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It Moves Me
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You've selected:
It Moves Me
Choral SATB
Sheetmusic to print
7 sheet music found
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1
It Is Not Death to Die
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Choral SATB
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INTERMEDIATE/ADVANCED
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Robert Myers
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It Is Not Death to Die
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages....
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music #4767525. Published by WheatMyer Music (A0.976710). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.
$2.25
Jesus Loves Me (SATB, piano)
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Choral SATB
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INTERMEDIATE
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Sacred music
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Bradley Sowash
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Bradley Sowash
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Jesus Loves Me
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Bradley Sowash
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1198518 By Bradley Sowash. By William B. Bradbury. Arranged by Bradley Sowash. Christian,Jazz,Pr...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1198518 By Bradley Sowash. By William B. Bradbury. Arranged by Bradley Sowash. Christian,Jazz,Praise & Worship,Religious,Sacred. Octavo. 16 pages. Bradley Sowash #797661. Published by Bradley Sowash (A0.1198518). Classic hymn set to a contemporary groove SATB, pianoThis anthem begins with the piano and soloist laying out a quiet slow gospel waltz. However, when the choir joins in with an enthusiastic “Yes! Jesus loves me,†the congregation knows this is not your Grandma’s version of the Sunday school classic. The work continues in a jazz waltz feel until a sudden stop when the piano sets up a funky back beat feel and the music really starts to kick. A key change near the end moves the energy up again for a really big ending. It will take more than one rehearsal to put it together but it’s worth it to see their smiles of appreciation.
$1.99
Jesus Loves Me - Jazz Quintet and Choir
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Choral SATB
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INTERMEDIATE
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Bradley Sowash
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Jesus Loves Me - Jazz Quintet
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Bradley Sowash
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.750121 Arranged by Bradley Sowash. Christian,Jazz,Sacred. Octavo. 36 pages. Bradley Sowash #2426...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.750121 Arranged by Bradley Sowash. Christian,Jazz,Sacred. Octavo. 36 pages. Bradley Sowash #24261. Published by Bradley Sowash (A0.750121). Classic hymn set to a contemporary grooveSATBIncludes a license to make as many copies as you like.This anthem begins with the piano and soloist laying out a quiet slow gospel waltz. However, when the choir joins in with an enthusiastic Yes! Jesus Loves Me, the congregation knows this is not your Grandma’s version of the Sunday school classic. The work continues in a jazz waltz feel until a sudden stop when the piano sets up a funky back beat feel and the music really starts to kick. A key change near the end moves the energy up again for a really big ending. It will take more than one rehearsal to put it together but it’s worth it to see their smiles of appreciation. (Includes a separate piano part for easy page turning.).
$14.99
O Love That Will Not Let Me Go
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Choral SATB
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Sacred music
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Molly Ijames
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O Love That Will Not Let Me Go
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SoundForth
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SheetMusicPlus
SATB choir, Piano - Digital Download SKU: LX.10-4446SF Arranged by Molly Ijames. Sacred Anthem, Christian Life, Dedications, Funeral, General. Octavo. 8 ...
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SATB choir, Piano - Digital Download SKU: LX.10-4446SF Arranged by Molly Ijames. Sacred Anthem, Christian Life, Dedications, Funeral, General. Octavo. 8 pages. SoundForth #e10/4446SF. Published by SoundForth (LX.10-4446SF). ISBN 9781429134156.With compositional coherence, Molly's setting of this cherished hymn moves the affections and encourages the heart. She has also included a beautiful original tune, giving it a wonderfully fresh perspective.
$2.40
Count On Me
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Choral SATB
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INTERMEDIATE
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Bruno Mars
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Chris Arnold
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Count On Me
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Chris Arnold
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.874663 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Chris Arnold. ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.874663 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Chris Arnold. A Cappella,Pop,R & B. Octavo. 11 pages. Chris Arnold #4312437. Published by Chris Arnold (A0.874663). This song has been tailored to suit youth mass choir events, with participants ranging in age from teen to young adult. It features girls in 4-part harmony, then boys, and finally all singers in 8-part harmony. The message is especially suited to youth choir events.Written for combined men's and women's barbershop ensembles, the melody is primarily in the second voice, shown as Lead; dashed lines indicate where the melody moves to a different voice. The women's baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff. The men's tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.$25.98 US price includes 8 copies per purchase, suitable for double-quartets. For choruses, look for the same title available under choral ensembles.
$25.98
Count On Me
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Choral SATB
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INTERMEDIATE
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Bruno Mars
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Chris Arnold
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Count On Me
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Chris Arnold
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.874664 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Chris A...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.874664 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Chris Arnold. Pop,R & B. Octavo. 11 pages. Chris Arnold #4312443. Published by Chris Arnold (A0.874664). This song has been tailored to suit youth mass choir events, with participants ranging in age from teen to young adult. It features girls in 4-part harmony, then boys, and finally all singers in 8-part harmony. The message is especially suited to youth choir events.Written for combined men's and women's barbershop ensembles, the melody is primarily in the second voice, shown as Lead; dashed lines indicate where the melody moves to a different voice. The women's baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff. The men's tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.$1.99 US per copy, suitable for choruses and choirs. For double-quartets, look for the same title available under small ensembles.
$1.99
Beyond The Sea
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Choral SATB
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INTERMEDIATE/ADVANCED
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
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