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You've selected:
Fugue on
Choral SATB
Sheetmusic to print
18 sheet music found
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1
Toccata and Fugue in D minor, BWV 538 - Transcription for SATB Choir
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Choral SATB
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Alessio Niccolai
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Toccata and Fugue in D minor,
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Alessio Niccolai
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1029541 Composed by Johann Sebastian Bach. Arranged by Alessio Niccolai. 20th Century,Contempora...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1029541 Composed by Johann Sebastian Bach. Arranged by Alessio Niccolai. 20th Century,Contemporary. Octavo. 20 pages. Alessio Niccolai #5794845. Published by Alessio Niccolai (A0.1029541). The transcription for SATB Choir of the famous organ work of J.S. Bach, consists in a counterpoint explosion of the harmonies through a melodic construction that sometimes corresponds to one of the themes identifiable in the original piece and sometimes has been entirely reinvented; to facilitate the vocal performance of each of the four voices, Alessio Niccolai adapted a text to the musical sequences: it is made up of a set of ancient Latin proverbs.The execution is not the easiest: a casual pronunciation of Italian is certainly optimal for being able to correctly execute the Latin passages. Furthermore, the organ has its own native difficulty which could be significantly reduced with the performance on the piano (possibly in combination with an instrument that operates in the lower registers of the sound range) because the percussion of the hammers increases the auditory perception of the rhythm.However, the performance is not impossible even for an advanced amateur choir and guarantees an impact on the public.The idea of a transcription for choir of a purely organist work like this, was born in Alessio Niccolai's head from his first listening.
$10.00
Fugue For Autumn
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Choral SATB
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INTERMEDIATE
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The Swingles, Clare Wheeler
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Clare Wheeler
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Fugue For Autumn
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Clare Wheeler
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1098725 By The Swingles, Clare Wheeler. By Clare Wheeler. Arranged by Clare Wheeler. A Cappella,...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1098725 By The Swingles, Clare Wheeler. By Clare Wheeler. Arranged by Clare Wheeler. A Cappella,Classical,Contemporary,Jazz. Octavo. 1 pages. Clare Wheeler #702577. Published by Clare Wheeler (A0.1098725). A short original piece by Clare Wheeler scored for SATB. Originally performed by The Swingles on their Yule Songs EP, this is an atmospheric canon, evoking the feelings of Autumn, and things coming to an end. A great addition to an Autumn vocal programme. Also available one tone lower.
$8.00
Shopping Fugue
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Choral SATB
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EASY
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Stephen DeCesare
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Shopping Fugue
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Exultet Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.618549 Composed by Stephen DeCesare. Broadway,Children,Christmas,Musical/Show. Octavo. 15 pages...
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.618549 Composed by Stephen DeCesare. Broadway,Children,Christmas,Musical/Show. Octavo. 15 pages. Exultet Music #12033. Published by Exultet Music (A0.618549). Featured in The Gift of the Magi: the musical which is available on this site. Scored for Vocals and Piano. An accompaniment and rehearsal tracks are also available.
$3.99
The Breakfast Fugue
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Choral SATB
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EASY
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Stephen DeCesare
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The Breakfast Fugue
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Exultet Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.618553 Composed by Stephen DeCesare. Broadway,Children,Contemporary,Musical/Show. Octavo. 20 pa...
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.618553 Composed by Stephen DeCesare. Broadway,Children,Contemporary,Musical/Show. Octavo. 20 pages. Exultet Music #12073. Published by Exultet Music (A0.618553). Featured in: The Rock Bracelet: a Mother's Day musical which is available on this site. An accompaniment and rehearsal tracks are also available. Scored for 3 Boys, 1 Girl and Piano.
$3.99
Banquet Fugue
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Choral SATB
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Sacred music
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John Rutter
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Banquet Fugue
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Oxford University Press Digital
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SheetMusicPlus
SATB choir and piano, or piano, bass, and drum kit - Digital Download From The Reluctant Dragon. Composed by John Rutter (1945-). Sheet music. Octavo. ...
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SATB choir and piano, or piano, bass, and drum kit - Digital Download From The Reluctant Dragon. Composed by John Rutter (1945-). Sheet music. Octavo. 8 pages. Oxford University Press Digital #9780193537477. Published by Oxford University Press Digital
ISBN 9780193537477.
