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You've selected:
A Little Bit Of Love
Choral SATB
Sheetmusic to print
7 sheet music found
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1
A Grand Reunion
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1249239 By Steven Samuel D…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1249239 By Steven Samuel Dubulakta. By Steven Samuel Dubulakta. Arranged by Steven Samuel Dubulakta. A Cappella,Advent,Christian,Praise & Worship,Religious. Octavo. 1 pages. Semii Music #843705. Published by Semii Music (A0.1249239). Title: A Grand ReunionHeaven is a place of surprise. We all will meet our lost loved ones and there will be rapturous chorus. That meeting will be a grand reunion that will mark the promise of God where all Saints will meet to part no more.We all are looking for the blissful morning where we will meet each other and be together for ever and ever.Please I urge you to sing this wonderful song and feel a little bit of rapture in the everlasting life in heaven.
$9.78
8.98 €
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Choral SATB
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Steven Samuel Dubulakta
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A Grand Reunion
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Semii Music
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SheetMusicPlus
What's Love Got To Do With It
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1108790 By Tina Turner. By…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1108790 By Tina Turner. By Graham Lyle and Terry Britten. Arranged by Volker Bublitz. 20th Century,A Cappella,Pop. Octavo. 6 pages. Volker Bublitz #711439. Published by Volker Bublitz (A0.1108790). The well known reggae style of the chorus is nicely translated to choir voices. The reggae bass pattern sounds a little bit tricky for not reggae affiliated singers, but is still not too unusual. For better understanding of the rhythm pattern a shaker is added to give the otherwise empty beginning of bar 21 for example. The solo synthesizer part in the middle is divided up to Soprano, Alto and Tenor for more fun and according to the tone range of each voice. The ending has an open chord imitating the question mark of the title, saying: Find your answer (and the ending chord) by yourself!.
$2.99
2.75 €
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Choral SATB
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Tina Turner
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What's Love Got To Do With It
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Volker Bublitz
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SheetMusicPlus
O Little Town of Bethlehem - SATB a cappella
Choral SATB
Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.13…
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Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1318619 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. A Cappella,Christian,Christmas,Holiday. 9 pages. Connie Boss #907297. Published by Connie Boss (A0.1318619). This version is for SATB voices. It has the original melody with pretty harmonies added. There are solo, duet and complete choir singing the words. Humming and ahhs are used for the solo and duets. The melody is more for an alto range. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. For any questions or requests, email cdboss@cvalley.netLyrics below:O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go byYet in thy dark streets shinethThe everlasting lightThe hopes and fears of all the yearsAre met in Thee tonight Shepherds watching o’re their flocksSaw a light star downThen they noticed that it’s lightLit up a little townFor Christ is born of MaryAnd, gathered all aboveWhile mortals sleep, the angels keepTheir watch of wondering loveO morning stars, togetherProclaim the Holy birthAnd praises sing to God the KingAnd peace to men on earthShepherds followed the bright starAnd they were so amazedPeople gathered all aroundSinging hymns of praiseO Holy Child of BethlehemDescend to us, we prayCast out our sin and enter inBe born for us todayWe hear the Christmas angelsThe great glad tidings tellO come to us, abide with usOur Lord EmmanuelIn a stable was a childBorn for all to seeHis mother always by His sideThe newborn Prince of peaceO little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go by.
$5.99
5.5 €
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Choral SATB
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Phillips Brooks and Lewis H Redner
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O Little Town of Bethlehem - SATB a cappella
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Connie Boss
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SheetMusicPlus
The King of Love My Shepherd is
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1406983 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1406983 Composed by Tune: St. Columba (Irish Traditional) / Words: H. W. Baker. Arranged by Thomas Quigley. A Cappella,Celtic,Christian,Irish,Praise & Worship,Religious. 6 pages. Thomas Quigley #989711. Published by Thomas Quigley (A0.1406983). If you are a church music director in search of a beautiful, a cappella hymn arrangement with a little bit of independence in the part-writing, this is an excellent choice. The lines are comfortable to sing, merging very effecively in harmony, making the piece a perfect aid to worship, whilst displaying the expressive qualiies of your choristers. This is a fine, highly recommended hymn arrangement to include in your repertoire.
