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You've selected:
He Hit Me
Choral SATB
Sheetmusic to print
15 sheet music found
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1
Da Doo Ron Ron (when He Walked Me Home)
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.958863 By The Crystals. By…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.958863 By The Crystals. By Ellie Greenwich, Jeff Barry, and Phil Spector. Arranged by Don Staffin. Contemporary. Octavo. 14 pages. Don Staffin #5720515. Published by Don Staffin (A0.958863). This SSATB version of the '60's hit by the Crystals features female lead and harmonies with male background vocals and an optional VP.
$2.99
2.76 €
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Choral SATB
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The Crystals
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Da Doo Ron Ron
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Don Staffin
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SheetMusicPlus
He Carried Me Away In The Spirit
Choral SATB
Choral (SATB) - Digital Download SKU: HX.362475 By James Whitbourn. This edition: s…
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Choral (SATB) - Digital Download SKU: HX.362475 By James Whitbourn. This edition: scorch. Choral. Classical. Octavo. 15 pages. Hal Leonard Europe #70461. Published by Hal Leonard Europe (HX.362475).
$1.70
1.57 €
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Choral SATB
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James Whitbourn
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He Carried Me Away In The Spirit
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Hal Leonard Europe
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SheetMusicPlus
Because He First Loved Me
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1186611 Composed by Freder…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1186611 Composed by Frederick Whitfield. Arranged by W. Michael Fortson. Religious,Sacred. Octavo. 5 pages. W. Michael Fortson #786259. Published by W. Michael Fortson (A0.1186611). Because He First Loved Me is an SATB arrangement that expresses the glory of the cross of Calvary and the believer's love of Jesus for making the ultimate sacrifice.
$1.99
1.83 €
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Choral SATB
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Frederick Whitfield
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Because He First Loved Me
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W. Michael Fortson
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SheetMusicPlus
Music always round me (for SATB choir and piano)
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1277925 Comp…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1277925 Composed by Alan Bullard. 21st Century,Classical. 11 pages. Colne Edition / BullardMusic #869628. Published by Colne Edition / BullardMusic (A0.1277925). Written for SATB choir and piano (or strings), and based on lines from a poem by Walt Whitman, Music always round me is a lively celebration of the joy of communal music-making, focussing on the character of each of the individual choral voices, and on the excitement of working together, breathing together, and thinking together in harmony.The mp3 is a live recording with strings, and the YouTube link is a digital recording with piano. Music always round me is a movement from Alan Bullard’s cantata Endless Song, for SATB choir and strings (quartet, quintet, or orchestra), or piano, also available from this site.COLNE EDITION CE130  www.colneedition.co.ukAlan Bullard’s choral music is performed and broadcast world-wide, and is in the repertoire of many choirs. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. www.alanbullard.co.uk
$1.99
1.83 €
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Choral SATB
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Alan Bullard
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Music always round me
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Colne Edition / BullardMusic
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SheetMusicPlus
Lord Jesus, Think on Me — SATB voices, organ