For SATB and piano, or piano, bass, and drum kit. This show-stopping fughetta is part of John Rutter's 'musical fable' The Reluctant Dragon. Also available in Encores for Choirs. Instrumental material is available on hire.
$3.25
Agnus Dei
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Choral SATB
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Cesar Alejandro Carrillo
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Agnus Dei
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Cesar Alejandro Carrillo
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.881136 Composed by Johann Sebastian Bach. Arranged by Cesar Alejandro Carrillo. Baroque,Sacred. ...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.881136 Composed by Johann Sebastian Bach. Arranged by Cesar Alejandro Carrillo. Baroque,Sacred. Octavo. 12 pages. Cesar Alejandro Carrillo #5969941. Published by Cesar Alejandro Carrillo (A0.881136). Based on Contrapunctus I of The Art of FugueDespite the cantabile character of this work, it must be taken into account that, although Bach did not determine it, The Art of the Fugue was thought to be performed with instruments. For this vocal version of the first fugue in the series, I have used the Agnus Dei text, which fits very well with the character of the music.
$4.00
Ubi Caritas
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Jay Dougherty
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Ubi Caritas
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Jay Dougherty
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1401582 Composed by Jay Dougherty. 21st Century,A Cappella,Chamber,Christian,...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1401582 Composed by Jay Dougherty. 21st Century,A Cappella,Chamber,Christian,Contest,Festival. 17 pages. Jay Dougherty #984765. Published by Jay Dougherty (A0.1401582). The timeless text of the Liber Usualis, Ubi Caritas, has been a source of inspiration for composers for centuries. Dating back to the 10th century AD, this poem conveys a profound message of love and unity, resonating through the ages. In Jay Dougherty's original setting, Ubi Caritas takes on a new dimension, crafted for double choir in an antiphonal style. Drawing from a rich palette of musical elements, Dougherty blends modern pandiatonic chord clusters with echoes of Renaissance polyphony, fugue, and cadences. A noteworthy touch lies in the incorporation of the original chant melody, delicately interwoven within the fabric of the piece. Dougherty's setting breathes fresh life into this timeless text, offering a captivating synthesis of tradition and innovation.Please purchase one copy per singer.For more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.com.
$2.99
Gaudeamus
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Choral SATB
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INTERMEDIATE/ADVANCED
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David W
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Gaudeamus
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David W. Barber
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1333731 Composed by David W. Barber. A Cappella,Christian,Early Music,Jazz,Medieval. 25 p...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1333731 Composed by David W. Barber. A Cappella,Christian,Early Music,Jazz,Medieval. 25 pages. David W. Barber #920028. Published by David W. Barber (A0.1333731). I wrote this piece in 2018 to mark the 50th anniversaryof the Toronto Chamber Choir, a fine early music choir I have sung with since 1998.Using the  opening of the well-known Gregorian chant Gaudeamus omnes (and changingthe text to let us rejoice in music, Gaudeamus is a five- minute musical history tourthrough the various time periods the TCC sings. It begins with plainchant, then two-voiceorganum of the 11th-century Notre Dame school of Leonin and Perotin, followed bythree-voice hocket of a slightly later period. Then a nod to the 15th-century Dufay motetNuper rosarum flores (which the TCC has performed.) Next comes some 16th-centuryTudor music -- Byrd, say -- including some false relations and a typical English cadence.Then comes an allusion to Purcell, specifically the pleasing dissonance of the “voice of theTurtle†from My Beloved Spake. Then comes a little Bach-like fugue (or fughetta) based onthe Gaudeamus motif. Since the TCC rarely performs Classic/Romantic repertoire, wejump immediately to a jazzy ending in compound meter -- imagine Byrd meets Brubeck,based on one of my own earlier pieces for solo piano, but with elements of the Gaudeamusmelody. And all that in five minutes. Phew!
$3.99
Breathe Low
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Choral SATB
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INTERMEDIATE/ADVANCED
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Cody Weinmann
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Breathe Low
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Cody Weinmann
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.835039 Composed by Cody Weinmann. Contemporary,Instructional. Octavo. 8 pages. Cody Weinmann #2...
