Download Digital Sheet Music of At The Beginning for Choral SATB

At The Beginning
Choral SATB

Now That the Son is Beaming Bright Choral SATB

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.915680 Composed by Richard…(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.915680 Composed by Richard Joseph Barber. Classical,Contemporary,Sacred. Octavo. 4 pages. Barber Music Company #3023247. Published by Barber Music Company (A0.915680). Words by St. Ambrose of Milan (c340â€“397), tr. by John Henry Newman.Set to music and arranged by Richard Joseph Barber for Rev. Jason Parker, High Country Baptist Church in Colorado Springs, CO.Composer's note:This is a joyous call to prayer (especially morning prayer). The music reminds me of little children skipping with glee under a bright blue morning sky. It needs to be sung with joy in the Lord, Who hears us when we call, forgives our sins, and gives us grace to love Him, keep his commands and do those things that are pleasing in His sight. It should be a wonder morning service anthem, but why not try it in the evening, too, in anticipation of meeting God at the beginning of the next day. The key to the style of this piece is rhythmic vitality. The 6/8 meter should be conducted in two, but singers (and the conductor) must feel the eighth note division of the beat as the composition's energizing rhythmic subtext. After the choir has learned the words, pitches and rhythms of the piece, have them let the text go for awhile, and replace it with the syllable doo for every eighth note value. That is, for every eighth note sing 'doo once; for every quarter note sing it twice; for every dotted quarter note sing it three times, and so on. You will hear some giggling from your singers. That is okay. They will have some fun, and you will hear definite improvement. RJB (barberpianoserv@gmail.com).
$3.00 2.76 € #Choral SATB #Richard Joseph Barber #Now That the Son is Beaming Bright #Barber Music Company #SheetMusicPlus

Down to the River to Pray Choral SATB

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.792958 Arranged by J. Ric…(+)

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.792958 Arranged by J. Richard Dixon. A Cappella,Christian. Octavo. 9 pages. Estes Music Publishers #5328363. Published by Estes Music Publishers (A0.792958). This was originally a gathering piece and a cappella. It is perfect for a processional at the beginning of a program be it in a concert hall or church service. Not difficult but well worth the effort. Audiences will like it.
$2.25 2.07 € #Choral SATB #Down to the River to Pray #Estes Music Publishers #SheetMusicPlus

Were You There? (Downloadable) Choral SATB

SATB choir and Piano - Moderately Easy - Digital Download SKU: MQ.8554-E Composed b…(+)

SATB choir and Piano - Moderately Easy - Digital Download SKU: MQ.8554-E Composed by Gwyneth W. Walker. Easter, 21st Century, Faith, Spiritual. 20 pages. Duration 4 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8554-E. Published by E. C. Schirmer Music Company - Digital (MQ.8554-E). English.This new arrangement for SATB chorus and piano focuses on the inherent drama of the text. Each verse expresses a different reaction to its question about the crucifixion. The piano accompaniment, which plays a featured role in this music, varies with the mood of the lyricsâ€”from simple chordal support at the beginning, to harsh rhythms (â€œnailed him to the crossâ€), to rapid â€œsunburstâ€ patterns (â€œthe sun refused to shineâ€), to sorrowful descending lines (â€œlaid him in the tombâ€). The choral expression is articulated in similar manner to the accompaniment. Duration: 4:30.
$3.15 2.89 € #Choral SATB #Gwyneth W #Were You There? #E. C. Schirmer Music Company - Digital #SheetMusicPlus

The Stars Are With the Voyager Choral SATB

SATB choir and Piano - Moderately Easy - Digital Download SKU: MQ.AHM-48-E Composed…(+)

SATB choir and Piano - Moderately Easy - Digital Download SKU: MQ.AHM-48-E Composed by Christopher Aspaas. 16 pages. Aspen Hill Music - Digital #AHM-48-E. Published by Aspen Hill Music - Digital (MQ.AHM-48-E). English.Thomas Hood's poem, The Stars are with the Voyager, has inspired many lyric and lush choral settings of this text. As I read Hood's story of constant love, I feel the inevitable promise found there, but also a sense of timeless adventure. At the beginning of this setting, the piano represents the rolling waves of the seaâ€”relentless and full of energyâ€”and the unyielding march of time. The fourth verse becomes contemplative following the setting of the sun and grows into the brighter day before a layering of the opening melody that moves into the distance.
$2.85 2.62 € #Choral SATB #Christopher Aspaas #The Stars Are With the Voyager #Aspen Hill Music - Digital #SheetMusicPlus

