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Choral SATB
Sheetmusic to print
29 sheet music found
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1
26
Down South Camp Meeting
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Choral SATB
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ADVANCED
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Benny Goodman
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Rejean Marois
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Down South Camp Meeting
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Marois Music Publications
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1379915 By Benny Goodman. By Fletcher Henderson and Irving Mills. Arranged by Reje...
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1379915 By Benny Goodman. By Fletcher Henderson and Irving Mills. Arranged by Rejean Marois. Contest,Festival,Historic,Jazz,Spiritual. 29 pages. Marois Music Publications #964623. Published by Marois Music Publications (A0.1379915). This Fletcher Henderson’s “Down South Camp Meeting†is a brilliant, original and colorful jazz composition that provides a vivid snapshot of what was going on musically in the world of swing when it was made.I transcribed and adapted on voices the Bill May's transcription played by Benny Goodman and recorded in 1936.Not to forget the beautiful lyrics by Jon Hendricks.Complete live recording at: https://maroismusic.com/the-music-of-benny-goodman/
$5.99
We Don't Talk About Bruno
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Choral SATB
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ADVANCED
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Carolina Gaitan, Mauro Castill
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Deke Sharon
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We Don't Talk About Bruno
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Deke Sharon
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1083509 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arrang...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1083509 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Deke Sharon. A Cappella,Broadway,Film/TV,Latin,Musical/Show,Pop. Octavo. 13 pages. Deke Sharon #687718. Published by Deke Sharon (A0.1083509). As performed by DCappella, For 2 female and 3 male voices +optional vocal percussion.
$1.99
The City In the Sea: Choral Tone Poem
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Choral SATB
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ADVANCED
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Contemporary
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
He's A Tramp
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Choral SATB
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ADVANCED
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Walt Disney
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Children
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Peggy Lee
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Jason A
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He's A Tramp
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Call of the Wild Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1026911 By Peggy Lee. By Peggy Lee and Sonny Burke. Arranged by Jason A. Heald. Broadway,Contest...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1026911 By Peggy Lee. By Peggy Lee and Sonny Burke. Arranged by Jason A. Heald. Broadway,Contest,Festival,Film/TV,Jazz,Musical/Show,Standards. Octavo. 14 pages. Call of the Wild Publishing #632389. Published by Call of the Wild Publishing (A0.1026911). He's a Tramp for SATB voices and piano (with optional rhythm section), is a hilarious arrangement of the Peggy Lee's classic from the beloved Disney film. Starting out as easy swing with a female solo ala Peggy Lee, the arrangement suddenly shifts into high gear with a blistering uptempo shout chorus and an ending that will bring your audience to its feet. He's a Tramp is sure to be a favorite of performers and audience alike. Rhythm section part included with score. To purchase or peruse more music by Jason Heald, visit www.jasonheald.com .