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.835039 Composed by Cody Weinmann. Contemporary,Instructional. Octavo. 8 pages. Cody Weinmann #2005165. Published by Cody Weinmann (A0.835039). An epic piece for SATB choir and optional solo soprano part on the last page of the piece. This piece represents close and even clustered harmony, almost like a beautiful orchestra, but with voices. The piano player is more of a piano reduction of the choral parts. This is the perfect score for harmony practice within the choir, especially with ensembles that have trouble finding pitch in closer quarters. The text of Breathe Low is a meditation for those who are in tough times. The original text speaks peace and restoration. Breathe Low and Speak soft refer to a calming effect that will sooth audiences. There is also what I call the Football Section where a fugue like subject, Let us find peace, tosses itself between all voices starting in the bass section, moving to tenor, alto and soprano. Sometimes this section shares harmony (SA and TB together). It does have multiple meters from 4/4 to 2/4 time and back again. This peace encompasses a wide use of dynamics from piano to double forte. Print this piece on 8.5 x 11 in. paper. It is around 4 1/2 minutes and is 8 pages long in print.
$4.50
Offertory
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Choral SATB
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INTERMEDIATE/ADVANCED
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Stephanie K
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Offertory
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Stephanie K Andrews
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1272763 Composed by Stephanie K. Andrews. 21st Century,Chamber,Classical,Sacred,Traditional. Oct...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1272763 Composed by Stephanie K. Andrews. 21st Century,Chamber,Classical,Sacred,Traditional. Octavo. 20 pages. Stephanie K Andrews #864958. Published by Stephanie K Andrews (A0.1272763). Written in December of 2020 for Be near me when my light is low, a collaborative Requiem by the composers of Inversion Ensemble (a conductor-composer collaborative based in Austin, Texas), the Offertory movement text is a modern English rendition of the Offertory (“Domine Jesu Christe†and “Hostias et preces tibi, Domineâ€) from the traditional Latin Requiem Mass. The Offertory is introduced by a light, flowing sixteenth note pattern in the righthand of the piano that is rhythmically repetitive and meditative. The voices then appear in unison at first, gradually beginning to divide into harmony as the piece progresses until at the word death they fall back into a stark, unaccompanied unison. The Archangel Michael appears in the section that follows, leading the souls of the faithful to eternal light as the music crescendos and moves through an accelerando, ending on a triumphant C major chord on the final repetition of eternal light. A motive of assurance that this light is promised to the faithful for all eternity is presented in E-flat major, a motive that will reappear in the finale of the piece. The flowing sixteenth notes and harmonic shifts of the first section return at Sacrifices and praises we offer you, O Lord. The movement concludes with a fugue in the victorious key of C major, once again offering comfort to Christ's faithful ones through the assurance of heavenly light for all eternity.
$3.50
Anim Zemiros
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Choral SATB
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ADVANCED
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Ce...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
If We But Suffer God To Guide Us
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Choral SATB
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George Neumark
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Eric Willis, Joshua Lloyd Will
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A
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If We But Suffer God To Guide
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Eric Willis
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.944171 Composed by George Neumark. Arranged by Eric Willis, Joshua Lloyd Willis. Christian,Contemporary. O...
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Choral Choir (SATB) - Digital Download SKU: A0.944171 Composed by George Neumark. Arranged by Eric Willis, Joshua Lloyd Willis. Christian,Contemporary. Octavo. 18 pages. Eric Willis #4632987. Published by Eric Willis (A0.944171). 4-Part Choral/Gospel Choir - Intermediate to AdvancedThis beautiful hymn has been arranged as a 4-part fugue. It introduces a gospel-style bridge in the middle. The vocal parts are interesting and fun to sing. The melodic sequences were designed to be easily imprinted on the artist brain so each section of the choir becomes cohesive very quickly. Use: Suitable for choral groups who want to introduce an innovative Classical presentation or re-imagine a familiar hymnPresentation: A capella, Piano accompaniment, Organ accompaniment or full rhythm section
$5.95
Choral - O Sing to the Lord (Psalm 98)
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Choral SATB
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INTERMEDIATE
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Dan Cutchen Music
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Choral - O Sing to the Lord
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Dan Cutchen Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.844353 Composed by Dan Cutchen Music. Christian,Sacred,Spiritual. Octavo. 11 pages. Dan Cutchen ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.844353 Composed by Dan Cutchen Music. Christian,Sacred,Spiritual. Octavo. 11 pages. Dan Cutchen Music #4312291. Published by Dan Cutchen Music (A0.844353). O Sing to the Lord (Psalm 98) is a lovely and powerful expression of God's power and triumph.Scored for SATB with piano accompaniment.Time: approximately 3:40The piece utilizes alternating counter melodies in the verses and a strong homophonic declaration of joy and victory in the refrain.The bridge of the piece employs a simple and beautiful fugue set with the text from verse 9: ...for he is coming to judge the earth. He will judge the world with justice, and the nations with fairness.In regard to this psalm of David, Charles Spurgeon stated, There must be new songs on new occasions of triumph.For the piano accompaniment track, copy and paste the following into the search bar:Choral - O Sing to the Lord (Psalm 98) Accompaniment Track, Dan Cutchen
$1.99
Spring from "The Seasons" (Downloadable Piano/Choral Score)
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Choral SATB
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INTERMEDIATE
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Frank Ferko
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Spring from "The Seasons"
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and string quartet - Medium - Digital Download SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score &...
