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Fuga a tre
Choral SATB
Sheetmusic to print
3 sheet music found
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Anim Zemiros
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Choral SATB
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ADVANCED
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Ce...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
Fais Comme L'oiseau
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Choral SATB
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INTERMEDIATE
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Antonio Carlos & Jocafi
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Yquem Pello
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Fais Comme L'oiseau
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Yquem Pello
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1504261 By Antonio Carlos & Jocafi. By Antonio Pinto, Jose Figueiredo, and Pierre De...
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1504261 By Antonio Carlos & Jocafi. By Antonio Pinto, Jose Figueiredo, and Pierre Delanoe. Arranged by Yquem Pello. A Cappella,Barbershop,Jazz,Latin. 6 pages. Yquem Pello #1079717. Published by Yquem Pello (A0.1504261). (en Français en-dessous)A cool song from Brazil covered by Michel Fugain in France in 1974.Four-part harmony arrangement in French, with Barbershop and Bossa Nova influences, written for Quorale Quatrevoix.Suitable for all voices (SATB) ensembles (chorus or quartet), or some low voices ensembles. (Feel free to message Yquem Pello at yquempellomusic@gmail.com for any questions).Learning tracks available as well.Une belle chanson venue du Brésil, reprise par Michel Fugain en France en 1974.Harmonie à 4 voix en français, avec influences Barbershop et Bossa Nova, écrit pour Quorale Quatrevoix.Adapté aux ensembles à voix mixtes (chorale ou quatuor SATB), ou certains ensembles à voix graves. (Ne pas hésiter à contacter Yquem Pello via yquempellomusic@gmail.com pour toute question).Pistes d'apprentissage disponibles également.
$2.99
How Sweet the Sound
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Choral SATB
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INTERMEDIATE
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Lyrics by John Newton - Origin
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John R
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it’s a transformation
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How Sweet the Sound
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John R. Daniels
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.503417 Composed by Lyrics by John Newton - Original Music by William Walker. Arranged by John R....
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.503417 Composed by Lyrics by John Newton - Original Music by William Walker. Arranged by John R. Daniels. A Cappella,Folk,Sacred,Spiritual,Traditional. Octavo. 8 pages. John R. Daniels #115551. Published by John R. Daniels (A0.503417). How Sweet the Sound is more than an arrangement of Amazing Grace; it’s a transformation. It uses elements of American folk call-and-response as well as fugal subject-and-answer and stretto. The melody is easily recognizable and the variation is striking. IF YOU WOULD LIKE YOUR ENSEMBLE TO GAIN MORE MEDIA EXPOSURE, please record your performance of this piece and email it to CustomMusic@Salt-Cellar-Creations.com. It will be included in my social media postings and website samples with any contact info you may want to provide. If you need help with recording technique or email transfer, etc. please contact me. For more information about the arranger and other services, go to www.Salt-Cellar-Creations.com.
$2.00
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