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Duet F Major
SheetMusicPlus
Choral SATB
Sheetmusic to print
4 sheet music found
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1
The Centipede - der Hundertfüssler - le Cent-pattes - for two voices
Choral SATB
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.575717 Composed by David …
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.575717 Composed by David Warin Solomons. 20th Century,Children,Contemporary. Octavo. 12 pages. David Warin Solomons #2027153. Published by David Warin Solomons (A0.575717). Duet based on the anonymous English poem about a centipede - the creature was quite happy with its hundred legs until a frog asked it to think about which leg comes after which... it then lay distracted in a ditch considering how to run... The sound sample is the English version, sung in B flat It can be sung by two solo voices or by a two part choir of any kind. Versions are available in English (B flat major and D major) German (F major and D major) and in French (F major and D major) the pdf file contains all of these versions. A video of the English original (in B flat) can be seen here: https://www.youtube.com/watch?v=Jo25CSSE5eU These are the words of my French version of the song Un cent-pattes était bien content Mais la grenouille l'interroge «Comment sais-tu quelle patte va avant C'est la gauche ou droite ou quoi?» ça lui fait penser, mais beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. Il commence un pas, s'arrête encore, Des pat-tes gauches se lèvent Il bouge ses droites en octuors Et trébuche comme dans un rêve oui ça fait penser, et beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. These are the words of my German version of the song Einem Hundertfüßler ging's ganz wohl Bis ein Frosch ihn schlau befragte Weisst du welcher Fuss nach vorne geht? Singen wir: rechts links links rechts! Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n Er versucht 'nen Tritt und blieb da steh'n Alle fünfzig linke Beine Kamen aufwärts und er stolperte Und die rechten folgten nicht Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n.
$2.99
2.76 €
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Choral SATB
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David Warin Solomons
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The Centipede - der Hundertfüssler - le Cent-pattes - for two voices
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David Warin Solomons
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SheetMusicPlus
Gone, Gone, Gone
Choral SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.796804 By Phillip P…
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.796804 By Phillip Phillips. By Derek Fuhrmann, Gregg Wattenberg, and Todd Clark. Arranged by Eric Hagmann. A Cappella,Rock. Octavo. 15 pages. Eric Hagmann #3577799. Published by Eric Hagmann (A0.796804). An SSATTB + male solo or male/female duet contemporary a cappella arrangement of Gone, Gone, Gone by Phillip Phillips. This arrangement, pitched in F major, is a half-step lower than the original recording making it more accessible for your tenor voices. The bass part includes optional notes for when the range might extend too low. The background voices provide two types of layers in this arrangement: one that provides the driving, rhythmic backing similar to a guitar and one that provides an extra blanket of harmony to fill out the sound of your ensemble. Upbeat and fun, this tune is the perfect piece to include in your set for your high school or college group! Ranges:Solo = F3 - G4Soprano = A3 - D5Alto = A3 - Bb4Tenor 1 = F3 - D4Tenor 2 =C3 - D4Bass: (opt. C2) F2 - F3Performance time = approx. 3:30
$2.25
2.07 €
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Choral SATB
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Phillip Phillips
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Gone, Gone, Gone
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Eric Hagmann
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SheetMusicPlus
Adam Lay y'bounden
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.851278 Composed by Tim Att…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.851278 Composed by Tim Attride. Christian. Octavo. 2 pages. Tim Attride #12545. Published by Tim Attride (A0.851278). According to one reviewer, this is a beautiful setting of the 12th Century words - I could not possibly comment. Starting in F minor with a harmonically open Tenor and Bass duet, the tune is repeated, with slight timing changes, by Soprano and Alto. Moving into A-flat major, the full choir picks up the energy and the piece finishes with the triumphant Deo Gracias. Although there is a fairly wide tessitura for the top 3 parts, this is a very approachable piece. Very effective in a darkened church at the start of a Lessons and Carols service. Now re-set with minor amendments in Musescore. With thanks to the Thanet Chamber Choir for the recording of this pieced.
$1.99
1.83 €
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Choral SATB
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Tim Attride
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Adam Lay y'bounden
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Tim Attride
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SheetMusicPlus
When I Survey the Wondrous Cross
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac W…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
2.3 €
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Choral SATB
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Isaac Watts / Lowell Mason
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When I Survey the Wondrous Cross
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WheatMyer Music
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SheetMusicPlus
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