The Lord Is My Strength Choral SATB

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.814664 Composed by Richard…(+)

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.814664 Composed by Richard E Brown. A Cappella,Contemporary,Holiday,Praise & Worship,Sacred. Octavo. 7 pages. Dacker Music #2951939. Published by Dacker Music (A0.814664). The Lord Is My Strength is a polyphonic setting for SATB a cappella of a short, but well-loved, passage from Psalm 28. Useful for just about any season, it can be also used for Thanksgiving by substituting Thanks be to the Lord for Praise be to the Lord at the beginning, and Thank him! for Praise him! at the end. Level: MA - Duration: 2:55
$2.00 1.84 € #Choral SATB #Richard E Brown #Level: MA #The Lord Is My Strength #Dacker Music #SheetMusicPlus

This Is The Record Of John Choral SATB

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.718883 Composed by …(+)

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.718883 Composed by Orlando Gibbons 1583 - 1625. Arranged by Edited by Andrew Emmet. A Cappella,Christian,Renaissance,Sacred,Spiritual. 9 pages. Andrew J Emmet #3446953. Published by Andrew J Emmet (A0.718883). SAATB plus Tenor Solo. In G.Suitable for an A Cappella choir. The organ part is at the beginning of the MP3, and could be played through a speaker. The choir parts are A Cappella.
$4.00 3.67 € #Choral SATB #Orlando Gibbons 1583 - 1625 #This Is The Record Of John #Andrew J Emmet #SheetMusicPlus

Carillon Joy to the World Choral SATB

Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.971508 Composed by George…(+)

Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.971508 Composed by George Frideric Handel. Arranged by Judy Gorrell. Christmas,Sacred. Octavo. 2 pages. JG3 #2016785. Published by JG3 (A0.971508). This is an easy hand-bell piece for 3 octaves of bells that can be learned in just 2 rehearsals. The famous Joy to the World Christmas carol is framed at the beginning and end with summoning call of bells from a clock tower.
$5.00 4.59 € #Choral SATB #George Frideric Handel #Carillon Joy to the World #JG3 #SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the â€žFilioqueâ€ (which would still fit the rhythm of the repeated â€žqui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a â€žliturgical oratorio for all nationsâ€, more appropriate in the concert hall.Â The work has had a long gestation: imagined in 1984 after the composerâ€™s first contact with Beethovenâ€™s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the Â King of Kings), â€žrex caelestisâ€ and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the â€žanabasisâ€ gesture at â€žGloria in excelsis Deoâ€, â€žet ascendit in caelisâ€, â€žin remissionem peccatorumâ€ and the resurrection, a flute trill standing for the Holy Spirit who has come â€™like a doveâ€™ at â€žet incarnatus estâ€, a cross-shaped texture at â€žcrucifixusâ€, and some word-painting (hushed sonorities at â€žet invisibiliumâ€, anticipations between orchestra and chorus at â€žet exspectoâ€ etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit).Â â€žKyrieâ€ is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrinaâ€™s serene modality and counterpoint. â€žGloriaâ€ begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. â€žCredoâ€ has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn â€žPange linguaâ€, made famous by Mozartâ€™s last symphony and by other Classical composers. Both â€žGloriaâ€ and â€žCredoâ€ end with extended, powerful and elaborate fugues (â€žin gloria Dei Patrisâ€ and â€žet vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the wordsâ€™ accents, a la Stravinsky. The same sections plus â€žAgnus Deiâ€ end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of â€žSanctusâ€). â€žJudicareâ€ quotes the beginning of the well-known â€žDies iraeâ€ plainchant tune, and the Consecration between the â€žSanctusâ€ and â€žBenedictusâ€ sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens â€žAgnus Deiâ€, which includes another quotation (the famous â€™Dresden Amenâ€™ at â€žqui tollis peccata mundiâ€ and â€ždona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the â€žKyrie eleisonâ€ theme is briefly remembered, then it ends softly and peacefully.Â Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.