Download Digital Sheet Music of Edward J for Choral SATB

Edward J
Choral SATB

Starry Night in Juda Choral SATB

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1022665 Composed by Ed. S.…(+)

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1022665 Composed by Ed. S., Edward j Hahnenbeerg MA, and MA. Christmas,Concert,Holiday,Praise & Worship,Sacred. Octavo. 1 pages. Edward J Hahnenberg #1921263. Published by Edward J Hahnenberg (A0.1022665). Starry Night in Juda is a great Christmas carol suitable for piano and SATB choir.
$4.50 4.21 € #Choral SATB #Ed #Starry Night in Juda #Edward J Hahnenberg #SheetMusicPlus

#Edward J Hahnenberg

The Morning Song Choral SATB

Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.1022658 Composed by Ed.S.…(+)

Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.1022658 Composed by Ed.S., Edward J Hahnenberg, and MA. Praise & Worship. Octavo. 1 pages. Edward J Hahnenberg #1910403. Published by Edward J Hahnenberg (A0.1022658). The Morning Song is suitable for church services especially. It is brief, about 2 minutes in length.
$1.99 1.86 € #Choral SATB #Ed #The Morning Song #Edward J Hahnenberg #SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604â€“68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Baldeâ€™s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virginâ€™s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virginâ€™s journey, the poem describesthe speakerâ€™s journey and compares a purposeful sea voyage to a directed life.Baldeâ€™s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16â€“24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604â€“68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Baldeâ€™s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virginâ€™s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virginâ€™s journey, the poem describesthe speakerâ€™s journey and compares a purposeful sea voyage to a directed life.Baldeâ€™s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16â€“24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir

Rise Choral SATB

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.823241 By Katy Perry. By A…(+)

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.823241 By Katy Perry. By Ali Payami, Andrew Evan Thielk, Darren Criss, Edward J. Montilla, Katy Perry, Korey Richmond, Max Martin, Sam Hollander, Savan Kotecha, and Theo Katzman. Arranged by Kevin Cincotta-Guest. A Cappella,Pop. Octavo. 12 pages. Kevin Cincotta-Guest #6353471. Published by Kevin Cincotta-Guest (A0.823241). *Won Best Original Arrangement at the 2018 Harmony Sweepstakes A Cappella Festival National Finals.*Won Best Original Arrangement at the 2018 Boston Regional Harmony Sweepstakes A Cappella Festival.*Selected for the Voices Only Productions international a cappella compilation album, Voices Only 2018.A lovely, creative contemporary a cappella SSAATTBB+Solo+Vocal Percussion version of Katy Perry's 2016 #1 Billboard Dance Club Songs, platinum hit single.Arrangement based off and adapted from the performance by American rock band Boyce Avenue.As performed by Boston, MA, USA based, award-winning co-ed Contemporary A Cappella League (CAL) group, Sound Off (www.soundoffacappella.com). A part of the 2018 Contemporary A Cappella Recording Award (CARA) winning album, Not A Drill.
$1.99 1.86 € #Choral SATB #Katy Perry #Rise #Kevin Cincotta-Guest #SheetMusicPlus

Hymn of Thanksgiving Choral SATB

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.998618 Composed by Edward …(+)

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.998618 Composed by Edward J. Raarup. Arranged by Christine Hulmer. Christian,Holiday,Praise & Worship,Sacred. Octavo. 5 pages. Christine Hulmer #6113961. Published by Christine Hulmer (A0.998618). An easy to medium tune with a joyous 6/8 lilt that flows nicely. Great for your church or youth choir. Can be done as two part if needed. Add guitar with G, em, D, and C for a fuller feel. .
$2.75 2.57 € #Choral SATB #Edward J #Hymn of Thanksgiving #Christine Hulmer #SheetMusicPlus

#Edward J

Rise Choral SATB

By Katy Perry. By Ali Payami, Andrew Evan Thielk, Darren Criss, Edward J. Montilla, …(+)

By Katy Perry. By Ali Payami, Andrew Evan Thielk, Darren Criss, Edward J. Montilla, Korey Richmond, Sam Hollander, Theo Katzman, Max Martin, Savan Kotecha, and Katy Perry. Arranged by Jennifer McMillan. Pop. Octavo. 11 pages. Jennifer McMillan #4847495. Published by Jennifer McMillan
$2.50 2.34 € #Choral SATB #Katy Perry #Rise #Jennifer McMillan #SheetMusicPlus