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1359972 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944462. Published by Con Spirito Music (A0.1359972). “Lord Jesus, Think on Me†is a translation and free paraphrase of a 5th-century poem by Synesius of Cyrene (ca. 375-414), Bishop of Ptolemais in north Africa and contemporary of Augustine, Bishop of Hippo (354-430). Synesius was a public servant and statesman, a neo-Platonic philosopher and poet. In 410, he was popularly chosen as Bishop of Ptolemais, a position he reluctantly accepted, as his views on certain beliefs of the church, including the soul's creation, a literal resurrection, and the end of the world (eschatos) were unorthodox. In the last of 10 odes Synesius authored, he describes himself bowing humbly in the presence of Christ. In the 1930s, a literal prose translation of the ode was made by the Anglican cleric Harold Costley-White:Be mindful, Christ Son of Godwho rules on high, of thy servant,sinful of heart, who wrote these words.And grant to me release from passions breeding death,which are inborn in my unclean soul.But give me to behold, Saviour Jesus,thy divine brightness, wherein appearingI shall sing a song,to the healer of souls,to the healer of limbs,with the great Fatherand the Holy Spirit.Amen. The text of this setting for SATB voices and organ selects verses from a free paraphrase of that ode, crafted by the Anglican priest and scholar, Allen William Chatfield (1808-1896) and published in his Songs and Hymns of Earliest Greek Christian Poets (1876):Lord Jesus, think on me and purge away my sin; from earthborn passions set me free, and make me pure within. Lord Jesus, think on me, nor let me go astray; through dark-ness and perplexity point Thou the heav'nly way.Lord Jesus, think on me amid the battle's strife; in all my pain and misery be Thou my Health and Life.Lord Jesus, think on me with many a care oppressed; let me Thy loving servant be and taste Thy promised rest.Lord Jesus, think on me that I may sing above to Fa-ther, Spirit, and to Thee the strains of praise and love.The incipit of each verse, “Lord Jesus, think on [remember] me, recalls the words of the penitent thief to Jesus at their crucifixion, and the petitions for guidance, forgiveness, and succor make this a fitting anthem for the penitential season of Lent. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, holiday, and patriotic music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Choral SATB
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Todd Marchand
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Lord Jesus, Think on Me — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
Me And Julio Down By The Schoolyard
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.583603 By Simon And Garfun…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.583603 By Simon And Garfunkel. By Paul Simon. Arranged by Jeff Tincher. Pop,Rock. Octavo. 17 pages. Jeff Tincher #4366148. Published by Jeff Tincher (A0.583603). Here is one of the first big hits for Paul Simon when he went solo. In the original key from his Paul Simon project, this arrangement includes the whistle section. The ending is from his The Concert at Central Park event. The song is currently featured in the animated movie Missing Link's trailer. I shortened the long instrumental ending for better performance. Duration = 2:16. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$1.99
1.83 €
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Choral SATB
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Simon And Garfunkel
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Me And Julio Down By The Schoolyard
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Jeff Tincher
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SheetMusicPlus
Come to Christ - four-part choir with simple keyboard support
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1251785 Composed by Jonath…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1251785 Composed by Jonathan David Whitcomb. Christian,Classical,Easter,Religious,Sacred. Octavo. 7 pages. Whitcomb Music #845962. Published by Whitcomb Music (A0.1251785). The music is by Jonathan David Whitcomb, with some of the words from an English translation of an ancient text: mostly in *Third Nephi, what is now designated Chapter 11. Whitcomb added and arranged some words to work musically.Most of the lyrics center around an account of the appearance of Jesus Christ to people of the American continent many centuries ago.*(in the Book of Mormon)PART ONEPress forward: Feast of the word of Christ;Behold you shall have eternal life.Hold to the rod: the word of God;Behold the tree of the love of God.We like sheep had gone astray,Turning from the chosen way.Turn again. Turn to God.While the Shepherd seeks a stray,Father, help us keep to the Way.Now comes a still small voice.Behold my Son, my Beloved Son:Come unto Him for eternal life.Behold His hands, his feet and side:For you he bled and died.Turn to Him. Come unto Christ.Come to Him.PART TWONow comes a man in white.I am Jesus Christ. Come to me.I am the light and the life of the world.I have been slain for the sins of the world.Feel the wounds in my hands and my feet and side.See with your eyes; feel with your hands.Come to me.