$3.50
Fountains of the Deep (SATB, Piano, Horns, Timpani, Perc)
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Choral SATB
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ADVANCED
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D
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Fountains of the Deep
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.799654 Composed by D. M. Gardner. Christian,Concert,Contemporary. Octavo. 55 pages. D. M. Gardne...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.799654 Composed by D. M. Gardner. Christian,Concert,Contemporary. Octavo. 55 pages. D. M. Gardner Music #481051. Published by D. M. Gardner Music (A0.799654). SATB, Piano, Horns, Timpani, PercussionBE ADVISED, IF YOU SIT IN THE FRONT ROW, YOU MAY WANT TO BRING A RAINCOAT!In the six hundredth year of Noah's life, in the second month, the seventeenth day of the month, the same day were all the fountains of the great deep broken up, and the windows of heaven were opened. And the rain was upon the earth forty days and forty nights. (Gen 7:11-12 KJV)Quietly the first drops of rain begin to fall... One, two... The wind begins to stir, becoming audible. And in a moment it seems thousands of heavy raindrops fall upon the mountains and hills and plains, as though a veil of water had suddenly descended upon the earth from the heavens. Fountains of the Deep musically portrays the events of the Bible concerning the great waters in a tumultuous storm of notes thundering from the grand piano and percussion. Simultaneously, the choir calls out for help while being tossed by the tempestuous seas, swallowed by a great fish, and chased to the edge of the sea by Pharaoh.The text in Fountains of the Deep is a mixed narrative that combines scripture with an imagined exclamation at the cataclysmic events of the day. Still comes the rain, still comes the rain, never ceasing! Whether it was one man, thousands, or all of mankind, the Lord has chosen to use the great depths of the sea to do his Will. This dramatic sonic reenactment brings the listener as close to the action as one would wish to get.PURCHASE INCLUDES FULL SCORE AND ALL PARTS - priced to be purchased as a choral score, so, please purchase one copy per performer...Thank you!)Difficulty: Moderate (Choir)/Intermediate/Advanced (Piano)NOTE: While Ab minor may seem like an extreme key, it plays very well on the piano and gives the choir a very full sound. However, Fountains can easily be performed in A minor, as desired, by simply removing the key signature (for the Horns, also add a sharp (E minor)Approx. 4 minutes and 50 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$2.99
La Danza (Tarantella Napoletano)
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Choral SATB
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ADVANCED
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Classical
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Gioachino Rossini
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Scott S
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La Danza
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.955792 Composed by Gioachino Rossini. Arranged by Scott S. Stewart. Classical. Octavo. 11 pages....
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.955792 Composed by Gioachino Rossini. Arranged by Scott S. Stewart. Classical. Octavo. 11 pages. Scott S. Stewart #6029329. Published by Scott S. Stewart (A0.955792). La Danza is considered the most famous and popular patter piece from Rossini's Soirées musicales. It is a tour de force for any mature ensemble and pianist. It has been arranged from the original solo/pianist printing for a 4-part SATB ensemble and classical pianist. The Italian text was provided by Rossini's 'noble outlaw friend' Conte Carlo Pepoli. It is well suited for the recital hall or concert hall. The duration of this arrangement is 2:55.
$4.50
Song of the Sky Loom (Downloadable)
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Choral SATB
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ADVANCED
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Frank Ferko
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Song of the Sky Loom
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Difficult - Digital Download SKU: MQ.8452-E Composed by Frank Ferko. Advanced/Collegiate. Secular, 21st Century...
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SATB choir (choir divisi) unaccompanied - Difficult - Digital Download SKU: MQ.8452-E Composed by Frank Ferko. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Instrument part. 20 pages. Duration 6 minutes, 7 seconds. E. C. Schirmer Music Company - Digital #8452-E. Published by E. C. Schirmer Music Company - Digital (MQ.8452-E). English.In the summer of 2011, while I was visiting my friends Don and Sally Roberts in Santa Fe, Sally asked me if I would be interested in writing a new choral work for Don in celebration of his upcoming 75th birthday. The idea appealed to me very much, so I readily agreed to write the piece. Since Don has enjoyed a lifelong interest in the American Southwest Pueblo people and their customs, Sally provided me with several Tewa texts, in English translation, to consider for musical setting. I was particularly drawn to the imagery of Song of the Sky Loom, so that poem became the basis for the new work. The music begins with two baritone soloists singing an introductory 'call-and-response' to which the entire chorus eventually responds. The opening line of text is first presented in fragmented form, as if voices from all areas of nature gradually rise up and then merge into a unified chordal texture. As the text turns to the imagery of weaving, the musical texture, accordingly, becomes contrapuntal: individual melodic lines, sung by solo voices or small groups (the 'weft'), intertwine with each other and also with the main chorus, which provides the overall harmonic structure (the 'warp'). The following chorale section, infused with occasional chromatic inflections, represents the massive 'rainbow' in the text and brings the work to a unified conclusion. Song of the Sky Loom was first performed by the Santa Fe Desert Chorale, under the direction of Joshua Habermann, on July 19, 2016 with three subsequent performances during the following two weeks. -Frank Ferko Duration: 6:07.
