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Sin City
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Choral SATB
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4 sheet music found
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The City in the Sea
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Choral SATB
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ADVANCED
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Contemporary
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Stanley M
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The City in the Sea
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.924812 Composed by Stanley M. Hoffman. Contemporary. Octavo. 20 pages. Stanleymhoffman.com #3911...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.924812 Composed by Stanley M. Hoffman. Contemporary. Octavo. 20 pages. Stanleymhoffman.com #3911795. Published by stanleymhoffman.com (A0.924812). This setting of The City in the Sea by Edgar Allan Poe (1809–1849) for soloists and SATB chorus (divisi) is an unaccompanied version of composer's long-planned magnum opus, a secular one-movement cantata for soloists, chorus, and orchestra, on which he has been working since the 1990s. He extracted the choruses and provided musical bridges to link them. The musical language is unabashedly chromatic, but is frequently dominated by triadic harmonies and doubled octaves. The effect is positively hair-raising. For advanced choirs. Duration: 6:40.
$2.80
The City In the Sea: Choral Tone Poem
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Choral SATB
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ADVANCED
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Contemporary
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
Blessed City Heavenly Salem
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Choral SATB
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ADVANCED
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Latin chant
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Robert Edward Smith
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Blessed City Heavenly Salem
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ROBERT EDWARD SMITH MUSIC
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SheetMusicPlus
Choral,Mixed Chorus Choir,Choral - Level 5 - Digital Download SKU: A0.1488559 Composed by Latin chant. Arranged by Robert Edward Smith. A Cappella,Christ...
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Choral,Mixed Chorus Choir,Choral - Level 5 - Digital Download SKU: A0.1488559 Composed by Latin chant. Arranged by Robert Edward Smith. A Cappella,Christian,Religious. 7 pages. ROBERT EDWARD SMITH MUSIC #1065425. Published by ROBERT EDWARD SMITH MUSIC (A0.1488559). This is an arrangement of the hymn Blessed City Heavenly Salem using the original chant tune with English translation. It is for SSATTB choir, unaccompanied. All the voice parts are melodic, and the texture is richly contrapuntal. It calls for an advanced choir.
$3.50
TWELVE
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Choral SATB
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ADVANCED
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Sacred music
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Robert Myers
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TWELVE
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.976724 Composed by Robert Myers. Christian,Contemporary,Jewish,Sacred. Octavo. 37 pages. WheatMy...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.976724 Composed by Robert Myers. Christian,Contemporary,Jewish,Sacred. Octavo. 37 pages. WheatMyer Music #5021979. Published by WheatMyer Music (A0.976724). There are 150 psalms in the Bible, each one originally meant to be sung; and so they were for most of the last 3,000 years, beginning at the Jerusalem Temple. They were adopted as the primary song text of the early church as evidenced by Col. 3:16 and maintained in the Western church throughout medieval times. Psalms were the featured texts of most of the Reformers and were the sole mode of sacred singing among the first American settlers. Of late, hymns and choruses and popular songs with human texts have almost entirely replaced the singing of God’s word in many churches. This scarcity of Psalms in the Church’s song is a great loss which frequently compels me to do what I can to promote their increase.
$65.00
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