences to this day.This chart pushes the boundaries of traditional a cappella, offering a complex and emotive interpretation that leaves listeners truly astonished. Perfect for ensembles seeking a challenging and rewarding piece that showcases their technical prowess and emotional depth.
$49.99
Them Changes
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Choral SATB
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ADVANCED
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Chris Jasper, Ernie Isley, Mar
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Kerry Marsh
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Them Changes
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Kerry Marsh
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SheetMusicPlus
Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453743 Composed by Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, ...
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453743 Composed by Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley. Arranged by Kerry Marsh. Funk,Jazz,Pop,Soul. Vocal Jazz Ensemble. 52 pages. Kerry Marsh #1032960. Published by Kerry Marsh (A0.1453743). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Them Changes is a standout track by Thundercat, featuring a funky, bass-driven groove that highlights Thundercat's virtuosic bass playing and unique blend of jazz, funk, and R&B influences. The lyrics explore themes of heartbreak and emotional turmoil, delivered with Thundercat's signature falsetto vocals.Kerry Marsh's vocal jazz arrangement begins with an a cappella rendition of the song's bridge, serving as a teaser before launching into the now-iconic drums and bass groove. A hallmark of neo-soul, the dissonance between the chord changes and the melody can present challenges for vocal harmonies. This arrangement skillfully navigates these tricky spots, employing octaves and unison writing to minimize clashes, and then breaking out into lush, dense harmonies where they are most effective.The chart concludes with a space for vocal or instrumental improv, accompanied by vocal backgrounds, ending the piece in a sudden and unconventional manner. This modern-day classic will be a hit with your vocal jazz ensemble, offering something for singers, instrumentalists, and the audience alike to enjoy.Perfect for advanced ensembles looking to explore contemporary jazz-funk, this arrangement captures the essence of Thundercat's innovative style while providing a fresh and exciting challenge. Check out the Scoreflipper preview to see how this arrangement can elevate your group's performance and captivate your audience.
$49.99
Piano Cantata - 3. Adoration
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Choral SATB
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ADVANCED
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Joshua Chandra
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Piano Cantata - 3. Adoration
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Joshua Chandra
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1429543 Composed by Joshua Chandra. 21st Century,Chamber,Contemporary,New Age...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1429543 Composed by Joshua Chandra. 21st Century,Chamber,Contemporary,New Age. 11 pages. Joshua Chandra #1010229. Published by Joshua Chandra (A0.1429543). Adoration is currently the only finished movement ... to Joshua Chandra's 3-movement Piano Cantata for piano & SSAATTBB choir, an extra-Romantic work that he begun in 2012 near the end of his piano studies upon being inspired by the elite choirs at his alma mater at Cal State University - Fullerton.The melody is based on a sliver of another melody found in movement 2 (Fanfare), slowed down and expanded into its own dramatic work. Bar 44's inner voices also pay homage to another, brief fragment from Fanfare.If you want to see the rest of the movements finished, support Adoration and nag Josh to finish the piece!===I'm always very happy to hear from my customers and open to sheet music requests! https://www.joshuachandra.com • joshuachandra.com
$3.00
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