$3.15
Veni Sancte Spiritus - SATB choir
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Choral SATB
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ADVANCED
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Sacred music
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Erik Spangler
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Veni Sancte Spiritus - SATB ch
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Erik Spangler
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082626 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Oc...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082626 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 6 pages. Erik Spangler #686838. Published by Erik Spangler (A0.1082626). Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD. While searching for liturgical texts associated with Pentecost, I was immediately drawn to the sequence of Veni Sancte Spiritus as an invocation of all the divine qualities that are recognized across the world’s major religions. I was particularly moved by a recording of the Gregorian chant on this text, in which groups of three phrases alternate between low and high voices. I began my own setting of the sequence by adapting many of the Gregorian chant phrases, from memory and with varying degrees of similarity to the original melody, passing them through different modal colors. I followed a similar pattern of formal alternation between high and low voices, while expanding each phrase of the chant into a two-part texture. Elements of both Late Medieval and Renaissance counterpoint are adopted in combination with more Eastern-influenced heterophony, in which two voices follow the same melodic outline with individual variations and ornamentation. As the piece progresses, overlapping duos expand into three-part and finally four-part texture. I aim to evoke a sense of connection with ancient ritual and musical forms, alongside a more modern harmonic gravity that favors certain dissonances in relationship to unisons, fifths and other “perfect†intervals.
$6.00
Loquebantur, -bantur, -bantur
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Choral SATB
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ADVANCED
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the end, the joyful combinatio
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Thomas Tallis
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John Ross
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Loquebantur, -bantur, -bantur
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John Ross
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1402556 Composed by Thomas Tallis. Arranged by John Ross. 21st Century,A Capp...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1402556 Composed by Thomas Tallis. Arranged by John Ross. 21st Century,A Cappella,Religious,Renaissance,Sacred. 45 pages. John Ross #985777. Published by John Ross (A0.1402556). “Loquebantur, -bantur, -bantur†is based on 'Loquebantur variis linguis' by Thomas Tallis. The words are from the responsory for 1st Vespers at Pentecost and tell of the Apostles beginning to speak in many tongues, proclaiming the great works of God. In this reworking, vocal parts gradually move away from the Tallis original, taking musical ideas from the soprano saxophone part and “speaking in tonguesâ€. The opening interplay between sax and solo tenor uses notes from the Intonation, creating the “-bantur, -bantur†figure which gives this arrangement its title. As the piece proceeds individual vocal lines gradually speak in the tongues suggested by the sax. By the end, the joyful combination of many musical ideas is crowned by the ecstatic saxophone part. The “tongues†ideas are shown in the score by added phrasing and by using lyrics in italics. These fragments should be sung a little more prominently, allowing them to pop out above the overall texture. An additional tenor line has been added, making the piece’s scoring SSAATTBB plus saxophone.
$1.99
Big Yellow Taxi
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Choral SATB
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ADVANCED
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Joni Mitchell
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Kerry Marsh
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Big Yellow Taxi
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Kerry Marsh
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SheetMusicPlus
Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1488643 By Joni Mitchell. By Joni Mitchell. Arranged by Kerry Marsh. Folk,Ja...
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1488643 By Joni Mitchell. By Joni Mitchell. Arranged by Kerry Marsh. Folk,Jazz,Pop. Vocal Jazz Ensemble. 52 pages. Kerry Marsh #1065491. Published by Kerry Marsh (A0.1488643). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).This arrangement of Joni Mitchell's Big Yellow Taxi is propelled by a driving groove, making it a perfect opener or closer for your program. It features fresh reharmonization while retaining many hints of the memorable aspects of Mitchell's original recording, capturing its essence while adding a modern twist.Originally released in 1970 on her album *Ladies of the Canyon*, Big Yellow Taxi is known for its catchy melody and poignant lyrics that lament environmental destruction and urban development. The song's playful yet impactful tone has made it a lasting classic, covered by numerous artists over the years.In this arrangement, a soli section challenges groups and offers directors the opportunity to teach advanced rhythmic and harmonic concepts, providing exciting and energetic musical treats for audiences. The chart is well worth the time spent preparing, especially with the help of our audio learning materials. This memorable and impactful arrangement will be a standout piece in your program, leaving a lasting impression on your audience.
