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Choral SATB
Sheetmusic to print
6 sheet music found
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1
Kyrie from St. Luke's Mass
Choral SATB
Choir (SATB) - Digital Download Composed by Ildar Khannanov. Baroque, Classical, East…
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Choir (SATB) - Digital Download Composed by Ildar Khannanov. Baroque, Classical, Easter, Multicultural, Sacred, World. Choral. 6 pages. Published by MThRI
Kyrie is written for the S.A.T.B. choir, tenor (Evangelist), and organ. It can be performed separately during the Sunday Morning Worship service (as an Offertory anthem, for example) or as a part of the complete set of the St. Luke's Mass.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$2.99
2.79 €
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Choral SATB
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Ildar Khannanov
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Kyrie from St. Luke's Mass
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MThRI
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SheetMusicPlus
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovann…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99
9.31 €
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Choral SATB
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni Battista Bononcini
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
Thine Is the Glory
Choral SATB
Choral SATB Chorus - Digital Download SKU: H1.C5394DP Composed by George Frideric H…
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Choral SATB Chorus - Digital Download SKU: H1.C5394DP Composed by George Frideric Handel. Arranged by Hal H. Hopson. Piano Accompaniment. Classics, Easter Sunday, Adoration & Praise. Octavo. 12 pages. Hope Publishing - Digital #C5394DP. Published by Hope Publishing - Digital (H1.C5394DP). By Edmund L. Budry, tr. R. Birch Hoyle & G.F. Handel. 1 Corinthians 15:54 - 1 Corinthians 15:55 - 1 Corinthians 15:56 - 1 Corinthians 15:57 - Acts 3:15 - Hebrews 2:9 - John 14:2 - John 14:3 - John 20:19 - Luke 24:1 - Luke 24:2 - Luke 24:3 - Luke 24:4 - Luke 24:5 - Luke 24:6 - Luke 24:7 .Classic hymn by Edmund L. Budry, tr. R. Birch Hoyle & G.F. Handel Two G. F. Handel works, the classic hymn tune based on Judas Maccabeus and the Chandos Anthem No. 6, With a Voice of Praise, have been combined by Hal Hopson to produce an invigorating Easter anthem in an exuberant, baroque style.
$2.95
2.75 €
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Choral SATB
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Edmund L
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George Frideric Handel
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Thine Is the Glory
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Hope Publishing - Digital
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SheetMusicPlus
A Bach Noel
Choral SATB
Choir Sacred (SATB choir) - Grade 3 - Digital Download SKU: JX.00-11485 Composed by…
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Choir Sacred (SATB choir) - Grade 3 - Digital Download SKU: JX.00-11485 Composed by Johann Sebastian Bach. Arranged by Patrick M. Liebergen. Choral (Sacred); Choral Octavo; Masterworks; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Chapel Series. Baroque; Christmas; Epiphany; Masterwork Arrangement; Sacred. Choral Octavo. 8 pages. Jubilate Music Group - Digital #00-11485. Published by Jubilate Music Group - Digital (JX.00-11485). English. Matthew 2:1-23; Luke 2:1-21; Psalm 148; Isaiah 63:1-9; Hebrews 2:9-18.A Bach Noel is an anthemfor Christmas or Epiphany. Suggested corresponding lectionary readings include Psalm 148, Isaiah 63:7-9, Matthew 2: 1-23, Luke 2: 1-20, and Hebrews 2: 10-18. One basic homiletical theme is that the child who is born in the Bethlehem stable is the Savior of ancient prophecy and the King of Israel.
$2.25
2.1 €
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Choral SATB
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Johann Sebastian Bach
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Choral Octavo
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A Bach Noel
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Jubilate Music Group - Digital
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SheetMusicPlus
Jesu, Joy of Man’s Desiring (SATB with New Translation)
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.918883 By Jubal's Lyre Mus…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.918883 By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Christmas,Classical,Contest,Festival,Sacred. Octavo. 17 pages. Jubal's Lyre Music Publishers #6339071. Published by Jubal's Lyre Music Publishers (A0.918883). One of Bach’s most beloved works is offered here in a Piano/Vocal Score for SATB choir with a NEW translation that better captures the meaning of the original German. Two stanzas are provided, which can be sung separately or in succession with a repeat. This work can be performed alone or with any of the Jubal’s Lyre instrumental editions in G major. These are available for solo instruments, duets, or ensembles. For worship, this work can be performed almost any time since it exudes peace and joy, but is particularly suited for Advent and Christmas since it comes from Cantata 147, Herz und Mund und Tat und Leben (Heart and Mouth and Deeds and Life), a cantata about Mary, the mother of Jesus, visiting her cousin Elizabeth and singing the Magnificat (see Luke 1:26-56). For more music and information, visit www.jubalslyre.com/music.
$2.00
1.86 €
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Choral SATB
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Jubal's Lyre Music
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Jesu, Joy of Man’s Desiring
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Et incarnatus est - Crucifixus - Et resurrexit
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.482270 By Ildar Khannanov.…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.482270 By Ildar Khannanov. By Ildar Khannanov. Arranged by Ildar Khannanov. Baroque,Contemporary,Easter,Multicultural,Sacred,World. Octavo. 14 pages. MThRI #102033. Published by MThRI (A0.482270). This triptych is the focal point of the mass. It is written as three numbers attaca. Et incarnatus est is a set of sequences in an invertible counterpoint that ends with the transition to Crucifixus. The Crucifixus is rendered as a continuous repetition of a single tone (the B) by the baritone solo (Christ) on the background of choral responses in the late-Romantic harmonic language (neo-Riemannian, equal-division of the octave, Yavorski's Tritonal equilibrium, etc.). The bariton part is given a note beyond the baritone range. Extended techniques are welcome here. The high sopranos continue the ostinati in the background of the low piano octaves. The Et resurrexit is written as a pure atmospheric phenomenon--disappearing in clouds. The triptych ends with a quotation from the Gospel of St. Luke read by the baritone. THese three numbers can be performed as an anthem during the weeks of Lent or Easter.
$2.99
2.79 €
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Choral SATB
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Ildar Khannanov
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Et incarnatus est - Crucifixus - Et resurrexit
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MThRI
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SheetMusicPlus
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