$1.99
1.83 €
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Choral SATB
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Jonathan David Whitcomb
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feel with your hands
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Come to Christ - four-part choir with simple keyboard support
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Whitcomb Music
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SheetMusicPlus
Now Thank We All Our God: Set B
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.837496 Composed by Martin …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.837496 Composed by Martin Rinkart. Arranged by Brett L. Wery. Holiday,Praise & Worship,Sacred. Octavo. 44 pages. Sonata Grendel Publishing #5753937. Published by Sonata Grendel Publishing (A0.837496). SET B Conductor’s Score,Trumpet 1, Trumpet 2, Horn in F, Trombone, Tuba, Timpani, SATB Choir/Organ Now Thank We All Our God was originally written ca. 1636 by Protestant minister, Martin Rinkart. The melody is attributed to Lutheran Hymnist, Johann Crüger and was used in three J.S. Bach chorales but the most common version we hear today was harmonized by Felix Mendelssohn in 1840. Martin Rinkart was a deacon in Eisleben Germany where he served during the Thirty Years’ War. The city of Eisleben and Rinkart’s own home became a sanctuary for political refugees during the war. The resulting overcrowding in the walled city resulted in a horrible plague which hit its peak in 1637. Rinkart was the only surviving pastor in the city and before the plague was over he would preside over 4000 funerals include that of his own wife. Despite this, it was during this time that he wrote Now thank we all our God. This new setting of Now Thank We All Our God draws on Rinkart’s fierce spirit of optimism and faith in a time of desolation and despair. To paint the picture of the circumstances in which Rinkart wrote the hymn, this setting opens with the text from Psalm 13: How long, Lord? Will you forget me forever?The setting turns quickly, in an act of disruptive optimism and faith, to a lopsided dance of joy. In the end, the setting returns to the opening question of Psalm 13, How long? only to be answered by Rinkart’s declaration, Gifts of love today!
$34.95
32.21 €
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Choral SATB
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Martin Rinkart
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Now Thank We All Our God: Set B
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Sonata Grendel Publishing
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SheetMusicPlus
Now Thank We All Our God: Set A
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.837495 Composed by Martin …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.837495 Composed by Martin Rinkart. Arranged by Brett L. Wery. Christian,Holiday,Praise & Worship,Sacred. Octavo. 12 pages. Sonata Grendel Publishing #5753929. Published by Sonata Grendel Publishing (A0.837495). SET A: SATB Choir/Organ (optional brass quintet and timpani-sold separately ) Now Thank We All Our God was originally written ca. 1636 by Protestant minister, Martin Rinkart. The melody is attributed to Lutheran Hymnist, Johann Crüger and was used in three J.S. Bach chorales but the most common version we hear today was harmonized by Felix Mendelssohn in 1840. Martin Rinkart was a deacon in Eisleben Germany where he served during the Thirty Years’ War. The city of Eisleben and Rinkart’s own home became a sanctuary for political refugees during the war. The resulting overcrowding in the walled city resulted in a horrible plague which hit its peak in 1637. Rinkart was the only surviving pastor in the city and before the plague was over he would preside over 4000 funerals include that of his own wife. Despite this, it was during this time that he wrote Now thank we all our God. This new setting of Now Thank We All Our God draws on Rinkart’s fierce spirit of optimism and faith in a time of desolation and despair. To paint the picture of the circumstances in which Rinkart wrote the hymn, this setting opens with the text from Psalm 13: How long, Lord? Will you forget me forever?The setting turns quickly, in an act of disruptive optimism and faith, to a lopsided dance of joy. In the end, the setting returns to the opening question of Psalm 13, How long? only to be answered by Rinkart’s declaration, Gifts of love today!