$49.99
The Day of Rest for Cantor and SATB Mixed Chorus (A Cappella Vocal Edition, S'fardic Hebrew Dialect)
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Choral SATB
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ADVANCED
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Sylvan
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Benjamin Ayotte, Steven Carrye
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The Day of Rest for Cantor and
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 5 - Digital Download SKU: A0.1510542 Composed by Sylvan (Sholom) Kalib. Arranged by Benjamin Ayotte, Steven Car...
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Choral Choir,Choral (SATB Chorus) - Level 5 - Digital Download SKU: A0.1510542 Composed by Sylvan (Sholom) Kalib. Arranged by Benjamin Ayotte, Steven Carryer, and Peter Solomon Gross, Editors. A Cappella,Holiday,Jewish,Praise & Worship,Religious. 228 pages. Ayotte Custom Musical Engravings #1085740. Published by Ayotte Custom Musical Engravings (A0.1510542). The Day of Rest was commissioned for the Beth Abraham Youth Chorale, Dayton, Ohio, and its director, Hazzan Jerome B. Kopmar, by Dr. and Mrs. Michael Jaffe in honor of Mr. and Mrs. Lawrence Jaffe, Mrs. Albert Abrams, and in memory of Mr. Albert Abrams.Part I: Leil Shabat (Sabbath Evening Service)L’chu N’ran’naKol AdoshemL’cha DodiAdoshem MalachV’sham’ruShalom AleichemPart II: Shacharit L’shabat (Sabbath Morning Service)Shochein AdTitbarachMim’kom’chaAna AvdaSh’ma YisraeilL’cha Adoshem Hag’dulaPart III: Shacharit L’shabat (Cont’d)PreludeY’hi RatzonMi Sheasa NisimUv’nucho YomarPart IV: Musaf L’shabat (Additional Service for the Sabbath)K’dushat MusafNaªritz’chaKadoshMim’komoSh’ma YisraeilYimlochL’dor VadorYism’chuPart V: Motzaë Shabat (The Conclusion of The Sabbath)PreludeHavdalaHamavdilEiliyahu Hanavi.
$9.99
Chamber Music for SATB voices a cappella
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Choral SATB
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ADVANCED
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Leslie Kleen
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Chamber Music for SATB voices
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Music From Riverside
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1004799 Composed by Leslie Kleen. A Cappella,Contemporary. Octavo. 23 pages. Music From Riversid...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1004799 Composed by Leslie Kleen. A Cappella,Contemporary. Octavo. 23 pages. Music From Riverside #4368574. Published by Music From Riverside (A0.1004799). Nine love songs from James Joyce's collection of poetry entitled Chamber Music published in 1907. These poems are very romantic and dreamy. Each poem has a reference to something musical - singing, strings, piano, etc.1. Strings in the Earth and Air2. The Twilight Turns from Amethyst3. At that Hour4. When the Shy Star Goes Forth5. Lean Out of the Window, Goldenhair6. My Love is in a Light Attire7. Bright Cap and Streamers8. In the Dark Pine-wood9. O Cool is the Valley NowThese songs are also available separately.Close and chromatic harmonies require an advanced high school, or college level choral group.
$3.00
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
BURU ALLELUIA song
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Choral SATB
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ADVANCED
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Eke Chijindu Favour
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HEDGES NOWAY OUT
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BURU ALLELUIA song
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Eke Chijindu Favour
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1018785 Composed by Eke Chijindu Favour. Arranged by HEDGES NOWAY OUT. Contemporary,Holiday,Musi...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1018785 Composed by Eke Chijindu Favour. Arranged by HEDGES NOWAY OUT. Contemporary,Holiday,Musical/Show,Sacred,World. Octavo. 9 pages. Eke Chijindu Favour #3594343. Published by Eke Chijindu Favour (A0.1018785).
