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Based on Traditional christian tune
Choral SATB
Sheetmusic to print
8 sheet music found
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1
Salve Regina (Gregorian Chant with contemporary chord progression)
Choral SATB
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.798466 Composed by Tradit…
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.798466 Composed by Traditional Gregorian Chant. Arranged by Bonnie Wong. Christian,Sacred,Spiritual. Octavo. 1 pages. Maranatha Contemplative Music #6065563. Published by Maranatha Contemplative Music (A0.798466). Salve Regina, a Marian Hymn based on traditional a Gregorian Chant tune. Traditional sung at Compline, or as the final prayer of the Rosary. This music sheet provides re-arrangement of contemporary chord progression, and here is my YouTube to illustrate how it can be nicely arranged with Clair de Lune: https://youtu.be/pcKvdNYuGB8.
$4.99
4.61 €
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Choral SATB
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Traditional Gregorian Chant
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Salve Regina
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Maranatha Contemplative Music
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
81.26 €
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Choral SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Let All Things Praise the Lord
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1416727 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1416727 Composed by Charles Wesley-AMSTERDAM, Foundry Collection, 1742. Arranged by Ken Litton. Christian,Contest,Festival,Religious,Sacred,Traditional. 45 pages. Artist of Note, Inc. #998390. Published by Artist of Note, Inc. (A0.1416727). Praise the Lord Who Reigns AboveCharles Wesley-AMSTERDAM, Foundry Collection, 1742SATB Choir, Organ/Keyboard, Opt. Brass & PercussionLooking for something just a bit different/reduced from the concertato form, and even easier to learn to kick off the choir season?Based on Praise the Lord Who Reigns Above this arrangement, entitled Let All Things Praise the Lord is faithful to the original including a stanza omitted in most hymnals that speaks of the choir as a battle-worthy leadership unit in worship.The text, based on Psalm 150 by English pastor Charles Wesley, was originally published in his brother, John Wesley’s Founder Collection of 1742 in conjunction the tune AMSTERDAM (which carried annotations and adaptations from a German tune). Immediately following the choir, brass, percussion and organ/keyboard fanfare, opportunity is given to the congregation to participate in the liturgy. The middle section is original music that wings the emotion/meaning of the text to a more meditative stream and back again—via a reprise of the opening fanfare—to the rousing finale with a creative descant that appears not only in Soprano/Tenor, but also (for a change) in Alto and Bass. And, with a little attention from the conductor and choir the congregation can stay in it until the final release!Included are parts for: Choir, Organ/Keyboard, Bb Trumpets, F Horn, Trombones, Bass Trombone/Tuba and Percussion: Mallets/Tympani (2 players) as well as alternate parts for Baritone B.C., Baritone T.C., Eb Alto Saxophone, Bb Tenor Saxophone and Eb Baritone Saxophone.Available where you go for the best in downloadable resources, including:Sheet Music DirectSheet Music PlusComing soon!And via your local music dealer.Also…check out other titles from Artist of Note, Inc. and East of the Altar!Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard!
$1.99
1.84 €
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Choral SATB
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Charles Wesley-AMSTERDAM, Foundry Collection, 1742
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Let All Things Praise the Lord
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Artist of Note, Inc.
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SheetMusicPlus
The GOD of Abraham Praise - SSATB A Cappella
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.748408 Composed by Leoni, …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.748408 Composed by Leoni, Meyer Lyon, and Traditional Hebrew Melody. Arranged by Fritz Stanley. A Cappella,Christian,Jewish,Praise & Worship,Sacred. Octavo. 11 pages. MicStanley #2844923. Published by MicStanley (A0.748408). The God of Abraham Praise is a Christian adaptation of the well known traditional Hebrew melody in LEONI tune adapted by Meyer Lyon. It was based on a verse in the Book of Exodus: I am the God of thy Father, the God of Abraham. Arranged by Fritz Stanley for five-part chorus of mixed voices (SSATB) a cappella. .
$2.00
1.85 €
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Choral SATB
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Leoni, Meyer Lyon, and Traditional Hebrew Melody
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The GOD of Abraham Praise - SSATB A Cappella
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MicStanley
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SheetMusicPlus
Let All Mortal Flesh Keep Silence (SATB)
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1219913 By Stephen DeCesar…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1219913 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred,Traditional. Octavo. 10 pages. Exultet Music #816280. Published by Exultet Music (A0.1219913). The popular hymn based on the tune of Picardy has been freshly arranged for SATB with Piano accompaniment. Â An accompaniment track is also available.
$3.99
3.68 €
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Choral SATB
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Stephen DeCesare
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Let All Mortal Flesh Keep Silence
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Exultet Music
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SheetMusicPlus
How Great Thou Art
Choral SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1241397 By Martina …
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1241397 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by Alan Bullard. Christian,Praise & Worship,Sacred. 13 pages. Colne Edition / BullardMusic #836760. Published by Colne Edition / BullardMusic (A0.1241397). Stuart K. Hine's hymn How great thou art, based on a Swedish folk-song, is here arranged by Alan Bullard for SATB or SABar (tenor optional) and organ or piano. Powerful and spiritual, but easy to learn, it is published in the Colne Prayer and Praise for Choirs series.Prayer and Praise for Choirs is a series of arrangements of popular hymns and worship songs suitable for small church choirs, often with flexible scoring. They are arranged by Alan Bullard, the editor of the Oxford Flexible Anthems series.www.colneedition.co.ukwww.alan bullard.co.uk.
$1.99
1.84 €
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Choral SATB
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Martina McBride
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How Great Thou Art
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Colne Edition / BullardMusic
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SheetMusicPlus
Jesus Christ Is Risen Today (for SATB)
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.625310 Composed by Traditi…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.625310 Composed by Traditional, Georg Friedrich Händel. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Octavo. 8 pages. Exultet Music #4986269. Published by Exultet Music (A0.625310). The well-known hymn based on the tune Easter Hymn mixed with the famous melody from Georg Friedrich Händel's Hallelujah Chorus have now been joined together in one joyous hymn which is scored for SATB with Piano accompaniment. Accessible and appropriate for any church setting. .
$3.99
3.68 €
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Choral SATB
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Traditional, Georg Friedrich Händel
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Jesus Christ Is Risen Today
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Exultet Music
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SheetMusicPlus
Heavenly Hosts of Praise (SATB Choral Arrangement)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.965402 Arranged by Rebecca…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.965402 Arranged by Rebecca Harker. Christian,Christmas,Praise & Worship. Octavo. 7 pages. Rebecca Harker Snyder #4850525. Published by Rebecca Harker Snyder (A0.965402). This choral arrangement uses the tunes of the traditional Christmas hymns Angels We Have Heard on High and Hark! The Herald Angels Sing. These hymns, based on Luke 2:13-14, are arranged into a majestic, and joy-filled arrangement meant to depict the glorious event of the angels visiting and singing to the shepherds in the field on that first Christmas night.
$2.10
1.94 €
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Choral SATB
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Heavenly Hosts of Praise
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Rebecca Harker Snyder
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SheetMusicPlus
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