$2.25
2.07 €
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Choral SATB
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Tune: St
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The King of Love My Shepherd is
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Thomas Quigley
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SheetMusicPlus
Two Views of Scott Joplin
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.972650 Composed by James S…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings #4898807. Published by James Siddons Music and Writings (A0.972650). Two Views of Scott Joplin is an exploration of a personal and artistic crisis that Scott Joplin, the King of Ragtime, went through between 1904 and 1906. This crisis was precipitated by the untimely death of Freddie Alexander in September 1904, to whom Joplin had been married only ten weeks. Knowledge of this marriage was lost to history for almost a century until the Joplin scholar Edward A. Berlin discovered the newspaper obituary, which is quoted in the bass solo in Part II, The Obituary of Freddie Alexander. Apparently, Scott Joplin, already inspired by the progressive ideals of Booker T. Washington, saw a path to social and artistic betterment through his love of Freddie, a daughter of a refined family. During this period, Joplin used the title rag less often in his piano-solo works, and nurtured an interest in opera (he had long been active in vaudeville as well as ragtime piano). He seems to have lost his sense of direction in 1905 and 1906, until led by his publisher John Stark to move to New York City in 1907. Once there, apparently growing out of his grief, Joplin studied with an Italian opera singer and composer, composed his folk opera Treemonisha, and composed Wall Street Rag and his other late masterpieces for piano. Joplin died in April 1917 following two years of debilitating illness. Joplin left almost no personal writings, such as letters or diaries. To create an impression of autobiography, Two Views of Scott Joplin consists mostly of words and music written by Scott Joplin, and piano music composed by two close associates, the composer-pianists Louis Chauvin and Scott Hayden. These words come from Treemonisha, from Joplin’s little-remembered vaudeville and parlor songs, and also from text in his sheet-music---copyright notices, publishers’ addresses, titles and subtitles of rags, performance directions. In most cases, selected lyrics are extracted from songs and paired with piano-solo themes. These ingredients are combined in creative ways to express the biographical narrative. Instrumental themes are re-cast as necessary to express their newly-attached lyrics. But in no place can any of the music in Two Views of Scott Joplin be considered an arrangement of a given, intact composition, nor a medley of tunes, nor a theatrical revue. The character development and dialogue found in Scott Joplin’s Struggle with Destiny (Part II, No. 3) is my own biographical interpretation of Joplin, based on known evidence and on his music.The score contains extensive Performance Notes for performing this 16-minute work as a choral work or as a short opera scene.
$9.99
9.17 €
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Choral SATB
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James Siddons
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Two Views of Scott Joplin
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James Siddons Music and Writings
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SheetMusicPlus
Me!
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.500706 By Taylor Swift. By…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.500706 By Taylor Swift. By Brendon Urie, Joel Little, and Taylor Swift. Arranged by G. M. Morley. A Cappella,Pop. Octavo. 13 pages. G. M. Morley #5296523. Published by G. M. Morley (A0.500706). This four part a cappella arrangement of Taylor Swift and Brendon Urie's song, Me! from Swift's 2019 album, Lover, requires a bit of vocal acrobatics. If your singers can handle octave leaps then this version of the song should be a welcome addition to the repertoire for weddings and pop or community choir performances.Given Swift and Urie’s stance on gender equality I have included some suggestions for alternative lyrics in places where either a gender neutral term or the opposite gender might be preferable to the one in the original lyrics depending on the social occasion the song is being performed in.If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.
$3.00
2.75 €
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Choral SATB
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Taylor Swift
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Me!
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G. M. Morley
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SheetMusicPlus
Toxic
Choral SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1265200 By Britney …
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1265200 By Britney Spears. By Cathy Dennis, Christian Karlsson, Henrik Jonback, and Pontus Winnberg. Arranged by Jason Howard. A Cappella,Contemporary,Pop. Octavo. 9 pages. Jason Howard #858044. Published by Jason Howard (A0.1265200). This arrangement of Toxic is a fresh take on the popular 2000's hit! Taking inspiration from the original and several other different covers of this song, I've written out what is probably one of my favorite arrangements I've written. It's sure to challenge your performers and keep your audience engaged from start to finish!It starts with a soft drone in the Basses that continuously adds chord tones and volume to build sonic intensity and set the tone right out of the gate! We then move on to a slowed down first verse with the melody supported only by chords in the choir. Vocal Percussion leads us into a tempo change and explosive snippet of the melody before the piece hits its stride. Lots of upbeats, syncopations, and altered melodic tones throughout adds a high level of difficulty to this piece. As we get to the end of this piece, the ensemble will suddenly alter time to a half time feel that not only adds to excitement but also helps to bring the piece to a dramatic closing.This is written for Solo voice and SSAATTBB choir and a Vocal Percussionist.As with most of my arrangements I leave many of the syllables blank to encourage the director/performers to put their own spin on the arrangement with their own choice of syllables! Suggested syllables in certain spots and all necessary melodic lyrics have all been included for you!I hope that you and your group enjoys my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!
$1.99
1.83 €
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Choral SATB
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Britney Spears
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Toxic
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Jason Howard
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SheetMusicPlus
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