$1.99
Anim Zemiros
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Choral SATB
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ADVANCED
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Ce...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
Mis Errores: for SATB
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Choral SATB
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ADVANCED
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Classical
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Emiliano Brunetti
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Mis Errores: for SATB
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Songburd Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1449352 Composed by Emiliano Brunetti. Classical. 16 pages. Songburd Music #1029126....
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Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1449352 Composed by Emiliano Brunetti. Classical. 16 pages. Songburd Music #1029126. Published by Songburd Music (A0.1449352). Mis Errores celebrates the mistakes I have made, the ones I’m currently making, and the ones to come…I took a step outside of my comfort zone by embracing the adventure of twelve-tone theory, with a series which allowed me to maintain some tonal expressions in a serialist framework. Rhythmic patterns, signature changes, idioms and musical language used showcase the intersection between Western Classical Music and my Argentinian and Latin American culture and influence.
$12.80
Absalom
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Choral SATB
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ADVANCED
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Contemporary
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Daniel Elder
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Absalom
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Daniel Elder Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.854827 Composed by Daniel Elder. 20th Century,Contemporary. 112 pages. Daniel Elder Music...
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.854827 Composed by Daniel Elder. 20th Century,Contemporary. 112 pages. Daniel Elder Music #4851907. Published by Daniel Elder Music (A0.854827). This stunningly incisive chamber choir oratorio tells the whole story of Absalom's rebellion against his father, King David, far beyond the common text When David Heard. Featured alongside the biblical narrative are original studies of other historical characters that illuminate the most vital lessons for achieving peace in today's society. Inspired by a crisis of polarization, Absalom shines a critical light on the tribalism and gridlock of modern social politics in hopes of bringing us closer together again. From the composer, Absalom is a call to listen; not to protest others, not to educate others, but to connect with them. The painful truth I’ve come to in the process of birthing this work is that no one is safe from criticism in this modern struggle, and no one is safely on the right side of history. Every individual, including myself, lies in the crosshairs of this musical statement. Only by stepping outside the borders of what we think is comfortable will we learn understanding. And by learning understanding, peace just might follow. This challenging 30-minute work is recommended for smaller, advanced chamber choirs.
$4.99
Gwahoddiad
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Choral SATB
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ADVANCED
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Rechoir
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Nathan Jones
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Gwahoddiad
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Nathan Jones Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1455012 By Rechoir. By Ieuan Gwyllt and Lewis Hartsough. Arranged by Nathan J...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1455012 By Rechoir. By Ieuan Gwyllt and Lewis Hartsough. Arranged by Nathan Jones. Broadway,Christian,Multicultural,Musical/Show,Pop,Traditional,World. 10 pages. Nathan Jones Music #1034083. Published by Nathan Jones Music (A0.1455012). A pop choir version of the traditional Welsh hymn.Originally in a predictable 3/4, this version (mostly in 4/4) keeps you guessing, with many key and time signature changes, giving the piece more of a Musical Theatre ensemble number flare.Including a brand new set of 'Amens' at the end, maintaining the impressive finish to the original, but inkeeping with the new style.Originally performered by Rechoir on Saint David's Day in 2020 and published as a lockdown video on YouTube for Saint David's Day 2021.Also Available: Band parts for Bass Guitar and Drum Kit (as heard in the YouTube video version) Individual rehearsal tracks for each part, sung by Rechoir members
$1.99
Missa Millennia in Honor of St. Francis (SATB)
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Choral SATB
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ADVANCED
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Sacred music
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Curtis Hanson
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Missa Millennia in Honor of St
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Pu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
The Curse of Athena for Dramatic Mezzo Soprano and Chorus, The Hero and the Damned Opera
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Choral SATB
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ADVANCED
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James Nathaniel Holland
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The Curse of Athena for Dramat
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.730326 Composed by James Nathaniel Holland. Contemporary,Halloween,Musical/Show,Opera. Oc...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.730326 Composed by James Nathaniel Holland. Contemporary,Halloween,Musical/Show,Opera. Octavo. 18 pages. James Nathaniel Holland #2897513. Published by James Nathaniel Holland (A0.730326). With over 17,000 views of this piece on YouTube, if you're a dramatic mezzo soprano, shouldn't you have recorded this aria already? Now it is available in piano vocal score form with SSATB Chorus. Orchestral accompaniment sold separately.Video Presentation: https://www.youtube.com/watch?v=bR-EnUHxWusComplete Opera Playlist at: http://www.youtube.com/playlist?list=PLEcbVsA36MCvAKaFfvS0td_-dkofF4KvQ
$4.95
This Is The Moment
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Choral SATB
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ADVANCED
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Frank Wildhorn and Leslie Bric
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Jeffrey Bowen
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Hydeâ€
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This Is The Moment
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1360802 Composed by Frank Wildhorn and Leslie Bricusse. Arranged by Jeffrey Bowen. Broadw...