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SATB choir and string quartet - Medium - Digital Download SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score & instrument part. 10 pages. Duration 2 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8559-E. Published by E. C. Schirmer Music Company - Digital (MQ.8559-E). UPC: 600313485596. English.The Seasons was commissioned by the South Bend Chamber Singers, Nancy Menk, conductor, and first performed on March 3, 2013 by the South Bend Chamber Singers with the Euclid Quartet in a concert devoted to music about the weather. The texts for this work were selected by the composer, and they represent three different time periods, the 17th, 19th and early 20th centuries, to show that writers have long been fascinated by the seasons and by the distinct weather conditions that each season brings. Although certain types of weather, such as wind or rain, may occur in any of the seasons, the descriptions of weather in these four poems present specific weather conditions which commonly occur in each of the four seasons: a still, hot, sultry day interrupted by the movement of a light breeze from the hills (summer); the cooling morning mists and light frost which signal the coming of winter (autumn); the bitter iciness of fierce winds and frozen air-in this poem, further compared with man's ingratitude (winter); the warm rains and southerly winds that melt the ice and bring about new life (spring). Throughout this piece various musical devices are employed to underscore or even interpret the words. These devices include text painting, contrapuntal structures (double canon and fugue), and dramatically shifting harmonic colors as each season unfolds. The contrasting performing forces of mixed choir and string quartet are particularly well-suited for presenting, very colorfully, the various musical depictions of the weather conditions and characteristics of each of the seasons. -Frank FerkoDuration: 2:40.
$2.65
Los Pollitos
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Choral SATB
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INTERMEDIATE
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Miguel Astor
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Los Pollitos
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Miguel Astor
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.827785 Composed by Miguel Astor. Children,Concert,World. Octavo. 8 pages. Miguel Astor #3141109....
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.827785 Composed by Miguel Astor. Children,Concert,World. Octavo. 8 pages. Miguel Astor #3141109. Published by Miguel Astor (A0.827785). An original choral fugue based on a beloved traditional latin american childish song in baroque style. Known and sang by the kids in all the countries of hispanic culture.
$2.99
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
AVE MARIA - Tagliabue - Prayer for SATB Choir on Fugue in D Minor Bwv 565 by J.S.Bach
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Choral SATB
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Renato Tagliabue
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AVE MARIA - Tagliabue - Prayer
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Renato Tagliabue
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SheetMusicPlus
Composed by Renato Tagliabue. Christian, Spiritual, Sacred. Score, Set of Parts. 41 pages. Published by Renato Tagliabue (S0.207415). - Score,Set of Parts - Chr...
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Composed by Renato Tagliabue. Christian, Spiritual, Sacred. Score, Set of Parts. 41 pages. Published by Renato Tagliabue (S0.207415). - Score,Set of Parts - Christian,Spiritual,Sacred - Renato Tagliabue
$3.50
AVE MARIA - Prayer for SATB Choir on Fugue in D Minor Bwv 565 by J.S.Bach
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Choral SATB
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Renato Tagliabue
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AVE MARIA - Prayer for SATB Ch
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Renato Tagliabue
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SheetMusicPlus
Composed by Renato Tagliabue. Christian, Spiritual, Sacred. Score. 19 pages. Published by Renato Tagliabue (S0.207877). - Score - Christian,Spiritual,Sacred - R...
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Composed by Renato Tagliabue. Christian, Spiritual, Sacred. Score. 19 pages. Published by Renato Tagliabue (S0.207877). - Score - Christian,Spiritual,Sacred - Renato Tagliabue
$12.90
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