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Let It Be - String Trio
Choral SATB
Sheetmusic to print
8 sheet music found
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1
Let All the World in Ev'ry Corner Sing — SATB voices, organ
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1439047 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1439047 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1019076. Published by Con Spirito Music (A0.1439047). “Let All the World in Ev’ry Corner Sing” is a short poem from the collection, The Temple, by Anglican priest, poet, and orator George Herbert (1593-1633). A contemporary of William Shakespeare and John Milton, God-child to poet John Donne, Herbert is associated with the 17th-century Metaphysical poets and “is remembered as a pivotal figure: enormously popular, deeply and broadly influential, and arguably the most skillful and important British devotional lyricist of his or any other time.” Shortly before his death in 1633 at age 39, Herbert directed that a manuscript of his religious poems be sent to his fellow clergyman and friend, Nicholas Ferrar, reportedly saying, “Tell him ... if he can think it may turn to the advantage of any dejected poor Soul, let it be made publick: if not, let him burn it: for I and it, are less than the least of God’s mercies.” First published in 1633, The Temple was an enormously popular work, totaling more than 20,000 copies printed in 13 editions between 1633 and 1679.“Let All the World in Ev'ry Corner Sing” is the refrain of Herbert’s poem, “Antiphon (I),” which appeared in the “Christian Life” section of The Temple. An antiphon may be defined as a short sentence or refrain sung or recited before or after a psalm or canticle; and in Herbert's short poem of two stanzas, he may also have intended that the verses be recited antiphonally (alternately) by two groups. The third stanza in this setting for SATB voices and organ, a doxology by an unknown author, was added in the 19th century. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.8 €
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Choral SATB
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Todd Marchand
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Let All the World in Ev'ry Corner Sing — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
Three Latin Elegies to Lesbia
Choral SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.49 €
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Choral SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
On the Seashore of Endless Worlds (SATB Choir)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.522260 Composed by Colin K…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.522260 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 33 pages. Colin Kirkpatrick Publications #6028587. Published by Colin Kirkpatrick Publications (A0.522260). This choral work is sure to add excitement to your concert and it was given splendid reviews when it was first performed at London’s Royal Albert Hall. It was later performed at Croydon’s Fairfield Halls just outside London where it received a rapturous reception from the large audience. The work is ideal for music festivals (for which it was originally written) or any important event which needs a celebratory piece for choir and orchestra. The piece celebrates the endless joy of life and light, as children play on the seashore. The choral parts are not difficult and parts of the soprano could also be sung by children’s chorus if necessary. The words of the soprano solo part have a reflective, maternal quality as she watches the children playing on the shore. Singers are sure to enjoy the catchy melodies, the expressive soprano solo and the dramatic middle section of this work. Parts of the piece use several irregular time signatures. Don’t let them put you off! They are good deal easier than they look and the score contains indicates how they break down into simple units of two and three beats.The choral score contains a piano reduction of the orchestral score. The full orchestral score and parts are available separately from SMP. The orchestration is standard and requires: 2 flutes and piccolo, 2 oboes, 2 clarinets in B flat, 2 bassoons; 4 horns in F, 3 trumpets, 3 trombones, 1 tuba, timpani, percussion (4 players), violin 1, violin 2, viola, cello, double bass. A high-quality audio file containing the orchestral accompaniment is also available.The words are by the distinguished and much-loved Bengali poet Rabindranath Tagore (1861-1941). He made significant contributions to literature and wrote a prodigious number of works including essays, philosophical treatises, journals, memoirs, short stories and letters. The text of this work is taken from two poems in the book entitled Gitanjali. The title is translated as Song Offerings and was largely responsible for Tagore winning the Nobel Prize for Literature. The book contains over one hundred poems, translated freely by the author into English from the original Bengali, published in 1910. The English version appeared in 1912 published by the Indian Society of London. The text has been adapted slightly for this choral setting.Colin Kirkpatrick has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester and Belwin Mills. His music has been performed and broadcast world-wide.
$3.99
3.59 €
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Choral SATB
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Colin Kirkpatrick
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On the Seashore of Endless Worlds
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Colin Kirkpatrick Publications
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SheetMusicPlus
Stevenson Prayer and Epitaph (Give us grace)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.819481 Composed by Sara Ga…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.819481 Composed by Sara Garrard. Contemporary,Folk,Patriotic,World. Octavo. 7 pages. Sara Garrard #6092459. Published by Sara Garrard (A0.819481). SATB unaccompanied | Duration: 2m30 | Difficulty: Moderate (needing good breath support) with rehearsal piano.Texts by Robert Louis Stevenson (1850-1894) A setting of two separate texts appearing on Stevenson's memorial in St. Giles Cathedral. The first part is flowing, irregular, folk-like; the second a solemn but joyful hymn. This could be either a concert piece or used in a ceremony of remembrance. 2019 Give us grace and strength to forbear and to persevere. Give us courage and gaiety, and the quiet mind. Spare to us our friends, soften to us our enemies. Bless us, if it may be, in all our innocent endeavours. If it may not, give us the strength to encounter that which is to come, that we may be brave in peril, constant in tribulation, temperate in wrath, and in all changes of fortune, and down to the gates of death, loyal and loving to one another.Under the wide and starry sky,Dig the grave and let me lie.Glad did I live and gladly die,And I laid me down with a will.This be the verse you grave for me:Here he lies where he longed to be;Home is the sailor, home from sea,And the hunter home from the hill.Robert Louis Stevenson, Scotland, prayer, thanksgiving, memorial, funeral, remembrance, folk, anthem.The youtube link is to a piano version of the second half of this piece beginning: Under the wide and starry sky
$4.25
3.82 €
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Choral SATB
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Sara Garrard
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Stevenson Prayer and Epitaph
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Sara Garrard
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SheetMusicPlus
Platinum Jubilee Anthem
Choral SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.903820 Composed by G.F.HA…
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.903820 Composed by G.F.HANDEL. Arranged by Alan Edgar. Baroque,Patriotic. Octavo. 77 pages. Alan Edgar Ted Moon #6794473. Published by Alan Edgar Ted Moon (A0.903820). This is an arrangement of Handel's Coronation Anthem Let thy hand be strengthened, allowing a bigger variety of instruments and with almost entirely new words to celebrate the Jubilee of Queen Elizabeth II.DURATION 8 minutesINSTRUMENTATION: SAATB, 2 Vns,Va,Vc. Optional Fl, Ob, Cl, Bn, 2 Trpts, 2 Hns,Trb,Tu, Cb,Timps. Keyboard part in vocal score but it is not needed in performance. Handel probaby had over 200 performers, including 160 instrumentalists, so don't be afraid to use everybody!