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1360802 Composed by Frank Wildhorn and Leslie Bricusse. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Musical/Show. 17 pages. Music Arrangement Services Inc. #945299. Published by Music Arrangement Services Inc. (A0.1360802). From the Musical “Jekyll & Hydeâ€.  This song is about the moment when, from all your hard work, life comes to fruition.  The song refers to the moment, day, doubts, demons, endeavors, dreaming, scheming, screaming, proving, destiny, greatest moment.  This arrangement features a solo, key changes, many countermelodies and varies from the original cast recording.  This arrangement is designed for high school or college show choir, concert choir or community choir.  Concert Band Score accompaniment also available.  Performance time is approximately 3:40.
$3.99
For Forever
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Choral SATB
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ADVANCED
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Benj Pasek and Justin Paul
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Joe Malach
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For Forever
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Joseph Malach
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1038873 Composed by Benj Pasek and Justin Paul. Arranged by Joe Malach. A Cappella,Broadw...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1038873 Composed by Benj Pasek and Justin Paul. Arranged by Joe Malach. A Cappella,Broadway,Musical/Show,Pop. Octavo. 15 pages. Joseph Malach #643847. Published by Joseph Malach (A0.1038873). Joe Malach can be found at https://joemalach.com/, and on YouTube at https://www.youtube.com/joemalach.
$4.00
WE THE PEOPLE
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Choral SATB
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ADVANCED
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Contemporary
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ERWIN CHANDLER
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WE THE PEOPLE
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Paterchan Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.925285 Composed by ERWIN CHANDLER. 20th Century. Octavo. 19 pages. Paterchan Music #4776221. Pub...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.925285 Composed by ERWIN CHANDLER. 20th Century. Octavo. 19 pages. Paterchan Music #4776221. Published by Paterchan Music (A0.925285). This is a condensed version ,without the narrator and orchestra.The Constitution for narrator, choir and band was commissioned by the Governor Mifflin music department (Shillington, Pa) and Lewis Skip Norcott to provide an important musical work to educate and entertain students in regards to the Constitution. It can be performed with orchestra/band as well.
$3.25
11 Haiku
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Choral SATB
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ADVANCED
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Bertold Hummel
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11 Haiku
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) and vibraphone - advanced - Digital Download SKU: S9.Q11695 For mixed choir (SATB) and Vibraphone. Composed by Bertold Hummel. ...
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Mixed choir (SATB) and vibraphone - advanced - Digital Download SKU: S9.Q11695 For mixed choir (SATB) and Vibraphone. Composed by Bertold Hummel. This edition: score. Schott Chamber Choir. Downloadable, Score. Op. 41b. Duration 15 minutes. Schott Music - Digital #Q11695. Published by Schott Music - Digital (S9.Q11695). German.Originating from Asia, the short poetic form of 'haiku' always consists of three lines with 17 syllables. The concentration and conciseness resulting therefrom fascinated Berthold Hummel and inspired him to write these 11 miniatures for a-cappella choir and vibraphone. Without using any atonal techniques, he managed very impressively to make traditional poetry appear in a modern form. With great sensitivity, he gave musical expression to a text full of allusions.
$9.99
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