$2.75
2.53 €
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Choral SATB
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Martin Rinkart
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Now Thank We All Our God: Set A
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Sonata Grendel Publishing
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SheetMusicPlus
The Kingdom Has A New Son (Cast) from "The Kings" - ACT 2:Song 10
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.784836 Composed by McCorkl…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.784836 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11763. Published by DF McCorkle Music and eBook Publications (A0.784836). ACT 2: Song 10. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 12:24 - And David comforted Bathsheba his wife, and went in unto her, and lay with her; and she bore a son, and called his name Solomon. And Yahweh loved him;] [1 Kings 2:1-4 - Now the days of David drew nigh that he should die; and he charged Solomon his son, saying: 2 I go the way of all the earth; be thou strong therefore, and show thyself a man; 3 and keep the charge of Yahweh your God, to walk in His ways, to keep His statutes, and His commandments, and His ordinances, and His testimonies, according to that which is written in the law of Moses, that you may prosper in all that you do, and whithersoever you turn yourself; 4 that Yahweh establish His word which He spoke concerning me, saying: ‘If thy children take heed to their way, to walk before Me in truth with all their heart and with all their soul, there shall not fail thee, said He, a man on the throne of Israel.’] BATHSHEBA becomes pregnant again and DAVID a son, SOLOMON is born to them [The Kingdom has a New Son – Elders]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.76 €
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Choral SATB
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McCorkle, Dennis F
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The Kingdom Has A New Son
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Eternal Father, Strong to Save — original for SATB Choir
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1112596 Composed by John B…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1112596 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,A Cappella,Christian,Praise & Worship,Sacred. Octavo. 6 pages. Artistic Score Engraving di Galvagno Michele #714605. Published by Artistic Score Engraving di Galvagno Michele (A0.1112596). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$3.50
3.23 €
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Choral SATB
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John Bacchus Dykes
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Eternal Father, Strong to Save — original for SATB Choir
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Big Spender
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1258699 By Peggy Le…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1258699 By Peggy Lee. By Cy Coleman and Dorothy Fields. Arranged by John Fries. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Standards. 7 pages. John Fries #851958. Published by John Fries (A0.1258699). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Big Spender is a song written by Cy Coleman and Dorothy Fields for the musical Sweet Charity, first performed in 1966.  A hit version of the song by Shirley Bassey reached No. 21 in the UK Singles Chart in December 1967.  It was featured in the 2004 film The Life and Death of Peter Sellers, and in the 2005 film Nynne. T he song has become one of Bassey's signature songs.
$1.99
1.83 €
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Choral SATB
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Peggy Lee
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Big Spender
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John Fries
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SheetMusicPlus
Love Like a Flame, a sacred hymn
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1431955 Compos…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1431955 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 2 pages. Kevin G. Pace #1012431. Published by Kevin G. Pace (A0.1431955). A beautiful, sacred hymn celebrating the visitation of the Savior to the Kirtland Temple, in Kirtland, Ohio in 1836 (see Doctrine and Covenants, section 110). Music by Kevin G. Pace. Text by Mary Ann W. Snowball.Text:When stood our true Lord on the pulpit of God,Under his feet was pure gold.The hair of his head was white like the snow,Showing the glory He owned.His countenance glowed as beyond brilliant sun;Like rushing waters He spoke.His voice was then heard, proclaiming his worth.With Him I’m anchored and yoked.And then my still gaze rested into his eyes,Feeling his love like a flame.Sure warmth as a fire went straight to my heart,Knowing for me He was slain.His eyes, oh his eyes, could show only pure love,No matter what I had done.I wept as I peered with love of my own,Reveling in God’s own Son.
$1.99
1.83 €
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Choral SATB
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Kevin G
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Love Like a Flame, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
The Storm for choir
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576776 Composed by Roland …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576776 Composed by Roland Rogers. Arranged by David Warin Solomons. Christian,Romantic Period. Octavo. 7 pages. David Warin Solomons #432529. Published by David Warin Solomons (A0.576776). Transcription of Roland Rogers' victorian choral piece The Storm, with words by Adelaide Anne Procter (who also wrote the words for the famous song by Arthur Sullivan The Lost Chord) An arrangement of this music for woodwind quartet is also available on this site. The sound sample is sung by me (transposed down a fourth). The tempest rages wild and high, The waves lift up their voice and cry Fierce answers to the angry sky, - Miserere Domine. Through the black night and driving rain, A ship is struggling, all in vain To live upon the stormy main; - Miserere Domine. The thunders roar, the lightnings glare, Vain is it now to strive or dare; A cry goes up of great despair, - Miserere Domine. The stormy voices of the main, The moaning wind, the pelting rain Beat on the nursery window pane: - Miserere Domine. Warm curtained was the little bed, Soft pillowed was the little head; The storm will wake the child, they said: Miserere Domine. Cowering among his pillows white He prays, his blue eyes dim with fright, Father save those at sea to-night! Miserere Domine. The morning shone all clear and gay, On a ship at anchor in the bay, And on a little child at play, - Gloria tibi Domine!
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Choral SATB
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Roland Rogers
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- Miserere Domine
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The Storm for choir
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David Warin Solomons
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SheetMusicPlus
Three Latin Elegies to Lesbia
Choral SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.6 €
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Choral SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
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