$25.00
22.47 €
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Choral SATB
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G
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Platinum Jubilee Anthem
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Alan Edgar Ted Moon
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SheetMusicPlus
As On the Night — SATB voices, organ
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1492434 Compos…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1492434 Composed by Orlando Gibbons. Arranged by Todd Marchand. Christian,Christmas,Renaissance,Sacred. 5 pages. Con Spirito Music #1069110. Published by Con Spirito Music (A0.1492434). As On The Night is a song text for Christmas Day by English poet, satirist, pamphleteer, and hymn-writer George Wither (1588-1667), whose life spanned the tumultuous period in English history that included the reigns of Elizabeth I, James I, and Charles I and the continuous tension between Catholic and Protestant faith and practice. Desiring to counter the practice of exclusively using psalms as texts for congregational singing in worship, Wither published in 1623 The Hymnes and Songs of the Church, with The First Part comprehend[ing] Hymns, and such parcels of Holy Scripture, as may properly be sung, with some other ancient Songs and Creeds, and The Second Part consist[ing] of Spiritual Songs, appropriated to the several Times and Occasions observable in the Church of England. As On The Night appears in part two as a song to commemorate Christmas Day. Its first stanza is a retelling of elements of the Nativity story as found in Luke 2:7-20; its second stanza is a consideration of the Incarnation and work of Christ (Our flesh he wore, our sin to wear away; Our curse he bore, that we escape it may; And wept for us that we might sing for aye.).The music accompanying As On the Night is Song 46, one of many tunes written for Wither's collection by English composer and keyboardist Orlando Gibbons (1583-1625). As Gibbons notated only the melody and bass lines of his tunes, the harmonization in this arrangement for SATB choir and organ is largely that of The English Hymnal (1906). ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.comVoices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com).
$2.99
2.69 €
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Choral SATB
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Orlando Gibbons
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As On the Night — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
Three Evening Canticles — SATB voices, organ
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349231 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Published by Con Spirito Music (A0.1349231). Three Evening Canticles were written as part of a setting of choral evensong for Church of the Holy Apostles - Anglican, Fort Worth, Texas. Metrical, mostly homophonic, and conservative in technical challenges and ranges, these canticles are accessible for small choirs and those of moderate ability, yet musically satisfying for large and accomplished groups. Phos Hilaron (“O Gladsome Lightâ€) is one of the earliest known Christian hymns (ca. 3rd-4th century) recorded outside of the Bible. Intended to be sung at the kindling of lights in the evening, it is sometimes known as the “lamp-lighting hymn†and has been adopted by some Anglican bodies as an optional invitatory canticle immediately preceding the psalm(s) appointed for the day.Magnificat (The Song of Mary) is a scriptural canticle based on an account in the Gospel of Luke (1:46-55). Mary, the expectant mother of Jesus, visits her cousin  Elizabeth, the expectant mother of John the Baptist, who will prophetically proclaim the coming of the Messiah. Elizabeth praises Mary for her faith and subjection to God’s will, and Mary responds, “My soul doth magnify the Lord ... for he that is mighty hath magnified me ... and his mercy is on them that fear him throughout all generations.†The Magnificat is said or sung immediately after the first lesson (scripture reading) in the service of evening prayer. Nunc Dimittis (The Song of Simeon) is also a scriptural canticle taken from Luke (2:29-32).  Simeon, a devout Jew, had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph bring the infant Jesus to the Temple in Jerusalem for the ceremony of redemption of the firstborn son, Simeon takes the child into his arms and says “Lord, now lettest thou thy servant depart in peace ... for mine eyes have seen thy salvation.†The Nunc Dimittis is said or sung after the second lesson in evening prayer.Texts for these settings are from The Book of Common Prayer (2019), Traditional Language Edition, according to the use of the Anglican Church in North America, and they are largely the texts of the 1662 Book of Common Prayer of the Church of England.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$3.00
2.7 €
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Choral SATB
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Todd Marchand
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Three Evening Canticles — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
The Star Spangled Banner
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1384229 Comp…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1384229 Composed by Francis Scott Key. Arranged by Victoria Campbell. Jazz,Patriotic. 5 pages. Victoria Campbell #968576. Published by Victoria Campbell (A0.1384229). An arrangement of Francis Scott Key's infamous Star Spangled Banner for Choral SATB, complete with beautiful jazz melodies and tied together with a soaring soprano solo. Be warned - there's lots of dissonance, but that just makes it more fun.
$1.99
1.79 €
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Choral SATB
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Francis Scott Key
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The Star Spangled Banner
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Victoria Campbell
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SheetMusicPlus
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